Sentences with phrase «creative control means»

Creative control means it is your book and because you own it, the major decisions regarding the book are yours to make.

Not exact matches

That realm of nature which used to be beyond human understanding and control, with which, therefore, one could only establish a creative relation by means of this hypothesis «God», is now more and more being conquered by reason and technique.17

Eric Carle has such a beautiful style, and the kids love to see what else the caterpillar is going to eat This craft is an invitation to create, meaning, the materials are placed out and the children have creative control to craft however they like.

No wonder Robert Duvall refused to let anyone else take control of his beautiful script, and waited until he had the means to produce the film himself, with complete creative control.

«Creative control doesn't mean a whole lot if what's at stake is tremendous,» he warned.

Nintendo aren't directly involved in development, meaning Platinum have creative control and are working on improvements based on feedback they received after the release of the first game.

The fact that Braff funded the film through his notorious Kickstarter campaign also means no studio interference so this is the untarnished piece bolstered by full creative control.

What's more, this is a bold and brave filmmaking decision, meaning we're not going to get a paint - by - the - numbers remake, and Blumhouse has always given a huge amount of creative control to their filmmakers, so we won't have to worry about some clueless businessman making creative decisions.

While certainly not a traditional digital book by any means, it is, however, another example of the creative control an author can exert of her work thanks to non-traditional forms of publishing platforms.

Orna Ross, Founder of Alliance of Independent Authors said: «Digital publishing means writers today can take creative control and publish their books, their way, to a global audience and can now earn a living from their writing as never before.

The prominence that self - publishing is gaining has meant greater accessibility to «undiscovered» authors, but also greater creative and marketing control of their books by even those authors with an established audience.

While the group of publishers told PaidContent.org the standards are «open,» I'm guessing by «open» they don't mean the common definition of «open» used by the software and Creative Commons community, but «open» in the «we all agree to these standards» but «we control them and the DRM attached.»

Splashdown Books is a speculative fiction indie press that now functions as a hybrid imprint, meaning that authors who meet our criteria can publish themselves and keep total creative control while enjoying the benefits of belonging to an established brand.

It means that the creative control remains very much with the authors and their vision can be realised without the commercial constraints of the big publishing houses.

Which means that they might change they way the operate (from thinking they have creative control to seeing themselves as a business partner with a development studio), granted not every publisher is like that.

Not to mention the fact that they still have full creative control over Fuse, meaning that the design change (which wasn't all that great, considering OverStrike only existed to us as a pre-rendered, non-gameplay trailer) was entirely their chioce.

This means that when players pick their side as either Autobot or Decepticon, they will have a massive level of creative control over their character and that the world around them won't be static.

Drawing In All Its Forms — focuses on drawing in its various forms and many modes of expression: from everyday and self - controlled practice to elements of analysis and creative outlets, from a means of communication to the need to express.

While Surrealist automatism, which consisted of scribblings recorded without the artist's conscious control, was primarily designed to awaken unconscious associations in the viewer, the automatic approach of the Action painters was primarily conceived as a means of giving the artist's instinctive creative forces free play and of revealing these forces directly to the viewer.

And they can be designed with wider apertures, meaning better low - light performance and creative control over attractive blurry backgrounds.

However, there was no significant difference between creative play and control in depression symptoms (adjusted mean difference: − 2.51, 95 % CI − 11.42 to +6.39, p = 0.58).