Sentences with phrase «cubist collage»

After all, the original maquette was more to the scale of a Cubist collage, and the association of paper... I don't think it's a question of bronze but of making it 80 inches high, which is the height of an ordinary door, and allowing these planes to expand and take on more substance because of their size.

The buoyant impact of Calder's creatures has spread far and wide, in the likes of Chris Burden, Mark di Suvero, George Rickey, Pae White, Tim Hawkinson, Niki de Saint Phalle, Nick Cave, Andy Goldsworthy, Olafur Eliasson, Dale Chihuly, and others — where would contemporary art be without his discovery that animation was an essential expansion of Cubist collage, Futurism's frozen dynamism, and the Constructivist expansion into space?

Significant works in the exhibition include two 1917 Matisse paintings of the Italian model Lorette, Picasso's Rose Period portrait of a «Woman with a Kerchief», Dufy's 1929 «Reclining Nude», and a powerful 1914 Cubist collage by Juan Gris.

Set against a painted surface of psychedelic colors, Aram's process of layering various incongruous images into a unified composition recalls the formal practices of 1960s Pop artists like Andy Warhol, which in turn echoes early Cubist collage.

Combining everyday objects easily found in the Chinatown / Lower East Side neighborhood where he lived at the time, we find teapots, rubber balls, canes, and newspapers (a witty reference to cubist collage.)

Alexander Wolff's Wallpainting Wexner Center, Columbus provides a delightfully perspective - challenging experience as you ascend the ramp toward the towering gallery wall that has been completely transformed into a Synthetic Cubist collage for this exhibition.

While earning his BFA from the Universidad de Guanajuato and his MFA in Arts and Technology from The University of Texas Dallas, Nieto was exposed to the masters of Modern art who have shaped both his aesthetic and process such as Jackson Pollock's controlled drip technique, Robert Motherwell's graphic cubist collage, and Willem de Kooning's bold sense of color, among others.

Along with Cubist collage, he had seen Picasso's own sculpture and that of Julio Gonzales.

Although Jean Dubuffet coined the term in 1953 to refer to his collages of that year, assemblage has roots in the early 20th century, particularly in Cubist collage and Dada readymades.

Cubist collage introduced fragments of mass - produced popular culture into pictures, thereby changing the very definition of art.

The acquisition of an early Cubist collage is a major coup for the Scottish National Gallery of Modern Art, and made headlines when it was announced at the tail end of the month.

Interest in common materials and quotidian subjects has been a defining theme of artistic practice in the 20th century, inspiring Cubist collage, found sculpture, and the widespread embrace of photography.

She writes: «That yellowed newsprint took [Roberta] Smith to Jasper Johns but it takes me all the way back to Braque's, Gris's, and Picasso's cubist collages.»

The Polkes were, in the simplest terms, crosses between tapestries and Cubist collages (and could be six feet or more on a side).

Pop Art used irony to that end, while a Minimalist might have relied more on formalism, but both tactics were present from the first Cubist collages.

Looking back to Cubist collages, Rauschenberg includes photographs of a galloping horse and a Dutch group portrait, along with part of a telegram.

Recycling ready - made materials, repurposing common household items and creating art from the refuse of everyday life are classic strategies of the modern and postmodern avant - garde, from early - 20th - century Cubist collages of newspaper clippings and the ephemera of popular culture to today's recycling...

Though many consider their Cubist collages to be abstract, they maintain that they were actually attempting to more accurately depict reality, as the mind perceives it, by adding elements of the objective world to their images.

Cubist collages - created by Pablo Picasso (1881 - 1973) and Georges Braque (1882 - 1963) during their Synthetic Cubism phase - were another precursor of junk art.

The reversal of the pictorial apparatus into sculptural matter, or the acting in the intersection line between these two mediums, is part of the games of the modern ambiguity since the cubist collages, with contemporary peaks in the work of Frank Stella or a Anselm Kiefer.

Not exact matches

It was George Braque who invented those years «collage art» as a important cubist method of art creation.

Though the modernists played with vases and flowers, distorting them into Cubist near - abstractions, or incorporating collage in ways that were revolutionary at the time, still life innovation may have peaked in that era.

A collage with a label for bullion «en cubitos» playfully shows off his Cubist knowledge, while a pair of painted overalls titled «New York Suit» (1920s) feels very New York Dada.

Paintings, reliefs and collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.

It was an early cubist work that Schapiro shared with her students, contrasting its bold formal energy and its improvisational use of collage materials with a clear feminine source with Robert Delaunay's more etiolated and academic paintings of the same period.

From the collages of the Cubists and the readymades of Duchamp to the assemblage works of today, humble materials have been transformed into stunning works of art throughout the last century.

The Dadaists first borrowed collage from the Cubists and used it to serve as a «low» material in protest against the «high» status of the more expensive oil painting that represented bourgeois society in Germany and other parts of Europe.

PERPETRATOR: Robert Rauschenberg WHAT HAPPENED: In the mid -»50s Rauschenberg one - upped the Cubists by invented a new sort of 3 - D collage, incorporating a slew of found objects — chairs, scarves, bedposts, shirts, trash, and taxidermic animals, things he'd find laying on the street — into his canvas.

Schwitters, on the other hand, «was using the same kind of collage materials, but from the opposite ideology (i.e., Cubist order, imposed from without).»

In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, «Alberto Burri: The Trauma of Painting» (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri's art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements — Neo-Dada, Process Art, Arte Povera and more.

By the early 1950s, he was making Cubist - inspired collages.

Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»

Early twentieth century exponents of collage were the two Cubist pioneers Pablo Picasso and Georges Braque.

• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) • Photographic Art • Collage (from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist - Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic Realism (1925 - 40) • Socialist Realism (1928 - 80) • Social Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)

The first Modernist artists to incorporate collage into their works were the Cubists, namely Pablo Picasso and Georges Braque.

One can see Cubist influence in her 1941 oil and collage on canvas, «Poet in a Brown Hat.»

MICKALENE THOMAS «s work celebrates the power and beauty of the female body through iconic images, mixed - media, sequin - embellised collage paintings that have a Cubist aesthetic.

Georges Braque (1882 - 1963) Noted for his Cezanne - inspired early Cubist painting (see, for instance, his Estaque landscapes), and his Cubist - style still life painting as well as his experimental collages.

The exhibition also reunites more than 25 of the artist's greatest Cubist paintings and collages created during his years of intense dialogue with Pablo Picasso.

It is particularly noteworthy that Pasmore's use of the semi-circle in collages such as Abstract in White, Grey and Ochre, 1949 (Tate Gallery T00094), itself a possible reference to the Cubist depiction of guitars, is echoed in Frost's paintings.

About two decades later, Krasner revisited her collage technique as she carved up a series of charcoal drawings that were stored in her attic, Cubist remnants of her studies with Hans Hofmann between 1937 and 1940.

Inspired by Cubist experiments, artists associated with Dada — particularly the movement's Berlin branch — began incorporating collage techniques into their work.

Hazan's «Study for Parklands» (2014), one of the sparest pieces in the show, further reinforces the relationship between collage and writing, a relationship that dates back at least to the early Cubist projects.

Like their Cubist, Dadaist, and Surrealist ancestors who came to collage in the World War I period, these later makers of collage complement a concern with picture - and world - making with an attention to material instability.

The use of flattened, Cubist - like forms manifest the notion of collage more visually.

It is, however, Bearden's unique mastery of fusing cubist composition, storytelling, folk art and surrealism into virtuoso collages that elevates his work into a category all by himself.

As Villeglé points out, anonymity differentiates the torn posters from the collages of the Cubists or of the German artist Kurt Schwitters.

-- Peter Schjeldahl While artists have been layering images and incorporating autonomous elements into their work since the advent of paper, collage truly emerged as a medium in its own right in the early years of the 20th century with the Cubist experiments of Pablo Picasso and Georges Braque.

These include works by leading artists from early avant - garde movements such as cubism, futurism, and Dada, such as a superb cubist still life by Juan Gris, a militant work by the futurist Carlo Carrà, and an early Dada collage by Man Ray.

Kushner distances his practice of collage from the topicality that interested the Cubists: «instead of tying my pieces to one point in time, I want to make them as diffused and confusing as possible.