Sentences with phrase «cubist movement»

Renowned for creating the Cubist movement, -LSB-...]

It is one of the greatest 20th century paintings of the Synthetic Cubist movement.

Renowned for creating the Cubist movement, Picasso experimented with a wide range of styles throughout his career.

Jacques Villon was a French painter and printmaker associated with the Cubist movement, and was also noted for his realist and abstract works...

She found strong influence in Picasso and Hofmann's cubist ideals, describing the Cubist movement as «one of the greatest awarenesses that the human mind has ever come to.»

Early paintings were inspired by Cezanne and Fauvism, and he briefly became involved with the Cubist movement.

When exhibited in 1907, this painting became an inspiration for the nascent Cubist movement; both Picasso and Matisse took a strong interest in it.

Pablo Picasso was a very famous Spanish painter, sculptor, and draughtsman, best known for co-founding the Cubist movement and for the wide variety of styles with which we worked.

His image Red and White Domesillustrates the avant - garde approach to art, which, as we have mentioned incorporates geometric shapes, and the flattening of the planes, one of the many characteristics of the Cubist movement.

More than half of the Lauder Collection focuses on the six - year period, 1909 - 14, during which Braque and Picasso — the two founders of the Cubist movement — closely collaborated.

Georges Braque and Pablo Picasso pioneered the cubist movement in the early 20th century.

With the Lauder Collection gift, the Met reframes the Cubist movement for the 21st century Read More

Not exact matches

I become more convinced that the best we can hope for is a cubist portrait of the movement, even though we try for some form of expressionism.

Along with Pablo Picasso he initiated the Cubist art movement c. 1908 in Paris.

Against one wall, a series of stencil cutouts by Matisse pulse with nearly - neon colors and abstract shapes and evoke a sense of movement and rhythm similar to a cubist print by Fernand Léger in another section of the exhibit.

The exhibition, which reflects the gallery's focus on both Modern and contemporary art, will encompass a variety of schools and movements (such as the Cubists and British Modernists) and will feature artists who are contemporaries of, or influenced by, one another.

Lyrical Abstraction was opposed not only to «l'Ecole de Paris» remains of pre-war style but to Cubist and Surrealist movements that had preceded it, and also to geometric abstraction (or «Cold Abstraction»).

Lyrical abstraction was opposed not only to the Cubist and Surrealist movements that preceded it, but also to geometric abstraction (or «cold abstraction»).

Her groundbreaking cubist - style still lifes are set in Spanish colonial domestic interiors which pulsate with color and the movement of a black arabesque.

The influence of Marinetti, Italian editor and founder of the Futurist movement, is shared with Bas's appreciation for the absurdist theater of Alfred Jarry, specifically in the canvas Ubu Roi, in which Jarry's protagonist Ubu «leads a group of dancing followers through a scene reminiscent of Soviet Futurist stage design, flat cubist abstraction and the illustrated tales of Hans Christian Andersen.»

You would initially associate Schwitters with Dadaism, however just looking through this major exhibition in the Tate Britain you will find scraps of the surrealists and the cubists; despite this it does feel that he didn't belong in any of these movements, always trying something new or something very bland and documentary, for example his portraits or his landscapes in which he had friends commission him for.

In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, «Alberto Burri: The Trauma of Painting» (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri's art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements — Neo-Dada, Process Art, Arte Povera and more.

Artists representing various movements and geographical backgrounds are featured: Cubist, Dada, and Russian avant - garde artists of -LSB-...]

Aung Myint one of the founding father's of Myanmar's contemporary art movement is recognised for his cubist style paintings particularly around the «Mother & Child» theme.

He died in 1964, on the eve of the Pop explosion that sent mid-century modernist painters spinning, but Stuart Davis's work, which mixes American advertising style with the movements (cubist, dada, Abstract Expressionism) that he grew up with, presages the Pop era in both tone and content.

Prior to the First World War, Bomberg's work was heavily influenced by the geometrical abstractions of the Cubist, Futurist and Vorticist movements.

It may seem almost absurd to even suggest that the influence of the works of the so - called French, German, and Italian «Post Impressionists,» «Futurists,» «Cubists,» and other «ists,» as exemplified by representative examples at the Armory show, can have any immediate, or even near future effect, upon the generally strong, good and, from the conventional art viewpoint, sane, American painting and sculpture of today, but there is no doubt that the study of these new groupings, called «movements» in painting and sculpture, which have so emphasized and influenced the art of Europe today, for the past 5 years, and even the derision which they have excited, and will continue to excite, has had and will have a stimulating effect.

They have found themselves confronted with a problem beyond their solution, as we predicted last week, and the number of involved, tedious and lengthy essays on the new art movement in Europe, as evidenced by the exhibits of the «Cubists,» «Futurists» and all the other «Ists» at the Armory published of late in the dailies, is appalling.

Juan Gris (1887 - 1927) One of the great Cubist painters and the movement's leading theorist.

She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist - inspired approach to painting the skyscrapers and factories that had come to define the new American landscape.

Although the number of abstract painters increased substantially from the late 1900s onwards - in the form of Cubists, Suprematists, the De Stijl movement, Abstract Expressionism and the Minimalists - figurative artists continued to develop new techniques and methods.

An important influence on modern art painting in the United States, Precisionism was an American movement (also referred to as Cubist Realism) whose focus was modern industry and urban landscapes, characterized by the realistic depiction of objects but in a manner which also highlighted their geometric form.

The first international modern art movement to come out of America (it is sometimes referred to as The New York School - see also American art), it was a predominantly abstract style of painting which followed an expressionist colour - driven direction, rather than a Cubist idiom, although it also includes a number of other styles, making it more of a general movement.

Picabia, a pioneering modernist, has long been known as an early cubist and a leader of the anarchic Dada movement, while his later work has gone mostly ignored.

Cubists (flourished 1908 - 14) This revolutionary abstract art movement was co-founded by Braque and Picasso, and received valuable contributions from modern artists like: Juan Gris, Fernand Leger (1881 - 1955), Robert Delaunay (1885 - 1941) and Marcel Duchamp (1887 - 1968).

A British pre-war art movement which was strongly influenced by the Cubist idiom, was Vorticism (1913 - 14), founded by Percy Wyndham Lewis (1882 - 1957).

Although most Cubist works were still derived from objects or scenes in the real world, and thus can not be considered to be wholly abstract, the movement's rejection of traditional perspective completely undermined natural - realism in art, and thus opened the door to pure abstraction.

• Vorticism (1913 - 14) British Cubist - Futurist movement founded by Percy Wyndham Lewis (1882 - 1957).

However, once in power, Lenin replaced the Wanderer Group with a new Association of Artists of Revolutionary Russia (AARR), which became popular with traditional painters rebelling against the European Cubist and Surrealist - inspired abstract movements of the early twentieth century.

In his paintings and drawings of the 1940s and 1950s, he synthesized Cubist and Surrealist styles to create lyrical interpretations of movement.

Inspired by Cubist experiments, artists associated with Dada — particularly the movement's Berlin branch — began incorporating collage techniques into their work.

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and... read more... «Geo / Mattera visits MoMA»

The small to mid-sized works synthesize art historical painting elements from both Cubist and Futurist movements, while also creating a dialogue with contemporary painting construction.

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge abstraction in the 1960s and 1970s, whose primary interest lay in the investigation of reductive form and color; and contemporary artists who continue to exploit the infinite potential of simple geometries.

These include works by leading artists from early avant - garde movements such as cubism, futurism, and Dada, such as a superb cubist still life by Juan Gris, a militant work by the futurist Carlo Carrà, and an early Dada collage by Man Ray.

Elements of Balzer's work run parallel to contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly colored foils create a contemporary twist on the theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.

When painting was threatened by photography and then motion pictures, painters responded experimentally with the cubist, futurist, dada, surrealist and other artistic movements.

Cubism, Expressionism, Dada and Surrealism were the most important of these movements, and attracted a number of indigenous American artists, including: the New Jersey Cubist / Expressionist John Marin (1870 - 1953); the vigorous modernist Marsden Hartley (1877 - 1943); the expressionist Russian - American Max Weber (1881 - 1961); the New York - born Bauhaus pioneer Lyonel Feininger (1871 - 1956); the unfortunate Patrick Henry Bruce (1881 - 1937), noted for his semi-abstract impastoed pictures; Stanton Macdonald - Wright (1890 - 1973) and Morgan Russell (1883 - 1953), two Americans living in Paris who invented a colourful abstract style known as Synchromism; Arthur Garfield Dove (1880 - 1946) noted for his small scale abstracts, collages and assemblages; the Mondrian and De Stijl - inspired Burgoyne Diller (1906 - 65); the influential American Cubist Stuart Davis (1894 - 1964); the calligraphic abstract painter Mark Tobey (1890 - 1976); the surrealist Man Ray (1890 - 1976); the Russian - American mixed - media artist Louise Nevelson (1899 - 1988); the Indiana metal sculptor David Smith (1906 - 1965); Joseph Cornell (1903 - 72) noted for his installations; the Iowa - raised Grant Wood (1892 - 1942) noted for his masterpiece American Gothic (1930), and the Missouri - born Thomas Hart Benton (1889 - 1975), both of whom were champions of rural and small - town Regionalism - part of the wider realist idiom of American Scene Painting; and Jacob Lawrence (1917 - 2000) the famous African - American artist.

While the rational constructions of the Cubists had given modern art perhaps its most impressive and elevated style, by the late twenties much of the generative power of the movement had been lost or supplanted by an abstract academicism.

An American painting movement which depicted urban / industrial landscapes often in a Cubist / Futurist manner, its members were known by a variety of labels such as «Cubist - Realists», «Immaculates», «Sterilists» or «modern classicists».