South Bend, IN About Blog South Bend Wedding Photographers, Katie Whitcomb Photographers are Indiana's premier wedding photography team capturing classic photojournalistic yet
creative images of the most exquisite weddings for discerning brides and grooms in the Northern Indiana area including South Bend, Mishawaka, Granger, Notre Dame and Saint Mary's College, Basilica of the Sacred Heart, Indianapolis, Chicago and throughout the entire M Frequency about 1 post per week.
South Bend, IN About Blog South Bend Wedding Photographers, Katie Whitcomb Photographers are Indiana's premier wedding photography team capturing classic photojournalistic yet
creative images of the most exquisite weddings for discerning brides and grooms in the Northern Indiana area including South Bend, Mishawaka, Granger, Notre Dame and Saint Mary's College, Basilica of the Sacred Heart, Indianapolis, Chicago and throughout the entire M Frequency about 1 post per week.
In an ad campaign for Saudi Arabia, the company cleverly portrays this message through
creative images of their products built from smaller, less expensive objects.
Judging the Icon category of the Wanderlust Travel Photo of the Year, we see many
creative images of some of the world's great monuments.
Casteel's
creative images of menacing looking dogs diving underwater to retriever their beloved toy creates remarkably strong visuals that will make you look at your own dog from a new perspective.
South Bend, IN About Blog South Bend Wedding Photographers, Katie Whitcomb Photographers are Indiana's premier wedding photography team capturing classic photojournalistic yet
creative images of the most exquisite weddings for discerning brides and grooms in the Northern Indiana area including South Bend, Mishawaka, Granger, Notre Dame and Saint Mary's College, Basilica of the Sacred Heart, Indianapolis, Chicago and throughout the entire M Frequency about 1 post per week.
Creative images of maternity and family for almost 20 years.
Not exact matches
Target curated based on the «collective
image»
of creative, smart and fashion - forward.
«My guess is that this is the kind
of network that you might find operating in
creative people at the moment that they're being
creative,» says Michael I. Posner, professor emeritus at the University
of Oregon and coauthor
of Images of Mind.
In a recent Big Think video Sanders explained that many
of us have a warped
image of creators and the
creative process in our heads — and our false beliefs set us up for
creative failure.
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Ad Age's E.J. Schultz reports that Volkswagen Group «launched a global
creative agency review for its namesake brand as executives at the German auto giant look to centralize marketing control and improve VW's
image in wake
of the 2015 emissions scandal.»
Sikhism believes in One Universal Creator God, The Name Is Truth,
Creative Being Personified, No Fear, No Hatred,
Image Of The Timeless One, Beyond Birth, Self Existent, By Guru's Grace.
The capacity
of the human cranium for
creative energy is one way in which Adam and Eve are made in the
image of their Creator.
The war question thus serves as a proxy for the more fraught question at the heart
of her book: Has the restrictive
creative atmosphere post-1979 been good for the moving
image in Iran?
Still another alternative, the biblical and classical theological
image «the Kingdom
of God,» seems to be a possibility for
creative theological development, both politically and ecologically, but it brings problems
of its own.
As long as the twins are adored and diapered, fed and read to, held and protected and allowed safely to discover themselves and their world, it will not matter whether their foster family includes a mommy and a daddy, or some
creative variation on this culture's conventional
image of family.
These visions arise out
of the formed
images and ideals
of the person in interaction with the
creative imagination that is capable
of inventing novel possibilities.
is the author
of Finding Divine Inspiration (Destiny
Image) and The
Creative Church Handbook: Releasing the Power
of the Arts in Your Congregation (InterVarsity Press).
You are not just a organic robot destined for the particle recycler but an
image of a being far more intelligent, loving, powerful and
creative than you could imagine.
sqeptiq... That was a wonderfully «crafted» piece
of «
creative» writing... Hence, you have proved that you are indeed «made in the
image»
of the God who CREATED you... Your post reflects (and demands) creationism... unless you are now going to tell me that those words got there by «accident»...?
On the mission field the
image might be a class that, with the guidance
of its teacher, has obviously done something
creative and satisfying.
It would be odd if a creature such as man and woman, made in the
image of God to be
creative and inventive, and made to be provident over our own earthly good, were unable to discover the natural laws
of ordered liberty and fruitful creativity.
I quote from Process and Reality: «The
image — and it is but an
image — the
image under which [God's
creative working] is best conceived, is that
of a tender care that nothing be lost.
It begins where women in theology attempt to deconstruct basic ethical principles such as «the common good» and «the question
of moral power and authority,» but from there it moves to the
creative impulses we see around us, as women in faith and faithfulness reconstruct the future
image and face
of the Church as a «community
of Christ, bought with a price, where everyone is welcome, «14 as Letty Russell describes it.
«80 While Jesus» use
of the
images from nature holds on to its naturalness as nature raw and real, his
creative adaptation
of the function
of nature to emphasize the values
of the divine rule stands apart.
Meland traces the growing influence
of Whitehead's philosophy on the
images of thought both in modernism as stimulated by Darwinian evolution, and changes in the post-Darwinian era ushered in by the
creative evolution movement in physics.
And my
creative development
of these patterns is in the
image of the Logos
of God.
This theme
of Christ as
creative transformation is emphasized in Christ in a Pluralistic Age, but it is overlaid by another account
of Christ, namely, as the particularization
of divine aims in
images or symbols capable
of evoking deep human response.
Once this cerebral organic «supercomputer» evolves to become too big for the surrounding environment to mediate naturally the control and direction which it needs, we would think it makes perfect sense for God to infuse a free principle
of control and direction, the spiritual soul, which is directly in the
image of the
creative spiritual Mind
of God.
As Levin says, the basic challenge is to reconfigure relational life by both deploying and purposefully limiting the blessings
of technology, our
creative accomplishments that are, after all, wonderful revelations
of what beings made in the
image of the
creative and relational God can do.
I am intrigued by the
creative possibilities
of ancient - future worship — liturgical structure overlaid with
image, music and movement, technologically aware but refusing to flaunt it.
We are born with
creative imaginations that seek to bring increasingly more nuanced harmony into the sweep
of our awareness by way
of a continually broader variety
of symbols,
images, and metaphors.
It would seem then that the only way to purify our concepts
of God
of the false authoritarianism which can only sanction a suppression
of our natural love
of personal freedom, is to accept without reservation the
image of the defenseless (but by virtue
of that quality, radically powerful and
creative) God who withdraws any intrusive presence and thereby opens up the future in which alone human freedom can dwell and find nourishment.
But if Christ and his community
of «
creative transformation» (Cobb) are an embodiment
of God's love in the world, and therefore exert causal efficacy within it, they will tend to produce the kinds
of changes in the world expressed in some biblical
images of the eschaton.
«For Christians, in particular, this is a serious failure: we are in danger
of not thinking about what is involved in our belief that we are made in God's
image, made for
creative engagement in the lives
of others that will build them up as they build us up.
Some theologians, notably Reinhold Niebuhr, interpret the
image of God in man as man's capacity for
creative self - transcendence.
Therefore, however important the truth involved in the defining
of the
image of God in man as
creative self - transcendence, it can not constitute the main make - up
of the
image.
= > Made in the
image of God we posses
creative capacity which opens an infinite array
of expression (artistic, emotive, mechanical, etc) unique at the individual and corporate level.
Here's my take: The last
creative act
of God was, «Let Us make man (kind) in Our own
image.»
If each person is created in the
image of the creator God then the
creative act itself, as Pope John Paul II suggested in his Letter to Artists
of 1999, assumes a greater significance than is usually given to it in English curricula.
With our own European culture well past its «best before» date, and with so many competitors in the field, the imagination, as represented above all by story and
image, seems a more promising field than that
of rational truth to those seeking a
creative way forward.
He was too honest a believer in the spiritual power
of creative arts to carve an
image not formed in his heart.
Loving thoughts, spoken words, body language, physical touch, momentary interactions with others, acts
of mercy and kindness, creating and sharing
images of Love through song, art, photography and all
creative forms, giving others attention, being fully present and listening to others, affirming the spiritual identity
of others, are all expressions
of Love.
Loyalty to one's ideal
image of the other is not
creative fidelity.
Objective intelligibility is something known immediately and actively by the spiritual mind — in the
image of God's
creative fiat.
They were surrounded by Surlyn ® and its colors, textures and shapes through
images of the material reflected many times by the
creative use
of mirrors in the place.
That's why the editors
of Hospitality Design magazine work hard to find
images of the most
creative and beautiful examples
of hospitality interior design to showcase to industry professionals.
We stock a selected range
of high resolution
images, including news and events, under a
Creative Commons license in our Flickr photostream.