Sentences with phrase «cubist abstraction»

Pinballing from impressionist painting to cubist abstraction to dada and beyond, his career confounded generations of art historians.

This almost narrative - like exhibition plan can be seen as one that moves from the beginning cubist abstraction into a gallery surveying sensitive, almost impressionist abstract works by the artists like Georgia O'Keeffe.

She began to experiment with Cubist abstraction and won the academy's silver medal for portraiture and the Proxima Accessi gold medal for her painting, Return of Ulysses.

Although many of the sketches in this volume are to some degree representational, Mitchell's early experimentation with cubist abstraction is also present.

With their bright colors and suggestions of motion, these works evoke Futurist rather than Cubist abstraction, yet even this fails to portend Donati's singular volte - face in the»50s.

The influence of Marinetti, Italian editor and founder of the Futurist movement, is shared with Bas's appreciation for the absurdist theater of Alfred Jarry, specifically in the canvas Ubu Roi, in which Jarry's protagonist Ubu «leads a group of dancing followers through a scene reminiscent of Soviet Futurist stage design, flat cubist abstraction and the illustrated tales of Hans Christian Andersen.»

In «Ubu Roi», Jarry's irrational main character Ubu, leads a group of dancing followers through a scene reminiscent of Russian Futurist stage design, flat cubist abstraction and the illustrated tales of Hans Christian Andersen.

We can see the minimalist design elements of Donald Judd, Mies van der Rohe and Brancusi combined effortlessly with the cubist abstraction of forms in the work of Picasso and Picabia, mixed with the rugged embrace of nature and land interventions from the Land Artists of the 1960's: Robert Smithson and Walter De Maria.

During this period he painted landscapes and Cubist abstractions.

Not exact matches

Though the modernists played with vases and flowers, distorting them into Cubist near - abstractions, or incorporating collage in ways that were revolutionary at the time, still life innovation may have peaked in that era.

Paintings, reliefs and collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.

Trying to fuse cubist - surrealist - abstract elements with representationism, he arrived at a profoundly innovative vision — but one that, precisely due to its complex originality, was eclipsed by Rothko's subtle but more radical and thus easier - to - assimilate abstraction.»

Lyrical Abstraction was opposed not only to «l'Ecole de Paris» remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction (or «Cold AbstractiAbstraction was opposed not only to «l'Ecole de Paris» remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction (or «Cold Abstractiabstraction (or «Cold AbstractionAbstraction»).

Lyrical abstraction was opposed not only to the Cubist and Surrealist movements that preceded it, but also to geometric abstraction (or «cold abstraction»).

Featuring a wide variety of approaches to abstraction in landscapes, including Cubist fragmentation, gridded compositions, and pure geometric abstraction, the artists in this exhibition explore landscapes both near and far.

Following the developments of Cubist and Futurist painting — in which the natural world was translated into a stark pictorial language of shapes, lines, and angles — Russia was one of the primary breeding grounds of pure abstraction, with Wassily Kandinsky doing much to popularize geometric art before gravitating to the gestural camp in later years.

Over this period Caziel exhibited alongside Vasarely, Manessier and Hartung at the Salon de Mai, annually submitting works which show reverence for the early cubist innovations of Braque and Picasso through which he arrived at his own personal brand of abstraction.

The depiction of robotic parents gazing at their equally robotic newborn, keyed to a bubblegum palette, looked to be some kind of retro pastiche combining Cubist impulses, hard - edge abstraction, folk art and futurism as practiced by DC comics circa 1963.

While not purely cubist works, the influence of cubism on Isberg's abstraction is more Juan Gris than Picasso.

The 2004 painting, 4 Pattern Dub, on a monumental scale at nearly 9 feet square, isn't a cut - up at all, but an elegant and good - humored fusion of Picasso's late Synthetic Cubist designs and the landscape abstractions of Arthur Dove.

Visions of Modernity presents highlights from the individual compilations of these six collectors, ranging from the Cubist paintings of Picasso and Gris and abstractions by Kandinsky, Schwitters, and Mondrian to Modigliani's nudes and Calder's mobiles.

In addition to Abstract Expressionism, the exhibition Amplified Abstraction offers us the opportunity to explore styles and themes such as geometric abstraction, Cubist legacies, and nature Abstraction offers us the opportunity to explore styles and themes such as geometric abstraction, Cubist legacies, and nature abstraction, Cubist legacies, and nature simplified.

Composed from the hoods and bumpers, fenders and fins, of junked car bodies, Chamberlain's vividly hued abstractions are also based on a late - Cubist infrastructure and are similarly replete with a dynamic, gritty, urban ethos.

Prior to the First World War, Bomberg's work was heavily influenced by the geometrical abstractions of the Cubist, Futurist and Vorticist movements.

Burgoyne Diller: Pioneer of Abstraction will include important paintings, drawings and constructions from 1935 through 1963 and will offer an understanding of the artists development from early cubist - inspired compositions to his better - known geometric abstractions.

Instead he experimented variously with robust formations that bear a distinctly cubist appearance, Surrealist organic sculptures and minimal geometric abstractions, some of which reflect Giacometti's early preoccupation with Sumerian and Cycladic art.

The Sam Feinstein retrospective at the Cape Cod Museum of Art will reveal the seventy - year trajectory of Feinstein's development from realism through expressionism, cubist - expressionism, Hofmann - influenced abstraction to Feinstein's own unique language of color - forms — luminous and life - enhancing — in his monumental, mature abstract paintings.

Having begun his venture into abstraction through cubist fragmentation and the constructivist composition of geometric planes, Browne later branched out into biomorphism, his gestural style influencing the abstract expressionism of Jackson Pollock, Arshile Gorsky, and Willem de Kooning.

Les Demoiselles D'Avignon (1907) Picasso's seminal Cubist work: one of the greatest 20th - century paintings which paved the way for abstraction.

• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) • Photographic Art • Collage (from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist - Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic Realism (1925 - 40) • Socialist Realism (1928 - 80) • Social Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)

He met many cubist and Fauve artists and was drawn particularly to Robert Delaunay's abstractions.

Through a pragmatic study of the societal changes of this time period, Nesbit attempts to understand the break towards abstraction, best characterized by artists Pablo Picasso and George Braque with the rise of Cubism, in which Nesbit interprets the Cubist line as an «embrace of the language of industry».

EXPERIMENTS WITH LANDSCAPE: EARLY WORK During the 1950s and»60s, Frankenthaler explored various styles of abstraction, from Cubist - inspired works such as Abstract Landscape (1951) to more free - form compositions such as Untitled (1962 — 63).

With the slightest gesture or prop, a dog might become a classical torso, a cubist portrait, an abstraction or a picture of someone you know.

At heart there seems to be a kinship with Bonnard's or Braque's sense for visual structuring, but where the Post-Impressionist and Cubist were deeply involved in the intersection of capturing light and composition, Caivano seems more involved in a journey of creating pictures and working in the space between abstraction and representation.

The Park Avenue Cubists continued to evolve a European - based abstraction, and modernists such as Stuart Davis and Charles Demuth applied a precise, geometric vocabulary to American architecture and advertising.

Although most Cubist works were still derived from objects or scenes in the real world, and thus can not be considered to be wholly abstract, the movement's rejection of traditional perspective completely undermined natural - realism in art, and thus opened the door to pure abstraction.

But I wanted to go my own way — I needed to explore abstraction born of my admiration for Arab symmetry and Cubist painting.

The formal abstraction initiated by Picasso and the Cubists reached its extreme in the emergence of the avant - garde American art, Abstract Expressionism, in the 1940s.

We also profile great 20th century masters such as Brancusi, Ossip Zadkine, Alexander Calder and Louise Bourgeois; the Cubists Archipenko and Lipchitz; exponents of biomorphic abstraction like Jean Arp and Henry Moore; expressionists like Jacob Epstein; abstract sculptors like Naum Gabo and David Smith; minimalists like Donald Judd; junk artists like Arman and Cesar Baldaccini; kinetic artists like Jean Tinguely; the surrealist Giacometti; the Pop artist Claes Oldenburg; and the contemporary sculptors Joseph Beuys, Antony Gormley, Richard Serra and Anish Kapoor.

In another gallery, one of Picasso's finer Cubist accomplishments, «The Birdcage» (1923), hangs near Kandinsky's large lyrical abstraction, «Composition V» (1911).

Opening with Picabia's solid early Cubist paintings which quickly diffused various critics» claims of painterly illiteracy, the show plows ahead through Picabia's scintillating obsession with Dada, examines his short - lived fascination with film, explores cutting edge experiments with Renaissance and Transparency painting techniques, shows his controversial war - time figurative paintings, and ends (rather deflatedly) with his return to Abstraction.

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge abstraction in the 1960s and 1970s, whose primary interest lay in the investigation of reductive form and color; and contemporary artists who continue to exploit the infinite potential of simple geometries.

These undercurrents compelled a number of artists, particularly those of the Stieglitz Circle, to reject European influences and abruptly end their earlier forays into abstraction — O'Keeffe's wonderful meditations on form and color, Hartley's Synthetic Cubist works painted in Provincetown and Bermuda in 1915 and 1916, Dove's seminal series of pastels from 1910 - 11 — and focus on more recognizable subject matter.

Goodnough, a painter whose stylistic evolution from vibrant, Cubist - inspired abstractions to Color Field canvases made him one of the least definable members of the second - generation Abstract Expressionists, died on Oct. 2, 2010 in White Plains.

Willem De Kooning didn't create his first abstraction until 1945, when he painted Pink Angels, merging his Cubist and Surrealist tendencies.

Clement Greenberg's dismissal of de Kooning's (and Pollock's) figurative explorations, and importantly (and perhaps more subtly), his attack on de Kooning's cubist methodologies made sense in the context of a sequential, progressive reading of history and as a critical tool to understand and evaluate certain newly emerging sectors of the Fully Abstract — Gestural Abstraction and Field or Atmospheric Abstraction.

It includes his first abstract paintings, which combine a Cubist - influenced aesthetic and geometric decomposition, alongside his mature abstract style in which lyricism and geometrical abstraction merge.

The pioneers of abstraction — the Cubists, the Abstract Expressionists, the Minimalists — emerged from firm and identifiable aesthetic roots and developed their own philosophies.