Sentences with phrase «cubist influence»

One can see Cubist influence in her 1941 oil and collage on canvas, «Poet in a Brown Hat.»

A study by Philip Guston, with the Cubist influence of many a WPA mural, prefigures the rough characters of his late work.

Part of the Evans - Tibbs collection of African American art, Douglas's 1936 canvas draws on Cubist influences, evokes emotion through its subject matter and achieves depth utilizing a progression of hues.

He is best known for his geometric, cubist influenced work of the for...

Volker Hüller's work invites associations from the viewer that range from citing Expressionism, Modernism, to Bauhaus, to Cubist influences, especially in an age when art historical images have never been so accessible for the spectator to project on a work.

Not exact matches

The designs of the townspeople are many and varied, often with a heavily Picasso - influenced cubist look to their faces and noses.

«Paris» is full of wisdom, and also full of Cotillard - ingeniously (and convincingly) cast by Allen as the muse and model whose influence goes much further than jazz - age cubists and novelists.

That's why the influence of Paul Cezanne's art, writings and sayings got such a strong impact on the early Cubists Picasso and Braque.

Hofmann's celebrated rectangle - and color - filled paintings, influenced by Cubist approaches to form, are a significant part of the collection.

The exhibition, which reflects the gallery's focus on both Modern and contemporary art, will encompass a variety of schools and movements (such as the Cubists and British Modernists) and will feature artists who are contemporaries of, or influenced by, one another.

Paintings, reliefs and collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.

Combining the linear precision of Renaissance scientific drawing with the primordial gestures of cave painting, the distortions of Cubist heads and the energy of contemporary street art, the skull became a furnace into which Basquiat poured the contents of his visual imagination, melting together centuries of stylistic influence.

The influence of Marinetti, Italian editor and founder of the Futurist movement, is shared with Bas's appreciation for the absurdist theater of Alfred Jarry, specifically in the canvas Ubu Roi, in which Jarry's protagonist Ubu «leads a group of dancing followers through a scene reminiscent of Soviet Futurist stage design, flat cubist abstraction and the illustrated tales of Hans Christian Andersen.»

Later he became particularly known for bold abstracts in a cubist - influenced idiom, tending eventually toward abstract expressionism, the style in which he worked from about the 1950s until his death.

Influenced by the works and writings of Wassily Kandinsky (1866 — 1944), Knaths became interested in music and believed that there were correspondences between musical intervals and spatial proportions, a theory that suited his cubist pictorial structure.

While not purely cubist works, the influence of cubism on Isberg's abstraction is more Juan Gris than Picasso.

He executed tightly integrated still lifes and fragmented, Cubist - influenced pieces showing the human body in motion, paralleling the work of Marcel Duchamp and the Italian Futurists.

His cubist period at the time of his stay at the Bateau - Lavoir where the influence of great Masters such as Picasso and Juan Gris is obvious without being an imitation.

Formally speaking, the influences of the Fauves and Cubists are clear, but he wasn't a concept over content man.

Prior to the First World War, Bomberg's work was heavily influenced by the geometrical abstractions of the Cubist, Futurist and Vorticist movements.

In the early 1930s, he studied with Jan Matulka, a Cubist painter influenced by Pablo Picasso.

After two decades of making representational art, Vaughn relinquished recognizable manifestations of reality and embraced an array of cubist, abstract, and postmodern influences.

The exhibition is exceedingly well arranged in 18 rooms, opening out of each other, and leading from the large Atrium, in which Robert W. Chanler's excellent and striking decorative murals, so influenced by the Japanese, are displayed, to a room in which hang and are placed the pictures and sculptures of the «Cubists,» of whom the archdeacon, Francis Picabia is now here, to explain, if possible, the meaning of his work and why he became a «brigand in art.»

It may seem almost absurd to even suggest that the influence of the works of the so - called French, German, and Italian «Post Impressionists,» «Futurists,» «Cubists,» and other «ists,» as exemplified by representative examples at the Armory show, can have any immediate, or even near future effect, upon the generally strong, good and, from the conventional art viewpoint, sane, American painting and sculpture of today, but there is no doubt that the study of these new groupings, called «movements» in painting and sculpture, which have so emphasized and influenced the art of Europe today, for the past 5 years, and even the derision which they have excited, and will continue to excite, has had and will have a stimulating effect.

He was strongly influenced by the singular structures and figurative canvases of cubist painters such as Picasso and Cezanne.

The Sam Feinstein retrospective at the Cape Cod Museum of Art will reveal the seventy - year trajectory of Feinstein's development from realism through expressionism, cubist - expressionism, Hofmann - influenced abstraction to Feinstein's own unique language of color - forms — luminous and life - enhancing — in his monumental, mature abstract paintings.

Their aesthetic contrast demonstrate his development through post-impressionist, cubist and expressionist influences during this period.

Having begun his venture into abstraction through cubist fragmentation and the constructivist composition of geometric planes, Browne later branched out into biomorphism, his gestural style influencing the abstract expressionism of Jackson Pollock, Arshile Gorsky, and Willem de Kooning.

An important influence on modern art painting in the United States, Precisionism was an American movement (also referred to as Cubist Realism) whose focus was modern industry and urban landscapes, characterized by the realistic depiction of objects but in a manner which also highlighted their geometric form.

During a trip to Paris in 1921, Nicholson saw Cubist works, which influenced his first semiabstract still lifes; in 1924 he executed his first completely abstract painting.

The African - influenced Period was strongly influenced by African sculpture, which then led to Picasso's Cubist Period, objects are broken up, analyzed, and re-assembled in an abstracted form.

Initially influenced by Toulouse - Lautrec, Gauguin and other late 19th century innovators, Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone.

An artist reception will be held on Nov 25 from 3 to 5 p.m. Kustura will exhibit contemporary oil paintings with Modernist, Cubist and Surreal influences.

She found strong influence in Picasso and Hofmann's cubist ideals, describing the Cubist movement as «one of the greatest awarenesses that the human mind has ever come to.&cubist ideals, describing the Cubist movement as «one of the greatest awarenesses that the human mind has ever come to.&Cubist movement as «one of the greatest awarenesses that the human mind has ever come to.»

It was Picasso and the Cubists who just overwhelmed everything in the 1930s, you know, Léger; and then Mondrian had this enormous influence in America.

The Czech painter Frank Kupka (1871 - 1957) produced some of the first highly coloured abstract paintings, which influenced Robert Delaunay (1885 - 1941) who also relied on colour in his Cubist - inspired style of Orphism.

A British pre-war art movement which was strongly influenced by the Cubist idiom, was Vorticism (1913 - 14), founded by Percy Wyndham Lewis (1882 - 1957).

The founder of British Pop - art, Paolozzi trained at the Edinburgh College of Art (1943), St Martin's School of Art (1944), and at the Slade School of Art (1944 - 1947), before working in Paris, France (1947 - 1949) where he met and became influenced by a number of famous artists, including the Swiss sculptor Alberto Giacometti, the former Dadaist and Surrealist Jean Arp, the Romanian sculptor Constantin Brancusi, and the Cubists Georges Braque and Fernand Léger.

• Jacques Lipchitz (1891 - 1973) Lithuanian - born artist, friend of Picasso, Modigliani and Matisse; influenced also by African art; became one of the foremost Cubist sculptors.

While at Bennington College, Frankenthaler studied under the direction of Paul Feeley, who is credited with helping her understand pictorial composition, as well as influencing her early cubist - derived style.

Pablo Picasso (1881 - 1973) Co-inventor of Cubism, influenced by Cezanne's earlier «Cubist» landscapes.

Paul Cezanne (1839 - 1906) Marked by the use of geometrical shapes, and new relationships between colours - and between form and space - Cezanne's later landscapes (and still lifes) exerted a major influence on Early Cubist Painting (c.1907 - 9).

These undercurrents compelled a number of artists, particularly those of the Stieglitz Circle, to reject European influences and abruptly end their earlier forays into abstraction — O'Keeffe's wonderful meditations on form and color, Hartley's Synthetic Cubist works painted in Provincetown and Bermuda in 1915 and 1916, Dove's seminal series of pastels from 1910 - 11 — and focus on more recognizable subject matter.

Elements of Balzer's work run parallel to contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly colored foils create a contemporary twist on the theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.

• Introduction • Juan Gris • Fernand Leger • Robert Delaunay • Jean Metzinger • Francis Picabia • Marcel Duchamp • Other Cubists • Notable Cubist Paintings • Cubist Sculptors • Cubist Sculptures • Legacy / Influence of Cubism

The cubist - influenced drawings were done early in her career, before she married Pollock.

He worked through the influence of Surrealism to arrive at his own unique sculptural style: metamorphic forms which were flattened Cubist spaces.

One effect of this increased European influence was the gradual emergence of a school of abstract art: initially Cubist - oriented, later geometric and colourist in nature, it provided an obvious contrast with native representationalism.

Elizabeth Murray (b. 1940, Chicago; d. 2007, New York) belonged to a generation of artists who emerged in the 1970s and whose exposure to Cubist - derived Minimalism and Surrealist - influenced Pop inspired experimentation with new modes of expression that would bridge the gap between these two historical models.

Although Schwitters would go on to influence many important artists active during his lifetime — Marcel Duchamp's readymades and Pablo Picasso's three - dimensional Cubist constructions each bear a not insignificant debt to Schwitter's work — it wasn't until after his death in 1948 that the kind of art he pioneered would be attached to a specific term.