Sentences with phrase «cube gallery for»

In 2007, For the Love of God, Hirst's human skull recreated in platinum and adorned with 8,061 diamonds sold to a consortium which included the artist and The White Cube Gallery for # 50,000,000.

A human skull recreated in platinum and studded with 8,061 diamonds, it sold to a consortium which included the artist and The White Cube Gallery for a reputed # 50 million.

Not exact matches

Suggest meeting an hour or so earlier, for a chance to look around the White Cube, a contemporary gallery nearby showing the work of acclaimed contemporary artists.

As explained by the gallery: «Beginning with a downloaded digital map of a tank from the internet, the piece is composed of a series of stacked metre cubed sections manufactured using a form of 3D printing, which Peter developed specifically for this commission.

According to artnet, Mehretu's «Mumbo Jumbo,» a large 2008 abstract painting sold last month at Art Basel through her gallery White Cube for $ 4.85 million, a record for the artist.

SEXAUER GALLERY Jofroi Amaral, Toshihiko Mitsuya (with June14), Alexander Skorobogatov: «White Cube Jungle» Exhibition: Mar. 11 — Apr. 09, 2016 Streustraße 90, 13086 Berlin, click here for map

Marc Quinn and White Cube Part Ways After more than 20 years working with Jay Jopling's White Cube, a spokesman for the gallery has confirmed that they are no longer working with Marc Quinn.

In a booklet, costing just a dollar on the honor system, she also insists how much better oil looked in galleries under incandescent light, before fluorescent lighting in white cubes and demands for energy efficiency.

The Virginia - born, Brooklyn - based artist Daniel Turner has been getting a slow build of attention over the past couple of years for his diverse, aggressive, lyricaly industrial work, landing solo displays at White Cube and Team Gallery and even a spotlight in Interview magazine.

Within that tradition, the space was conceived not as a typical white cube gallery, but as a new public space for the entire community — and this is reflected in a new approach to programming.

The artists» existing relationship with Craig Burnett, who worked at White Cube for five years and joined Blain Southern as director of exhibitions in 2016, was not a factor, the gallery added.

Set up as a small project room for contemporary art, White Cube is now one of the most influential commercial galleries in the world.

It looks like a major exhibition in a massive commercial gallery with nothing to sell, as if he has tricked White Cube into doing something for the love of art alone.

Recent solo exhibitions include Giò Marconi, Milan (2015); a site - specific commission for Luxembourg & Dayan, New York (2015); the Institute of Contemporary Art, Philadelphia (2014, together with Jayson Musson); Carl Kostyál, Stockholm (2014); White Cube, London (2014); David Risley Gallery, Copenhagen (2014); Joe Sheftel Gallery, New York (2012 and 2013); the Institute of Contemporary Art, Maine College of Art, Portland (2013); Oko, New York (2013, together with Borna Sammak); and the Institute of Contemporary Art, Philadelphia (2012).

Saatchi became the preeminent patron of the YBAs - which also came to include Tracey Emin, the Chapman Brothers, Chris Ofili, and others — and bought up entire shows of their work (which he was known to occasionally «flip» for a profit), often from the dealer Jay Jopling, whose White Cube gallery became closely tied to the artists.

The «South Galleries» provide the principal display area for White Cube's expanding programme of exhibitions and three smaller galleries, known collectively as the «North Galleries», are used for an innovative series of shows.

Long celebrated for his peppy still life paintings and fantastical landscapes, the 96 - year - old California native is currently in London for a survey show at the city's White Cube gallery.

POWarts founder Sara Kay opens Lower East Side gallery Sara Kay, a former director at White Cube in London and founder of the Professional Organization for Women in the Arts (POWarts), is now opening her own gallery, Artnet reports.

Leo had earlier walked around the convention center with his posse looking at art in numerous booths for galleries including Luhring Augustine, Metro Pictures — which had a big Cindy Sherman artwork on display — White Cube, Max Hetzler, Hauser & Wirth and Acquavella.

White Cube Director Tim Marlow told the Financial Times last month that the gallery's Hong Kong branch serves as a platform for its artists to become better known there.

Manning's recent solo exhibitions include: The Travelling Brain, Roslyn Oxley9 Gallery, Sydney, 2015; Different Rhythms, Dark MOFO, Museum of Old and New Art, Hobart, 2014; Volumes, Perth Institute of Contemporary Art, 2013; Spectra, Milani Gallery, Brisbane, 2012; Gleaning the Cube, Milani Gallery, 2011; 3 songs, MONA FOMA, Long Gallery, Hobart, 2010; Double Refraction, Lismore Regional Gallery, 2010; and Input Ruins, Milani Gallery, 2009; and his significant group exhibitions include: Interplay, National Museum of Modern and Contemporary Art, Seoul, South Korea, 2015; You Imagine What You Desire: 19th Biennale of Sydney, 2014; TarraWarra Biennial 2012: Sonic Spheres, Victoria, 2012; The National New Media Art Award, Gallery of Modern Art, Brisbane, 2012; NEW12, Australian Centre for Contemporary Art, Melbourne, 2012; and Primavara09, Museum of Contemporary Art, Sydney, 2009.

Artist and White Cube gallery offer discount for the striking work, which will be shown in death - themed display

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - propFor Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - propfor Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

The YBA artist Marc Quinn, best known for his «Blood Head» sculpture, «Self» has parted company with his long - standing gallery White Cube.

White Cube's new space breaks the records for the largest commercial gallery in the UK, even Europe

I could swear that it radiates out from White Cube, the London gallery known for Damien Hirst.

The most notable was the $ 2.3 million (# 1.4 million) paid by US philanthropist Stewart Rahr, for a 4 x 5ft felt tip pen painting, Curtis (2007) by the American artist Mark Bradford, who is represented in London by the White Cube Gallery.

In Dauerwelle — a new work commissioned for the gallery's tiny architectural element of a cube recessed into a wall — the singer's pitch black Cleopatra - coif wig rotates in mid-air, preserved like a relic, endlessly hovering in space like the spectre of a violent beheading.

Rendering of the Cubes, a two - story building designed by LOT - EK, will house arts - education activities, a gallery and offices, and allow for year - round programming.

Phillips also achieved a landmark price for the American artist Mark Bradford, when his very large mixed - media canvas Biting the Book (2013), bought from a show at London's White Cube that closed only a year ago, attracted multiple telephone bids before selling to a client speaking to Philips's New York — based president Michael McGinnis, for a record # 2.5 million ($ 3.9 million), double the estimate and four times the gallery retail price for such a work.

The gallery is constantly looking for ways to reinvent itself and to breathe life into the Montreal art scene, exhibiting works of art that challenge the traditional white cube gallery space.

Inhabiting unlikely places and partnering with diverse cultural entities to break ground for conversations and narratives outside the traditional white - cube gallery space has always been an underlying principle of the gallery.

In 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original vision.

The For Freedoms political action committee currently has a group show at Jack Shainman Gallery, but its founders (and the 50 - some - odd artists already involved) hope to see the project extend far beyond the white cube.

For Oliver, «getting into painting» meant a degree in Art History at Bristol University, three intensive years studying in Florence as a portrait painter followed by work experience at notable galleries Hauser & Wirth and White Cube.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzviGallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Featured high up on the external wall of White Cube Gallery's booth at this year's Frieze Art Fair in London, it seemed to function as a clever and subconscious reflection on the key question for collectors at Frieze and the world's many other art fairs.

Hirst was represented by both the White Cube and the Gagosian gallery, the latter also putting a painting by Jean - Michel Basquiat on sale for $ 5m.

Even though artists use the «white painting» for different objectives, the play of light and shadow, using the canvas to inspire a unique meditational experience absent of all outside references, and the inevitable comparison with notions of the «white - cube» gallery all play into the layers of meaning hidden under all that white paint.

Other sales included Joan Mitchell's Abstract Expressionist work Syrtis (1961), which sold for $ 6.75 m at White Cube; Self - Eater (2003) by Dana Schutz, which found a new owner at $ 400,000 from Petzel Gallery; and two pieces by Alberto Burri, which were bought by international collectors for $ 1.3 m and $ 450,000 from Mazzoleni, experts in post-war Italian art.

The exhibition, the first of Kiefer's work in this country for eight years, is the first of two linked Kiefer shows organised by the White Cube gallery.

She's known for making wooden cubes with laser - cut mashrabiya - like patterns that cast lacy shadows on the wall — instantly transforming a white cube gallery into a dreamscape that wouldn't look out of place in the Alhambra.

The focus on the dissolution of the white cube is a MacGuffin; while the smaller galleries are forced to close, the space for viewing art is concentrating into the larger galleries and foundations, spaces that now seem to be posing as public museum spaces.

A good investment by White Cube gallery's Jay Jopling, who bought it for about # 20,000 in 2005, this was only the third painting by the 47 - year - old Briton to appear at auction.

McDonald's work has been exhibited throughout the United States, Europe and Japan, including Play Mountain and the Curators Cube in Tokyo; Yerba Buena Center for the Arts and Rena Bransten Gallery in San Francisco; The New Wight Gallery at UCLA in Los Angeles; and Patrick Parrish Gallery in New York City.

Tony Smith's seminal Die (1968) is an obvious point of reference, and although Smith's iconic Minimalist work is well known for activating the space that surrounds it, Serra's cubes are yet more explicit in their address to the gallery.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

With multimedia artist Lee Blalock at the helm, Hyde Park Art Center campers will spend a week investigating the «white cube» gallery as a space for making.

For Beyond The White Cube four curators associated with CCS Bard organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

[9] Works of art began to emerge from the walls of the museum and galleries (Daniel Buren, Within and Beyond the Frame, John Weber Gallery, New York, 1973), were created specifically for the museum and galleries (Michael Asher, untitled installation at Claire Copley Gallery, Los Angeles, 1974, Hans Haacke, Condensation Cube, 1963 — 65, Mierle Laderman Ukeles, Hartford Wash: Washing Tracks, Maintenance Outside, Wadsworth Atheneum, Hartford, 1973), thus criticizing the museum as an institution that sets the rules for artists and viewers.