Sentences with phrase «cultural brasil»

Recent exhibitions include Centro Cultural Brasil Moçambique (CCBM), Maputo (2017).

In June her work will be included in Arte Vida, a show curated by Adriano Pedrosa and Rodrigo Moura for the Centro Cultural Brasil.

Not exact matches

First indications of Boff taking this cultural aspect more seriously are to be found in two recent books of his: Depois de 500 anos: Que Brasil queremos?

«Elles: Women Artists from the Centre Pompidou,» Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil.

Oneness was also exhibited at Centro Cultural Banco do Brasil, in Brasília, Rio de Janeiro and São Paulo (Brazil) in 2011.

He was also featured in the 2001 exhibition Brazil: Body & Soul at the Guggenheim Museum and has had solo exhibitions at Luhring Augustine, New York; Musée du Louvre, Paris; Whitechapel Gallery, London; Stedelijk Museum, Amsterdam; Museum of Contemporary Art, Chicago; MARCO, Museum of Contemporary Art, Monterrey, Mexico; and Centro Cultural Banco do Brasil, São Paulo and Brasilia; among others.

With Via Brasil, the Wexner Center strives to introduce our community to the unique and diverse cultural landscape that contributes to the increasing prominence of Brazil on the global arts scene.

«Elles: Women Artists from the Centre Pompidou,» Centro Cultural Banco do Brasil, Belo Horizonte, Brazil.

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).

Comics in Art, Weserburg, Museum für moderne Kunst, Bremen, Germany Every Day Matters, Faurschou Foundation, Copenhagen, Denmark Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Le Pas Funambule, Piano Nobile, Geneva, Switzerland America Latina 1963 - 2013, Fondation Cartier, Paris, France ELLES: Mulheres Artistas na Coleção do Centro Pompidou, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil Homebodies, Museum of Contemporary Art Chicago, Chicago, USA Nooite Azul Electrico, Galeria Mendes Wood DM, Sao Paulo

Gormley's work has been widely exhibited throughout the UK and internationally with exhibitions at Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio di Janeiro and Brasilia in Brazil (2012); Deichtorhallen, Hamburg, Germany (2012); The State Hermitage Museum, St Petersburg, Russia (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London, England (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

2010 Adaptation: Between Species, The Power Plant, Toronto, Canada Dominó Caníbal, Proyecto de Arte Contemporáneo, Murcia, Spain Paisagem Incompleta: Projeto Uma Nova Paisagem, Centro Cultural Usiminas - Galeria Hideo Kobayashi, Ipatinga, Brazil Urbi et Orbi - Para a cidade e para o mundo, Paço das Artes, São Paulo, Brazil Tropicália - The 60s in Brasil, Kunsthalle Wien, Vienna, Austria Der offene Garten, Kunstalle Lingen, Lingen, Germany Epilogo, Museo Zapopan, Guadalajara, Mexico Yesterday Will Be Better - Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland Dez anos do Núcleo Contemporâneo, Museu de Arte Moderna de São Paulo, Brazil Yesterday will be better, Aargauer Kunsthaus, Aarau, Switzerland The Traveling Show, Jumex Collection, Mexico City, Mexico Vidéo et Après - Videó France Exposição Ecológica, MAM - Museu de Arte Moderna de São Paulo, São Paulo, Brazil SERPENTINE CINEMA: CINACT, The Gate, Serpentine Gallery, London, England

In South America her work was featured at the Centro Cultural Recoleta and Museo del Grabado in Buenos Aires, Argentina; Museo de Artes Visuales, Montevideo, Uruguay; the Instituto Brazil Estados Unidos, and Laura Marsiaj Arte Contemporanea, in Rio de Janeiro, Brazil, as well as Art Fairs: ARCO Madrid, Spain; Art Basel Miami Beach, USA; ArteBA Buenos Aires, Argentina; SParte São Paulo, Brasil.

His work has been the subject of numerous solo shows worldwide, including exhibitions at National Portrait Gallery, London (2016); Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

Keith Haring — Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil, Culturgest, Lisbon, Portugal, Alte Rathaus, Prien am Chiemsee, GermanyThe Characters of Keith Haring — Children's Museum of the Arts, New York, New York, United StatesPhotos from the Archives: the Artist at Work — Pop Shop, New York, New York, United StatesKeith Haring: New Wave Aztec — Solomon R. Guggenheim Museum, New York, New York, United StatesOne Person Show — Alona Kagan Gallery, New York, New York, United States

Gormley's work has been exhibited worldwide with exhibitions at Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

The solo traveling exhibition Hélio Oiticica: Museu É o Mundo was presented at the Fundação Itaú Cultural in Sao Paulo and the Paço Imperial and Casa França - Brasil in Rio de Janeiro in 2010.

Her exhibitions as a guest curator in international institutions include William Kentridge: Fortuna (2012 - 2016, Instituto Moreira Salles, Riode Janeiro, Fundação Iberê Camargo, Porto Alegre, Pinacoteca do Estado, São Paulo, Museo del Banco de la República, Bogotá, Museo de Arte Moderno de Medellín, MUAC, Mexico City and Museo Amparo, Puebla), Fred Sandback: O Espaçonas Entrelinhas (2010, Instituto Moreira Salles, São Paulo and Rio de Janeiro, and the Centro Cultural Maria Antonia, São Paulo), and Closed Circuit: Bruce Nauman in Film and Video (2005, Centro Cultural Banco do Brasil, Rio de Janeiro).

Solo exhibitions of his work have been recently been organized at Albertina Museum, Vienna (2018); 21er Haus, Belvedere, Vienna (2017); Museum Küppersmühle für Moderne Kunst, Duisburg, Germany (2017); Leopold Museum, Vienna (2017); Centro Cultural Banco do Brasil, São Paulo, Brazil (2017); Berlinische Galerie, Berlin (2016); Schindler House, MAK Center for Art and Architecture, West Hollywood, CA (2016); Bangkok Art and Culture Center, Thailand (2016); Indianapolis Museum of Art, IL (2015); Museum of Contemporary Art in Kraków, Poland (2013); Centro de Arte Contemporáneo de Málaga, Spain (2012); and Dallas Contemporary, TX (2012).

Solo exhibitions of his work have been organized at Museum Küppersmühle für Moderne Kunst, Duisburg, Germany (2017, forthcoming); Leopold Museum, Vienna, Austria (2017, forthcoming); Centro Cultural Banco do Brasil, São Paulo, Brazil (2017); Berlinische Galerie, Berlin (2016); Schindler House, MAK Center for Art and Architecture, West Hollywood, CA (2016); Bangkok Art and Culture Center, Thailand (2016); Indianapolis Museum of Art, IL (2015); Museum of Contemporary Art in Kraków, Poland (2013); Centro de Arte Contemporáneo de Málaga, Spain (2012); Dallas Contemporary, TX (2012); Bass Museum of Art, Miami (2011); Middelheimmuseum, Antwerpen, Belgium (2011); Kunstmuseum Bonn, Germany (2010); and Ullens Center for Contemporary Art, Beijing (2010).

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

Staggeringly, Centro Cultural Banco do Brasil in Rio hosted no less than three exhibitions that have made the top ten.

Guy Tillim is included in Ex Africa showing at Centro Cultural Banco do Brasil in São Paulo, traveling from Belo Horizonte.

His selected group shows include: Museum Ritter, Germany (2010); Kurimanzutto, Mexico City (2010); 2nd San Juan Triennial, Puerto Rico (2009); Morsbroich Museum, Leverkusen (2009); Centro Cultural Banco de Brasil, Rio de Jeneiro (2008); Inhotim Centro de Arte Contemporanea, Brazil (2008); NAK, Aachen (2007); and CCA Wattis Institute for Contemporary Arts, San Francisco (2007).

STILL BEING / CORPOS PRESENTES, Centro Cultural Banco do Brasil, São Paolo, Brazil.

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

STILL BEING / CORPOS PRESENTES, 2nd ed., Centro Cultural Banco do Brasil, São Paulo, Brazil.

WHATIFTHEWORLD is pleased to announce that Mohau Modisakeng will be included in the upcoming exhibition — «Ex Africa», at the Centro Cultural Banco do Brasil in Rio de Janeiro.

Rio de Janeiro, Centro Cultural Banco do Brasil, Louise Bourgeois, February - April 1997, pp. 10, 16 and 18 (illustrated in color).

- Wasser, Mexico City; Brasília — Ruina e Utopia, Centro Cultural Banco do Brasil, Brasília.

Jahrhundert in der Neuen Nationalgalerie, Neue Nationalgalerie, Berlin, Germany; Building the Collection, New and Future Acquisitions, Art Gallery of Ontario, Toronto, Canada; Arquivo e Simulacao, Centro Cultural de Belem, Lisbon, Portugal; Cold Play, Fotomuseum Winterthur, Switzerland; O delirio de Chimborazo, 4th Bienal do Mercosul, Porto Alegre, Brazil; La ciudad radiante, 2nd Bienal de Valencia, Fundación Bancaixa, Spain; Iconografias Metropolitanas, Cidades, XXV Bienal de Sao Paulo, Brazil; Brasília — Ruina e Utopia», Centro Cultural Banco do Brasil, Brasília, Brazil; After The Wall, Moderna Museet, Stockholm.

Selected exhibitions include: Centro Galego de A rte Contemporanea, Santiago de Compostela, Spain (2008); Fundação Calouste Gulbenkian, Lisbon, Portugal (2008); Museum of Modern Art, New York (2006); Centro Cultural Banco do Brasil, Rio de Janeiro and Brasília (2000).

1994 Ivana Bentes, Marcello Dantas, and Kathy Huffman, Exhibition Catalogue, Rio de Janeiro, ICentro Cultural Banco do Brasil, Bill Viola: Território do Invisível / Site of the Unseen Texts Alexander Pühringer, ed., Salzburg, Salzburger Kunstverein, Bill Viola Tina Yapelli and Toby Kamps, Madison Art Center, Bill Viola: Images and Spaces

Solo presentations include exhibitions at Paradise Row Gallery (2008, 2010, London), Deitch Projects (2009, NYC), Galeria Luciana Brito (2010, São Paulo), Galerie Stanislas Bourgain (2009, 2010, Paris), Galerie NON (2011, Istanbul), Centro Cultural São Paulo (2013, São Paulo), Faena Arts Center (2014, Buenos Aires), Centro Cultural Banco do Brasil (2015, Brasilia), Künstlerhaus Wien (2016, Vienna), Museu de Arte Contemporanea MAC - USP (2017, São Paulo).

Furthermore, he has contributed to many exhibitions throughout the world, including Terra Comunal — Marina Abramović in sesc Pompeia, São Paulo (2015), Planos de fuga, Centro Cultural Banco do Brasil, São Paulo (2012), Olafur Eliasson — Your Body of Work as part of the 17th International Festival of Contemporary Art — sesc Videobrasil in the Pinacoteca do Estado de São Paulo, in sesc Pompeia and sesc Belenzinho, São Paulo (2011), The Spiral and the Square at Bonniers Konsthall, Stockholm, at Gråmølna Kunstmuseum, Trondheim, and at Sørlandets Kunstmuseum, Kristiansand (2011), the 1st Aichi Triennale in Nagoya (2010) and the presentation of Cinthia Marcelle at the Biennale de Lyon (2007).

Centro Cultural Banco do Brasil... 22Sep

Born in London in 1950, Antony Gormley's solo shows include Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012), Deichtorhallen, Hamburg (2012), The State Hermitage Museum, St Petersburg (2011), Kunsthaus Bregenz, Austria (2010), Hayward Gallery, London (2007), Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

Notable group exhibitions include In Their Own Form at Museum of Contemporary Photography, Chicago (2018); Ex Africa presented by Centro Cultural Banco do Brasil, Belo Horizonte in Rio de Janeiro, São Paulo, and Brasília (2017 - 18); Africa.

2017 Ex Africa, Centro Cultural Banco do Brasil Belo Horizonte, Belo Horizonte, Brazil 2017 After the Thrill is Gone: Fashion, Politics, and Culture in Contemporary South African Art, College of Wooster Art Museum, Wooster, USA 2017 africa.

Banco do Brasil Cultural Center, Sao Paulo, Brazil, 2009.

And, remarkably, the museum that comes out on top for 2011 was not a US, European or Japanese institution, but a Brazilian one — the Centro Cultural Banco do Brasil's (CCBB) Rio de Janeiro space.

A major survey of her work, entitled Oneness, was held at the Groninger Museum, Netherlands; ARoS Aarhus Kunstmuseum, Denmark; and the Pinchuk Art Centre, Kiev, Ukraine in 2010, and travelling to Centro Cultural Banco de Brasil, Brasilia; Rio de Janeiro and Sao Paulo in 2011.

RIO DE JANEIRO Beatriz Milhazes CENTRO CULTURAL BANCO DO BRASIL In the edgy sumptuousness of Beatriz Milhazes's allusions to local flora, Rio's urban verve and the legacies of Brazilian...

Attending will be Zdenka Badovinac, director of the Moderna Galerija, Museum of Modern Art; Agustín Pérez - Rubio, director of MUSAC; Bart De Baere, director of the Museum of Contemporary Art (MuHKA); Vasif Kortun, director of research and programmes at SALT; Charles Esche, director of the Van Abbemuseum; Carles Guerra, chief curator at MACBA; Rodolfo Kronfle, independent curator; Bartomeu Marí, director of MACBA; Justo Mellado; director of the Valparaiso Cultural Park; Tadeu Chiarelli, director of the Museum of Contemporary Art of the University of São Paulo (MAC USP); Ann Gallagher; head of British art collections at the Tate Britain; Giancarlo Hannud; curator of the Pinacoteca do Estado de Brasil; Maria Inés Rodríguez, head curator at MUAC; Osvaldo Sánchez, curator and critic, and Roberto Amigo, curator at the National Fine Arts Museum, Buenos Aires.

He is an independent curator, and his recent projects as curator include: Lygia Clark: a retrospective (Itaú Cultural, São Paulo, 2012, co-curator Paulo Sergio Duarte) and Abraham Palatnik (Centro Cultural Banco do Brasil, Brasília, 2013).

His work has been exhibited at Centro Cultural Banco do Brasil, Sao Paulo; The State Hermitage Museum, St Petersburg; the Hayward Gallery, London» and Malmo Konsthall, Sweden.

Avenida Brasil, Domaine de Kerguéhennec, Bignan 2004 Adriano Pedrosa: Mares do Sul, Centro Cultural Banco do Brasil, Rio de Janeiro 2002 Katya Garcia - Antón (Ed.)

CENTRO CULTURAL BANCO DO BRASIL In the edgy sumptuousness of Beatriz Milhazes's allusions to local flora, Rio's urban verve and the legacies of Brazilian Baroque sit alongside references...

Selected solo exhibitions include: Centro Atlántico de Arte Moderna, Las Palmas de Gran Canaria; Museo Tamayo, Mexico (both 2014); Yale School of Art Edgewood Gallery (2012); Centre d'Art de Saint Nazaire, France and the Estação Pinacoteca do Estado de São Paulo (2011); Miami Art Museum (2004); the Centro Cultural Banco do Brasil, Rio de Janeiro (2002), Museu de Arte Moderna de São Paulo (1999); the Bohen Foundation, New York (1998), Centre d'Art Contemporain Geneva (1993), the Institute of Contemporary Art, Boston (1991) and exhibitions and residencies at Museum of Modern Art Oxford and the Walker Art Centre, Minneapolis (both 1991).

Gormley has exhibited at institutions including Centrum Paul Klee, Bern, Centro Cultural Banco do Brasil, Sao Paulo, State Hermitage Museum, St. Petersburg, MACRO, Rome, Garage Center for Contemporary Culture, Moscow, Kunsthall Rotterdam, the Netherlands, ICA, Singapore, Guangdong Museum of Contemporary Art, China, Yale Centre for British Art, New Haven, Connecticut, The British Museum, London, Tate St. Ives, United Kingdom, and Obala Art Center, Sarajevo, among many others.