Sentences with phrase «cubist drawing»

Richard Gray Gallery placed more than a dozen works priced from $ 14,000 to $ 2 million, including a new painting by Jim Dine for $ 275,000 and a Cubist drawing by Pablo Picasso for $ 300,000, gallery director Paul Gray said.

Krasner combined the principles of Hoffman and Matisse with her admiration for Cubist drawing.

These flourishes may also look back to the open black lines seen in some of Picasso's Cubist drawings, another point of contact from the artist's years in Paris.

Recently, she collaborated with Corbett vs. Dempsey to organize a retrospective of Richard Koppe's works, «Gyroscopic: Cubist Drawings and Late Paintings, 1936 - 1970.»

Recently, she collaborated with Corbett vs. Dempsey on a retrospective of Richard Koppe, Gyroscopic: Cubist Drawings and Late Paintings, 1936 - 1970.

Not exact matches

Students draw a simple still - life and then begin to simplify this into the Cubist style.

From non-art affectionados Picasso's cubist paintings or simple line sketches may elicit comments such as «any kid could have drawn that.»

I started drawing levitating tea cups, tea cups that were sawn in half, cubist tea cups, and even tea cup wallpaper.

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early Read More»

Part of the Evans - Tibbs collection of African American art, Douglas's 1936 canvas draws on Cubist influences, evokes emotion through its subject matter and achieves depth utilizing a progression of hues.

Several works from the 20th century close the exhibition: three masterly drawings by the young Pablo Picasso, Two Fashionable Women (1900), a blue - period Head of a Woman (c. 1903), and a cubist Standing Nude (summer 1910); an imposing study of a female nude by Georges Braque (1927); and three drawings by Louise Bourgeois, including M is for Mother (1998), a drawing of a large, red letter M that conveys not only maternal comfort but also maternal control.

Combining the linear precision of Renaissance scientific drawing with the primordial gestures of cave painting, the distortions of Cubist heads and the energy of contemporary street art, the skull became a furnace into which Basquiat poured the contents of his visual imagination, melting together centuries of stylistic influence.

In the late 1940s, Fine drew extensively from Cubist fragmentation as well as from the ideas of Hans Hofmann on the harmonics and formal tensions of color and shape.

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early 1960s and the abstracted landscapes and still - lifes of the mid - to late «60s, the monochromatic paintings of the 1970s and ending with his use of grids in the 1980s.

Among the works on display are evocative watercolors by Winslow Homer and Édouard Manet, powerful portrait drawings by Jean - Auguste - Dominique Ingres and Edgar Degas, sporting lithographs by George Bellows, a pen landscape by Vincent van Gogh, and cubist compositions by Pablo Picasso and Georges Braque.

His first museum shows were in 1976: a drawings show of works from 1958 - 1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, marking a transitional moment in his career.

That picture alone would be worth the visit, but also on hand is the classic Cubist «Femme assise,» an important small Picasso drawing from 1912.

Burgoyne Diller: Pioneer of Abstraction will include important paintings, drawings and constructions from 1935 through 1963 and will offer an understanding of the artists development from early cubist - inspired compositions to his better - known geometric abstractions.

You could set the paintings in this exhibition beside a cubist masterpiece from 1910, a Cézanne view of Mont Sainte - Victoire or Leonardo da Vinci's drawings and the dialogue would be fascinating.

In 1974, Harold Rosenberg, one of Saul Steinberg's earliest and most eloquent supporters, wrote that «Cubism... which in the canon of the American art historian is the nucleus of twentieth - century formal development in painting, sculpture and drawing, is to Steinberg merely another detail in the pattern of modern mannerisms; in a landscape, he finds no difficulty in combining Cubist and Constructivist elements with an imitation van Gogh «self - portrait.

Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»

His first museum shows were in 1976, marking a transitional moment in his career: a show of drawings from 1958 - 1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron.

The gift of 79 excellent Cubist paintings, drawings and sculptures received from Leonard A. Lauder last year, was certainly an opportunity to ponder over the improved structure that would present the existing collection more effectively and lure more donated works of art from collectors and donors.

He met many cubist and Fauve artists and was drawn particularly to Robert Delaunay's abstractions.

Other galleries with distinguished vintage work include New York's Salander - O'Reilly with drawings by Stuart Davis, Ralston Crawford and Matisse, San Francisco's Hackett Freedman with a late Cubist 1943 self - portrait by Hans Hofmann and Philadelphia's Marianne Locks with a 1963 Joseph Cornell box on cosmological themes and a wonderful 1938 Matisse drawing of a seated woman.

«2nd January 2011» looks from a distance like one of Hockney's Eighties coloured pencil drawings, but as you get closer the image breaks down in an almost Cubist fashion.

While drawing on the achievements of Giotto, Cézanne, the metaphysical painters and the Cubists, Morandi's work finally resembles no one else's and quietly defies paraphrase: everything is enigmatically clarified in the work itself, in all its apparent simplicity, on terms entirely specific to the artist's compositional gifts, in which respect he might almost be the Erik Satie of painting.

Previously, Lichtenstein had reinterpreted source material using personal variations of Cubist or Constructivist techniques; he now drew from comic strips both subject matter and style.

A number of Cubist paintings and drawings, including works by Braque and Picasso, were exceeded by Magritte's surrealist painting entitled «Mesdemoiselles de L'Isle Adam,» which went for $ 4.9 million.

Krasner cut the drawings with scissors and knives, creating a second set of sharp lines and forms that interact with her earlier Cubist depictions of space.

About two decades later, Krasner revisited her collage technique as she carved up a series of charcoal drawings that were stored in her attic, Cubist remnants of her studies with Hans Hofmann between 1937 and 1940.

Fractured planes and a Cubist style of portraiture are prominent in most of Cedric's work, and he is equally adept at incorporating vibrant palettes and intricate linear patterns when working two - dimensionally in drawing or painting or three - dimensionally when sculpting ceramic masks.

In his paintings and drawings of the 1940s and 1950s, he synthesized Cubist and Surrealist styles to create lyrical interpretations of movement.

Any banner proclaiming PICASSO is bound to draw the masses, but this exhibition delivers its lines sotto voce rather than through the megaphones he gave to the Cubist stage manager in «Parade,» his masterpiece for the Ballets Russes.

The bold, simplified forms of the matchbox, safety razor, and fountain pen showcase Gerald Murphy's training in mechanical drawing, as well as his interest in the flattened space of cubist painting.

The exhibition features 25 drawings by Bonnard, Vuillard, Dutch - born painter van Dongen, French masters Derain and Lamotte, and renowned cubist Léger, along with two lithographs by American modernist Davis based on his drawings of Paris.

This drawing class explores still life inspired by the ideas and techniques of Cubist artists Ardengo Soffici and Gino Severini.

Drawings are composed around an assortment of people, famous and anonymous: from 1960s actresses such as Rita Tushingham to the early 20th century Cubist artist George Braque to a child of artistic promise whom Campuzano taught during a summer camp art program.

The cubist - influenced drawings were done early in her career, before she married Pollock.

He made Cubist - inspired drawings in the 1990s, and Post-Impressionist landscapes in the late 1960s.

Other major painters and sculptors drawn to Paris included the Czech abstract painter Frank Kupka (1871 - 1957), the Cubist Juan Gris (1887 - 1927), the alcoholic genre - painter Maurice Utrillo (1883 - 1955), the Surrealist Salvador Dali (1904 - 89), the Romanian sculptor Constantin Brancusi (1876 - 1957), the Russian artists Ossip Zadkine (1890 - 1967), Mikhail Larionov (1881 - 1964), Natalia Goncharova (1881 - 1962) and Wassily Kandinsky (1866 - 1944), the Hungarian optical artist Victor Vasarely (1906 - 97), the leading theorist of Surrealism Andre Breton (1896 - 1966), the painter Jules Pascin (1885 - 1930), born in Bulgaria of Spanish and Italian stock, and the Russian - French colourist and lyrical abstractionist Nicolas de Stael (1914 - 1955).

Vicente's drawings, like his paintings and collages, reflect his primary responsiveness to the medium even as he remained anchored in a Cubist definition of surface.

New York's Rachel Adler has drawings by Russian constructivists Liubov Popova and Natan Altman, New York's Barbara Mathes has drawings by Matisse, Picabia and Degas, and Chicago's Richard Gray has a synthetic cubist Picasso drawing and a de Kooning drawing of two women that are worth detours.