Sentences with phrase «cuban painter»

And so has the work of the Afro - Cuban painter Wifredo Lam, at least in «Untitled» of 1949.

Cuban painter Rafael Soriano (1920 — 2015) was an acclaimed master of geometric abstraction and a global figure in the twentieth - century art world; his work resonated with international artists of Latin American origin like Roberto Matta, Rufino Tamayo, and Wifredo Lam.

Breton was also the champion of a young Afro - Cuban painter named Wifredo Lam (1902 - 82), who had come to Paris via Spain in 1937 at the age of 25.

The retrospective on the Cuban painter Wifredo Lam (Sagua La Grande, 1902 — Paris, 1982) responds to a general desire to give an account of modernism in all its complexity, and aims to reinstate Lam's work in an international art history of which he is an essential player.

Sicardi Gallery, 2623 Kipling, will present Cuban painter Flavio Garciandia's paintings through Saturday.

This was an answer from a Cuban painter Carmen Herrera when she was asked to explain what drives her art from within.

From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami - based artist Edouard Duval - Carrié to thematic presentations of the Museum's permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM's upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be structured.

Heather James Fine Art is pleased to announce the solo exhibition of works by the contemporary Cuban painter Carlos Luna at the Frost Art Museum in Miami.

This Cuban painter moved in avant - garde circles in pre-second world war Paris, joined the surrealist movement, then returned home to paint his masterpiece The Jungle (1943) in which masked dancers move in a dreamlike space.

Not content to let MoMA and the last vestiges of formalism off the hook yet, John Yau wrote in 1988 an essay on Wifredo Lam, a Cuban painter who lived and worked in Paris among Picasso, Matisse, Georges Braque, and others.

Take it from the ever - vigorous Cuban painter herself: A whiskey a day keeps the doctor away.

Pérez Art Museum Miami will present a focused selection of works by Amelia Peláez del Casal (b. 1896 — d. 1968), one of the most important Cuban painters of the modernist era.

During that decade collectors had the opportunity to buy first - rate examples of Cuban Modernism at important galleries such as Perls and Pierre Matisse, while MoMA's groundbreaking Modern Cuban Painters exhibition in 1944 showcased the full breadth of the island's artistic talents.

Susanna Temkin, Ph.D., Institute of Fine Arts, New York University 1 Alfred H. Barr, Jr. «Modern Cuban Painters.»

MONTREAL MONTREAL MUSEUM OF FINE ARTS January 31 - June 8 Curated by Nathalie Bondil When Alfred Barr organized his landmark 1944 MOMA survey «Modern Cuban Painters,» the island's most well known...

Much of the museum's current collection has been donated, [30] with 110 works coming from Jorge M. Pérez, [31] among them pieces by the Cuban painters José Bedia Valdés and Wifredo Lam, as well as the Mexican artists Diego Rivera and Damian Ortega, the Uruguayan Joaquín Torres - García and the Colombian Beatriz González.

Not exact matches

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-- «Before Night Falls» (2000): Painter - turned - filmmaker Julian Schnabel did an extraordinary job of interpreting the memoirs of Cuban exile Reinaldo Arenas for the screen.

Expressionist Cuban born painter Leonor Anthony gets the inspiration for this piece from the French novel Le Petit Prince.

The Cuban born painter, whose work sells for upward of a quarter of a million dollars, is one of few artists with a solo gallery showing at the convention center for Art Basel.

This is an overdue showcase for the Cuban - born centenarian painter, whose exacting geometric compositions — of boldly contrasting blue and orange stripes, or whispering green triangles drowned in fields of white — have an emotional impact that belies their hard edges.

The work you collect ranges from big - flavor artists like the postwar German painters and maximalists like assume vivid astro focus to much quieter and contemplative figures like the Cuban - born Felix Gonzalez - Torres, who you collect in depth.

Coming off the David Zwirner London showing of Cuban abstract painters from 1950s and in anticipation of next year's first - ever US showing of Cuban post-revolutionary work at the Bronx Museum of the Arts, there was a good representation of the work of Wifredo Lam and Amelia Peláez of the Vanguardias (vanguards) movement.

The development of Cuban geometric abstraction and the formation of Los Diez Pintores Concretos (Ten Concrete Painters) coincided with the radical cultural shifts that raged throughout the country in the 1950s.

«When I'm drawing,» explains the Cuban - born painter, sculptor, muralist and draftsman, «I go on a visual trip... circling...

Panetta singles out this spare diptych by the 99 - year - old Cuban - born painter Carmen Herrera as «the most important new acquisition we're including in this show.»

Henriquez's Carmen Herrera Inside Popova (2013) joins a framed reproduction by Herrera, a Cuban - American abstract painter, within a pattern designed by Russian avant - garde artist Lyubov Sergeyevna Popova.

Previous recipients include Cuban installation and performance artist Tania Bruguera and American painter Dana Schutz.

At 101 years old, Cuban - American painter Carmen Herrera continues to energetically and prolifically create minimalist abstract works.

This modest survey of around fifty works examines how the Cuban - born hard - edge painter arrived at her rigid mature style, focusing particularly on the years 1948 — 1978.

Cuban - born painter Osvaldo Mesa explores influences of Baroque painting, Abstraction, fetish objects, and forms found in nature.

At 101, the Cuban - born painter Carmen Herrera is getting some overdue attention.

Indeed, a recent Netflix documentary about Herrera titled The 100 Years Show saw the Cuban - American abstract painter recall how she was told by gallery owners — female themselves — that she couldn't exhibit her work at their venues because she was a woman.

The Whitney Museum of American Art kicks off its fall season with the much anticipated career retrospective of Cuban - born New York abstract painter Carmen Herrera.

«I didn't set out to be a 48 - year old man painting unicorns,» remarks Cuban - born painter and sculptor, Enrique Martínez Celaya.

Herrera is another Cuban - born painter who has lived in exile in New York City for years; she received a solo show at the Whitney Museum of American Art considered long overdue in 2016, reviewed here.

Indeed, among the highlights are some captivating pieces by women, such as the tondo Black and White II (1960) by Cuban - born New York painter Carmen Herrera, who, at age 100, will be the subject of an upcoming retrospective at the Whitney Museum of American Art.

Works on view will celebrate seminal artists such as Ana Mendieta and Lygia Pape while highlighting lesser - known artists such as Colombian sculptor Feliza Bursztyn, Argentine mixed - media artist Margarita Paksa and Cuban - born abstract painter Zilia Sánchez.

Uprooted from Cuba as a child, and brought to Miami via Spain in 1983, Andres Conde, an expressionist painter with pop tendencies, mitigates the feeling of displacement by merging images from popular American culture with historic examples of Cuban iconography.

On this grey afternoon, there could be nothing more wonderful than sharing the work of Cuban - American painter Cesar Santos who has recreated iconic paintings with a modern twist for his series called Syncretism.

David Zwirner presents a comprehensive exhibition of paintings and sculptures by the Cuban group of abstract painters Los Diez Pintores Concretos (10 Concrete Painters), which was active from 1959 to 1961, at the gallery's London lpainters Los Diez Pintores Concretos (10 Concrete Painters), which was active from 1959 to 1961, at the gallery's London lPainters), which was active from 1959 to 1961, at the gallery's London location.

David Zwirner presents a comprehensive exhibition of paintings and sculptures by the Cuban group of abstract painters Los Diez Pintores Concretos.

«Tate Modern presents a retrospective of the Cuban modernist painter, Wifredo Lam (1902 — 1982), the first museum exhibition in London since 1952.

His paintings resonate with artists and movements of the past and present, including Suprematism, Latin American Concrete Art, the geometric minimalism of Cuban - American painter, Carmen Herrera, and the modernist - inflected paintings of Mexican contemporary artist Gabriel Orozco.

Camilo Franqui (b. 1956, Havana): Calling himself a «creator of sensations» more than a painter, Franqui traces his influence to Cuban masters Wifredo Lam and Fidelio Ponce.

1974 Madrid): A painter, photographer, poet and theater director, Tagle was a member of the Cuban foreign service and had postings in Mexico, Buenos Aires, Valparaiso, Madrid and New York, where he eventually set up a photography studio.

David Zwirner gallery delves into the radical Cuban movement of Los Diez Pintores Concretos (Ten Concrete Painters)

Experimenting with her stash of gelatin silver print photographic paper, used thirty years ago to create a series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations of color, from lavender and peach to silver.

Punctuating these assemblages are allusions to Cuban modernist painters, as well as to artists who have shaped her thinking about the confluence of abstract forms: Laszlo Moholy - Nagy, Gego, and Jesus Rafael Soto.

Rail: In addition to the lived experience in present - day Havana, you are also in conversation with Cuban art history — specifically with the legacy of the seminal painter Wifredo Lam — in your first solo museum show at the High Museum in Atlanta.