Sentences with phrase «cubist space»

At Bennington College, Vermont, she was infused with the spirit of cubism, and it was cubist space and structure that shaped her work even in her most apparently casual arrangements of colour.

This lower portion of «Missmatch» recalls Willis's work from the 1980s, while the brushy mass above it continues to call to mind the cubist space of his 1990s work.

They perform in highly theatrical, Oriental settings of almost cubist space and acid greens, yellows, and reds.

The surfaces are hard, flint - like, with the array of colored dots creating a palpable sense of space — not the shallow Cubist space of Abstract Expressionism or the aerial space that defines Color Field painting — but a gravelly surface riddled with innumerable pits and ridges that's at once dazzling and forbidding.

In Bunker's Falling Fugue, Parkinson continues, «the figures (torn and cut shapes and gestural painterly marks), seem to occupy a fairly narrow cubist space, blues often being interpreted (by me at any rate) as sky, which sometimes opens up into a much deeper space than I was first perceiving.»

Park's paintings evolved from a use of shallow cubist space, often in black and white, to the rhythmic lines and vibrant color of her later work.

The paintings don't rely on sculptural space, chiaroscuro or cubist space, (manipulations of light and dark contrasts) or on a horizon line.

Stella, Ellsworth Kelly, Jasper Johns, Robert Rauschenberg, and other artists in that show do not construct Cubist spaces or Surrealist mindscapes.

By taking Cubist spaces to a large, active scale, Léger in one shot practically skipped forty years ahead, to Abstract Expressionism.

Attending to the cyclical nature of the artist's work, the project examines the transformations in Braque's creative process as he moved from painting small, intimate interiors in the late 1920s, to depicting bold, large - scale, tactile Cubist spaces in the 1930s, to creating personal renderings of daily life in the 1940s.

He worked through the influence of Surrealism to arrive at his own unique sculptural style: metamorphic forms which were flattened Cubist spaces.

Not exact matches

There was now the cubist «lie» that expressed space geometrically.

The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel - Henry Kahnweiler as early as 1920, [12] but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg.

Katz: The space between their legs is sort of a cubist device, which I had learned in school.

The forms she paints inhabit a shallow, cubist - like space, if I have the chronology correct many of the later works are larger in size.

The 1956 - 57 oil «Ode to Thelonious» (as in jazz pianist and composer Thelonious Monk) applies Cubist structure to nothing but vaporous, colored space.

Cubist painters were not bound to copying form, texture, colour, and space; instead, they presented a new reality in paintings that depicted radically fragmented objects, whose several sides were seen simultaneously.

More likely, the space's Cubist flourishes are meant to play off the collection of Picasso's ceramic plates inspired by those that belonged to the now - defunct Brasserie, which used to occupy the space below the former Four Seasons.

Davis first discovered this kind of space in Cubist works on view at the 1913 Armory Show — the exhibition where most American artists first encountered European Modernism.

Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»

In the spirit of the Cubists, Hockney combines several scenes to create a composite view, choosing tricky spaces where depth perception is already a challenge.

By this time, Vigas had created such signature early pictures as Composición IV (Composition IV, oil on cardboard, 1944), with its melding of abstract forms, layered Cubist pictorial space and a palette recalling that of Old Master canvases.

Their linear character and open spaces call to mind classic, monochromatic Cubist paintings of 1911 — 12.

Instead, we're struck more by how the shapes interact, with how lines move through space and swerve into riotous, cubist clusters or disappear into irregularly shaped solids.

Executed with growing assurance and sophistication, they are built on a Cubist armature in which space and form are indistinguishable from one another, simultaneously opening up and closing off representational allusions.

When you get a bit closer the space in the photos becomes more apparent, it reminds me of the space in a cubist paintings now.

I can imagine the artist bending a craning to get into the tiny models attempting to experience it for himself, in a way similar to the cubist modelling of space, as experienced in time.

They offer at once the structural integrity of steel beams and a Cubist exploration of a space no one eye could ever comprehend.

At heart there seems to be a kinship with Bonnard's or Braque's sense for visual structuring, but where the Post-Impressionist and Cubist were deeply involved in the intersection of capturing light and composition, Caivano seems more involved in a journey of creating pictures and working in the space between abstraction and representation.

Then it became an interconnected series of lines and arcs, locking physical object and dynamic space into a Cubist union, which soon gave way to a pattern of plus and minus marks.

• Katarzyna Kobro (1898 - 1951) Considered to be the most outstanding female Polish sculptor of the first half of the 20th century, she is best known for her early Cubist - style nudes and abstract kinetic forms hanging in space.

Among these, his most famous are those that combine a Cubist sense of space with Expressionistic palettes and brushwork.

In this shifted context, the Cubist subject, be it a portrait or still life, no longer feels like an obsessive examination of form in space, but the trajectory of an image flashing past the eye too quickly to be recorded in conventional terms,» suggesting that «the real subject of art in the modern era is the anxious blur of time.»

Also included are cubist works by Fannie Hillsmith, painterly expressionist pieces by Hugh Mesibov, op art by Bernard Rosenquit, Indian Space by Howard Daum, and those by Fred Becker and Hans Burkhardt that touch on the surreal.

Outstanding in the first room is his absolutely stunning picture postcard painting «Santa Margherita Ligure», 1964, and a painting of the famous cubist painter «Portrait of Juan Gris» 1963, one of the artist's early works, intriguing for its predominate figure, as he produced few figurative paintings; advancing to the fifth room where light and shadows are being used in Caulfield classic twee interior scenes to understand the depth of pictorial space.

The buoyant impact of Calder's creatures has spread far and wide, in the likes of Chris Burden, Mark di Suvero, George Rickey, Pae White, Tim Hawkinson, Niki de Saint Phalle, Nick Cave, Andy Goldsworthy, Olafur Eliasson, Dale Chihuly, and others — where would contemporary art be without his discovery that animation was an essential expansion of Cubist collage, Futurism's frozen dynamism, and the Constructivist expansion into space?

Krasner cut the drawings with scissors and knives, creating a second set of sharp lines and forms that interact with her earlier Cubist depictions of space.

Paul Cezanne (1839 - 1906) Marked by the use of geometrical shapes, and new relationships between colours - and between form and space - Cezanne's later landscapes (and still lifes) exerted a major influence on Early Cubist Painting (c.1907 - 9).

The bold, simplified forms of the matchbox, safety razor, and fountain pen showcase Gerald Murphy's training in mechanical drawing, as well as his interest in the flattened space of cubist painting.

Kate Bonner's photo sculptures — digital imagery printed on various sculptural planes — create a cubist sense of space and time, like déjà vu.

The diagonal slopes created by the various slanting paintings suggest a cubist bas - relief that compresses art historical time periods and physical space.

In Paris he became a confirmed abstractionist; in his work illusionistic space in figurative paintings yielded to uptilted planes and increasingly to a Cubist fracturing of the picture plane.

Willem de Kooning spent his life battling his way out of the shallow space of the Cubists and he made it to the other side.

In the late 1970s she explored cubist ideas of space that she had learned in art school.

Katarzyna Kobro (1898 - 1951) Regarded as one of the most outstanding female Polish sculptors of the first half of the 20th century, she is is noted for her early Cubist nude studies and abstract kinetic forms hanging in space.

These themes include re-envisioned landscapes, Surrealist meditations, Cubist interpretations of space and form, and «the field» as a new metaphor for pictorial action.

Alexander Archipenko (1887 - 1964) Ukrainian - American Cubist sculptor noted for use of «negative space».

Later American examples include Robert Rauschenberg and Jasper Johns; artists who followed in their footsteps, like David Humphrey and David Salle; Cubist - inspired painters like George Condo and David Storey; text - based and collaged - oriented painters like Mark Bradford, Glenn Ligon, Suzanne McClelland, Christopher Wool; and conceptualists like John Baldessari, Mel Bochner, David Diao, Peter Halley, Byron Kim, Chris Martin; and geometric artists like Al Held who create abstract perspectival spaces.