A second series of paintings will go on sale at the White
Cube Gallery from 24 October.
The show will draw from the 292 works in their «London Pictures» series, which go on display at all four of London's White
Cube galleries from March 9 to May 12, with the New York show running from April 26 to June 23.
Not exact matches
As explained by the
gallery: «Beginning with a downloaded digital map of a tank
from the internet, the piece is composed of a series of stacked metre
cubed sections manufactured using a form of 3D printing, which Peter developed specifically for this commission.
Paul Kasmin
Gallery (515 West 27th Street) has the first solo show of Bosco Sodi's clay
cube sculptures on view
from November 2 to January 6, 2018.
Flying
Cube is made possible through support
from Johann Konig
Gallery, Berlin and DCA Foundation, Denmark.
by Kostas Prapoglou We rarely see Hauser & Wirth's North
Gallery in Savile Row totally transformed and freed
from its white
cube aesthetics.
Similarly, with Pipe, it's as if one of Nancy Holt's Sun Tunnels (1976) was transported
from the desert to this small, white
cube gallery on the Lower East Side.
Saatchi became the preeminent patron of the YBAs - which also came to include Tracey Emin, the Chapman Brothers, Chris Ofili, and others — and bought up entire shows of their work (which he was known to occasionally «flip» for a profit), often
from the dealer Jay Jopling, whose White
Cube gallery became closely tied to the artists.
Zensur, Anton Kern
Gallery, New York Eberhard Havekost: 1996 - 2006 Paintings
from the Rubell Family Collection, The Art
Gallery at Florida Gulf Coast University, Fort Myers, FL, and Tampa Museum of Art, Tampa, FL Background, White
Cube, London
These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw
from broad influences,
from classical Palladian or a White
Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.
Dilyara Allakhverdova and Elchin Safarov, Maryam and Edward Eisler, Candida and Zak Gertler, Jack Kirkland, Ringier Collection Zurich, Maria and Malek Sukkar, Galeria Graça Brandão, Embassy of Israel to the UK, Multimedia Art Museum / Collection of Moscow House of Photography Museum, Outset Israel, Pace
Gallery, taubert Contemporary, Vilma Gold, London, White
Cube, With support
from the Government of Mexico as part of the Year of Mexico in the UK 2015.
Artists whose work will be presented includes Neha Choksi,
from Project 88
gallery in Mumbai, whose work Echo of the Inside (Column
Cube I) is constructed
from the sequential casting of consecutively smaller distorted
cubes.
On the back of this annual overseas art
galleries eye opener, sales representatives
from White
Cube and Sadie Coles — both major London art
galleries from — were in Sydney just last month talking to collectors and possible Australian art market collaborators about future «projects».
That boom was driven by a commercial
gallery scene and auction - houses less interested in practices drawn
from the neo-avant-garde, but instead in the type of works that grace white
cube spaces — in particular, large paintings that were shifted profitably at auction.
The new walls radically alter the experience of the pristine white
cube gallery space, in which Esra Ersen, originally
from Istanbul, is showing an engaging documentary video with street children in her hometown.
Despite O'Doherty's debunking of this context, the white
cube mode of exhibiting continues to underpin much exhibition - making in the West,
from commercial
galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.
Despite O'Doherty's debunking of this context, the white
cube mode of exhibiting continues to underpin much exhibition - making in the West,
from commercial
galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to
See I Cried Because I Love You at Lehmann Maupin and White
Cube galleries in Central
from 21 March until 21 May
I could swear that it radiates out
from White
Cube, the London
gallery known for Damien Hirst.
Unlike artists including Robert Smithson and Mark Dion, who brought live or dead trees into white -
cube gallery spaces, Mr. Oliveira has constructed a tree
from scratch, using plywood and other materials, as well as wood brought
from Brazil.
Joining the plethora of
galleries from São Paulo and Rio de Janeiro — including Fortes Vilaça, Laura Marsiaj, Leme, Mendes Wood, Nara Roesler and Vermelho — are the big boys and girls
from out of town — White
Cube, David Zwirner and Yvon Lambert among them.
Phillips also achieved a landmark price for the American artist Mark Bradford, when his very large mixed - media canvas Biting the Book (2013), bought
from a show at London's White
Cube that closed only a year ago, attracted multiple telephone bids before selling to a client speaking to Philips's New York — based president Michael McGinnis, for a record # 2.5 million ($ 3.9 million), double the estimate and four times the
gallery retail price for such a work.
SeaWomen installation video documentation
from Mikhail Karikis's solo exhibition at Arnolfini
Gallery, Bristol (UK) in 2013, where the work was presented as a 12 - speaker sound installation with 5
cube monitors displaying the video.
at Rob Tufnell, London; Maid in Heaven / En Plein Air in Hell (My Beautiful Dark and Twisted Cheeto Problem) at White
Cube Masons Yard, London; Eustachy Kossakowski and Goshka Macuga: Report
from the Exhibition at Kate McGarry, London; GENERATION: 25 Years of Contemporary Art in Scotland at Scottish National
Gallery of Modern Art, Edinburgh; Hayley Tompkins: Digital Light Pools at the Common Guild, Glasgow; Douglas Gordon: Pretty much every film and video work
from about 1992 until now, at Glasgow Museum of Modern Art; Mood Is Made / Temperature Is Taken at Glasgow Sculpture Studios.
I frequent all sorts of
galleries from Gagosian, Simon Lee and White
Cube to smaller ones such as Roman Road.
Spanning the
gallery's entire space, curious sculptures emerge
from the green Astroturf that covers almost every surface — upon entering, viewers are struck by two giant
cubes intersecting the main axis of the space.
From 2009 to 2011 she ran Clutch
Gallery, a 25 - square - inch white
cube located in the heart of her purse; since then, she lends her purse to others to curate and carry.
2017 [Collective] BASH, Farnsworth Art Museum at 449 Main St., Rockland, Maine 2016 Belfast Poetry Festival, Barbara Kramer
Gallery, Belfast, Maine
From A to B (solo exhibition), Perimeter
Gallery, Belfast, Maine Cranbrook + / -25 years (traveling group exhibition)- 2016 NCECA 50th Annual Conference, Kansas City, Missouri - University Art
Gallery, New Mexico State University, Las Cruces, New Mexico - Ceramic Research and Brickyard
Gallery, Arizona State University, Tempe, Arizona Winter Windows, fourTWELVE, Rockland, Maine 2015 Panels, Perimeter
Gallery, Belfast, Maine 2014 Vessels, The Qube, Detroit, Michigan Small Favors IX, The Clay Studio, Philadelphia, Pennsylvania 2014 Graduate Degree Exhibition, Cranbrook Art Museum, Bloomfield Hills, Michigan 2013 The Balance, Forum
Gallery, Cranbrook Academy of Art, Bloomfield Hills, Michigan Art Y ’ All, Nasher Sculpture Center, Dallas, Texas A New Interior, Forum
Gallery, Cranbrook Academy of Art, Bloomfield Hills, Michigan Experiencing Perspectives 2013 - 14, Mercedes Benz Financial Services, Farmington Hills, Michigan CERAMICA: Contemporary Clay, Galleries of Contemporary Art, UCCS, Colorado Springs, Colorado 2011 1:1, Ice
Cube Gallery, Denver, Colorado HIVE, Galleries of Contemporary Art, UCCS, Colorado Springs, Colorado 2010 2010 Visions In Clay, National Juried Exhibition, LH Horton Jr..
Other sales included Joan Mitchell's Abstract Expressionist work Syrtis (1961), which sold for $ 6.75 m at White
Cube; Self - Eater (2003) by Dana Schutz, which found a new owner at $ 400,000
from Petzel
Gallery; and two pieces by Alberto Burri, which were bought by international collectors for $ 1.3 m and $ 450,000
from Mazzoleni, experts in post-war Italian art.
From Picasso to Ai Weiwei — Rediscovering Ceramics in Art, Herbert Gerisch - Stiftung, Neumünster, Germany EXPO 1: NEW YORK, Cinema Module, MoMA PS1, New York, NY, United States The Gesture and the Sign, White
Cube, São Paulo, Brazil Contemporary Future: To Invent, Create and Imagine the Future, CAB Art Center, Brussels, Belgium An Endless Theatre: the convergence of contemporary art and anthropology in observational cinema, University of Edinburgh, Edinburgh, Scotland, England Fun House, Richard Gray
Gallery, New York, NY, United States Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, CA, United States, (travelling exhibition) Black Cake, Team
Gallery, New York, NY, United States
What he posited as one of the «new ways of existing» away
from a «traditional white -
cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner
from Liverpool Street station, listed as an «Ibid
Gallery London» exhibition in collaboration with art consultancy HS Projects.
During their stroll, Chanos expressed his view that the auction houses are under pressure
from the big global
galleries like White
Cube:
Beyond the White
Cube originated at the Dublin City
Gallery the Hugh Lane in Dublin, Ireland, where it was supported by a generous grant
from the Luce Foundation.
The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose
gallery at 118 New Bond Street (just up the road
from Sotheby's) was the first «white
cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.
[9] Works of art began to emerge
from the walls of the museum and
galleries (Daniel Buren, Within and Beyond the Frame, John Weber
Gallery, New York, 1973), were created specifically for the museum and
galleries (Michael Asher, untitled installation at Claire Copley
Gallery, Los Angeles, 1974, Hans Haacke, Condensation
Cube, 1963 — 65, Mierle Laderman Ukeles, Hartford Wash: Washing Tracks, Maintenance Outside, Wadsworth Atheneum, Hartford, 1973), thus criticizing the museum as an institution that sets the rules for artists and viewers.
Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White
Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display
from the Goodman
Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.
You find everything here
from white
cube galleries to gritty cellar like spaces with bare brick walls; cliche hipster bars, small boutiques, a shop that only sells chocolate, a weekly flower market, juice places, parks, the bike shed, design hotels such as the Ace Hotel and Shoreditch House, fantastic restaurants, tiny cafes, record stores, even the canal is just a quick walk away.
GALERIE PERROTIN (17 / F, 50 Connaught Road, Central) moved in upstairs
from White
Cube in 2012, but like many international
galleries that have opened in Hong Kong, had already been heavily involved with artists in the Asian region.
There are works by classic Minimal and Conceptual artists — a 1962 poem typed out by Carl Andre, a brushy black 1991 Sol LeWitt gouache, a little silver
cube from 1967 by Robert Barry hung
from the ceiling in the exact center of Minus's main
gallery.
And of course there has been the burgeoning commercial
gallery scene, with Gagosian, White
Cube, Galerie Perrotin, Lehmann Maupin and others arriving
from New York, London and Paris, and mainland
galleries such as Platform China and Pearl Lam also opening spaces.
Cube Gallery is pleased to present
From Stone to Mountains, a solo show by acclaimed Singaporean artist Tay Bak Chiang, painted using Chinese ink & pigments on rice paper.
Presented as a raised floor built
from the original 24 - packs, the installation evokes at once a stage, an archaeological dig, and an interior mall plaza — completely subsuming the
gallery floor and casting a phosphorescent blue light on the white -
cube space.
The model of the
gallery space refers directly to the notion of the «white
cube», an art space deprived
from external stimuli and ideal - in a laboratory - like shape - for political, economical, aesthetical and social experiments.
The work acts as a counterpart to Mass (Colder Darker Matter)(1997)-- an implied
cube of suspended charcoal gathered
from a church struck by lightning in Texas — first exhibited at London's Tate
Gallery when Parker was a 1997 Turner Prize finalist.
At Home / Not at Home, Hessel Museum of Art, New York Portraits 2, Tomio Koyama
Gallery, Tokyo, Tokyo Accrochage, Galerie Boisseree, Cologne Kupferstichkabinett: Between Thought and Action, White
Cube, Hoxton Square, London In The Company of Alice, Victoria Miro
Gallery, London Self Consciousness, VW, Berlin Contemporary Drawings
from the National
Gallery of Canada, Ottawa, ON The Gathering, Yorkshire Sculpture parks, YSP, Wakefield, West Yorkshire, UK
British sculptor Antony Gormley has filled a Parisian
gallery with an impenetrable structure made
from grids of steel, and an army of figures made
from stacked metal
cubes (+ slideshow).
And despite the strong contingent of major foreign
galleries — including New York's David Zwirner and Marian Goodman, Franco Noero
from Turin, Kurimanzutto
from Mexico City, and London's White
Cube — the fair was mostly a national affair, with 97 Brazilian
galleries out of 132 total presenting spectacular works by emerging and established talents
from across Latin America.
The
gallery recently located
from a small white
cube space in the trendy The Pijp area to a piano nobile just by one of Amsterdam's iconic grand canal houses.
There were snorts of derision
from some fashionable art world figures when the Prince of Wales» Drawing School was established in 2000 in a warehouse in Shoreditch, east London, next door to where the YBAs (Young British Artists) of Turner Prize fame hung out at the White
Cube Gallery.
The Wall brings together a group of works that acknowledge and contend directly with the conventions of
gallery architecture by breaching, puncturing, picturing, mapping and sculpting
from the uprights of the near - sacred and truly ubiquitous white
cube.