Creative Time has previously worked with Pedro Reyes on Doomocracy,
Creative Time Reports, and the Creative Time Summit.
Creative Time Reports launched its partnership with The Intercept, a new digital magazine created by filmmaker Laura Poitras and journalists Glenn Greenwald and Jeremy Scahill, with artist Trevor Paglen's newly published photographs of three US intelligence agencies — including the NSA.
Creative Time has previously worked with Ahmet Öğüt on
Creative Time Reports and the Creative Time Summit.
Creative Time has previously worked with Trevor Paglen on The Last Pictures,
Creative Time Reports, and the Creative Time Summit.
Ghani's writing has appeared in
Creative Time Reports, Foreign Policy, and Ibraaz, among others.
She is the director of Creative Time's Global Initiatives department, where she oversees the Creative Time Summit and is editorial director of
Creative Time Reports.
Additional Footage Courtesy: Marisa Mazria Katz for
Creative Time Reports.
We are excited to launch Tales from the Kitchen, a new video from
Creative Time Reports and Delfina Foundation.
Creative Time, one of the longest standing institutions for the production of ambitious public art in New York City, recently launched
Creative Time Reports, an international, web - based news platform.
To learn more about
Creative Time Reports or to subscribe to their email list, visit creativetimereports.org
Associate Art Editor Kara Rooney sat down with
the Creative Time Reports team — Anne Pasternak, Creative Time Chief Curator Nato Thompson, and CTR's Editorial Director Laura Raicovich — to learn more about the aims of this unique project as well as its initial development.
A few days ago, Dred Scott wrote I Am Not an American and Got Sense Enough to Know It for
Creative Time Reports.
A Conversation About Manifesta 10 with Joanna Warsza» by Nato Thompson in
Creative Time Reports, June 26, 2014.
Tags:
Creative Time Reports, Marfa Dialogues / New York, Marfa Dialogues / NY, MD / NY, Staten Island Arts, Tattfoo Tan
She is also a prolific writer whose longform interviews (frequently of prominent or emerging black creatives) have appeared in The Guardian, The New Inquiry, Longreads, and
Creative Time Reports.
Ayas occasionally contributes to publications such as Yishu Journal, A Prior, Mousse and
Creative Time Reports, and was nominated for ICI ¹ s Independent Curatorial Vision Award in 2012.
Her work has been reviewed in Hyperallergic,
Creative Time Reports, Art Fag City, New York Daily News, and The Brooklyn Press.
She is a Contributing Editor of
Creative Time Reports, a contributing writer for ARTFORUM.com, and writes for other international publications such as Art in America and Artcritical.com.
Creative Time Reports, a multimedia website dedicated to artists» commentary and analysis on contemporary issues from around the world, was launched in October 2012.
Writing in
Creative Time Reports, Robert Lovato describes some of the cultural interventions that artist / activists are staging to campaign for migrants» rights — particularly those adapting the monarch butterfly, that great migrator, as the movement's symbol.
Rasheed's other writing has been published in Triple Canopy,
Creative Time Reports, The New Inquiry, Frieze, among others.
It's also one he wrote about last week in an essay for
Creative Time Reports.
She was a contributing editor at
Creative Time Reports (2015 - 2016), and has contributed to international magazines such as ARTFORUM.com, Artcritical.com, TOHU Magazine, and BOMB Magazine, among other publications.
She also launched the Creative Time Summit, a conference revolving around art and social justice, and the journalist initiative
Creative Time Reports.
He is an executive board member of Cinema Tropical and on
the Creative Time Reports Advisory Committee.
Recent texts have been published in
Creative Time Reports, Ibraaz, Triple Canopy, and the readers Critical Writing Ensembles, Dissonant Archives, The Gulf: High Culture, Hard Labor, and Social Medium: Artists Writing 2000 - 2015.
Recent texts have been published by
Creative Time Reports, Foreign Policy, Ibraaz, Triple Canopy, and the Manifesta Journal, and featured in the anthologies «Dissonant Archives», «The Gulf: High Culture, Hard Labor», and «Artists Writing 2000 - 2015.»
All images via Trevor Paglen at First Look, in collaboration with
Creative Time Reports (who commissioned the project).
In partnership with Marfa Dialogues / NY,
Creative Time Reports presents a panel discussion on how culture can help visualize the impact of climate change with artist Maya Lin, Natural Resources Defense Council President Frances Beinecke and Creative Time President and Artistic Director Anne Pasternak.
Her writing has been published in The New Inquiry, Gawker, The Guardian, and
Creative Time Reports.
As part of Creative Time's exhibition «Funk, God, Jazz, and Medicine: Black Radical Brooklyn,» a collaboration with Weeksville Heritage Center,
Creative Time Reports is featuring essays related to the history of African - American struggles for self - determination in Brooklyn.
His work has been featured in The New Yorker, Interview Magazine, BBC Radio, and
Creative Time Reports, among others.
This is why Trevor Paglen and
Creative Time Reports released his NSA photographs under a Creative Commons copyright license and with The Intercept — to help bring the critique of the media beyond the white walls, into the public sphere, and thus in more direct engagement with the institutions the work was critiquing.
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large,
Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
Not exact matches
Harvard Business Review
reports that happy people are 31 % more productive, have 37 % higher sales, three
times more
creative, and 40 % more likely to get a promotion in the next year.
Intelligent
reporting gives you a real -
time snapshot on content, channel, and
creative performance.
In a meta analysis of 225 academic studies by Sonja Lyubomirsky, Laura King and Ed Diener (as
reported in the 2012 Harvard Business Review) it was shown that happy employees have a higher productivity rate by 31 %, increased sales by 37 % and are 3
times more innovative and
creative.
GOP gubernatorial designee Rick Lazio took some
time out from campaigning in Rochester today to take a swipe at AG Andrew Cuomo for semi-panning Gov. David Paterson's
creative use of budget extenders as «intriguing» but not optimal, YNN's Mark Gruba
reports.
They asked 607 pairs of identical or fraternal twins who had
reported having used marijuana at least five
times in their lives to recall how they had felt when they smoked: whether they were, for instance, relaxed and
creative or anxious and unable to concentrate.
Though it's a
creative choice to find partners in this way, but in fact NY
Times once
reported one of the members in these groups, she said, «I've been in tennis for four months and there's maybe only one guy out of six people is suitable for a fitness date.
(This extensive LA
Times report details the financial and legal consequences of his
creative blockage.)
Exhibiting that fiery intensity and sexy unpredictability that made viewers puke with desire the first
time around, Variety
reports that the Fifty Shades Of Grey
creative team will fulfill requests to go faster and harder by filming sequels Fifty Shades Darker and Fifty Shades Freed back - to - back early next year.
However, the
report says that the government needs to acknowledge that at the same
time, the EBacc and Progress 8 have «brought increased pressure on arts subjects» and to «consider the impact which reduced access to the arts is likely to have both on pupils and on the
creative industries more widely».
In 1996, the TES
reported, «Schools are giving up on participation in the
Creative Science and Technology scheme [former name of CREST] because it is too
time - consuming.
The annual NMC Horizon
Report describes the continuing work of the NMC Horizon Project, a research - oriented effort that seeks to identify and describe emerging technologies likely to have considerable impact on teaching, learning, and
creative expression within higher education over three
time horizons — one year or less, two to three years, and four to five years.
Munster is basing his information on a recent
report by
Creative Strategies analyst Tim Bajarin, who wrote that Amazon is aiming to release at least one tablet computer based on Google's Android operating system in
time for the holiday 2011 season.
I got my taxes wrangled and, for the first
time in a number of years, I've has absolutely no income to
report from my
creative work.
The pet - adoption rate is up more than 20 percent in King County, Washington, animal shelters in a year, thanks to cat cafes,
creative and dedicated volunteers, foundation grants, and physical and other changes at area shelters, the Seattle
Times reported recently.
Creative Time launches series of protest flags; photographer Khadija Saye
reported as a victim of London's Grenfell Tower fire
«
Creative Time Global Residency:
Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «
Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013