Sentences with phrase «cultural center african»

Installation view, Amalivaca, from the series, Wanderer, 2012, by Khadija Benn (left) and White: Crossing, 2017, by Arlington Weithers (right) at Caribbean Cultural Center African Diaspora Institute in Harlem, New York.

Our author Celeste Hamilton Dennis spoke with Ali about her recent exhibition Liminal Space at Harlem's Caribbean Cultural Center African Diaspora Institute (CCCADI), in which artists from Guyana and its Diaspora explore migration.

Installation view, G741 Drawing Structures, 2016, by Andrew Lyght (left), Untitled (blue), 2014, by Karran Sahadeo, (center) and Demerara Song, 2017, by Carl Hazlewood (right) at Caribbean Cultural Center African Diaspora Institute in Harlem, New York.

She is currently serving as a guest curator for exhibitions at the Caribbean Cultural Center African Diaspora Institute, the Lyme Academy College of Fine Arts, the McNay Art Museum, Grounds For Sculpture, the Craft and Folk Art Museum, and the Cincinnati Contemporary Arts Center.

ARTs East New York AXS Lab The Bronx Museum of the Arts BronxArtSpace Caribbean Cultural Center African Diaspora Institute (CCCADI) Cave Canem Foundation Center for Book Arts Center for Urban Pedagogy Creative Time CUE Art Foundation Culture Push, Inc..

Caribbean Cultural Center African Diaspora Institute 120 East 125th Street (Between Lexington and Park Avenues) New York, NY 10035 TEL: [phone] EMAIL: [email protected] PLAN YOUR VISIT

In October 2016 Roma?n will be exhibiting at the Caribbean Cultural Center African Diaspora Institute in New York City for it's grand re-opening exhibit «Home».

All Rights Reserved © Copyright 2017 Caribbean Cultural Center African Diaspora Institute Privacy Policy Terms of Use Sitemap Website by Somos Arte

The Caribbean Cultural Center African Diaspora Institute (CCCADI) preserves and presents African Diaspora cultures, promoting arts and culture as tools for personal transformation, community - building,...

EXHIBITION «Liminal Space,» opens June 17 at Caribbean Cultural Center African Diaspora Institute in New York.

Awards include a New Jersey State Council on the Arts Fellowship, as well as an Innovative Cultural Advocacy Fellowship from the Caribbean Cultural Center African Diaspora Institute.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

She is currently working on projects for the Caribbean Cultural Center African Diaspora Institute, New York City; Grounds for Sculpture, Hamilton, NJ; the Craft and Folk Art Museum, Los Angeles; and the Contemporary Art Center, Cincinnati.

NEWS The Caribbean Cultural Center African Diaspora Institute (CCCADI) re-opens in a new home, a renovated firehouse in East Harlem.

The group runs the Franklin H. Williams Caribbean Cultural Center African Diaspora Institute on West 58th Street, which was founded in 1976 and promotes the history, culture and art of African descendants in the Americas.

Not exact matches

He places rap squarely at the center of a hip - hop culture that reinforces patterns of ignorance and misogyny, and links it to larger cultural forces that debase the popular images of African - American men.

At 3:30 p.m., state Sen. Jesse Hamilton announces legislation recognizing 400 years of African - American history and hosts a roundtable on diversity and inclusion in cultural institutions, Weeksville Heritage Center, 158 Buffalo Ave., Brooklyn.

partnered with the Caribbean Cultural Center (CCCADI) and The Weeksville Heritage Center to produce After Afropolitan: A Multimedia Exhibition Deconstructing Contemporary African Diaspora Experiences, and Probing the Socio - Economic, Cultural, and Aesthetic Equity of the Afropolitan Identity.

These included The Thunderbird American Indian Dancers, dancers from the Jacques d'Amboise's National Dance Institute, the New York Chinese Cultural Center, the Harambee Dance Company (African dance), the Val - Inc (Afro - Electronic), the Kasibahagua Taino Cultural Society (Caribbean), and Kahurangi Maori Dance Company (New Zealand) also performed.

Also at 6 p.m., Sen. ose Peralta and the NAACP Corona - East Elmhurst branch will celebrate African - American History and Heritage Month, honoring NYCPublic Advocate Tish James and community leaders and activists, Langston Hughes Community Library and Cultural Center, 100 - 01 Northern Blvd., Corona, Queens.

Big winners for last - minute funding boosts include the African - American Cultural Center, the Lancaster Opera House, the Buffalo City Mission, the Cornell Cooperative Extension and the Buffalo and Erie County Naval and Military Park.

Agencies receiving Operation Primetime funding in 2012 include: Access of WNY, African American Cultural Center, Back to Basics, Be A Friend, Bob Lanier Center, Boys & Girls Club of East Aurora, Boys & Girls Club of Eden, Boys & Girls Club of Holland, Boys & Girls Club of the Northtowns, Buffalo Museum of Science, Buffalo Prep, Buffalo Urban League, Butler Mitchell Association, Child & Adolescent Treatment Services, Community Action Organization, Computers for Children, Concerned Ecumenical Ministries, Cradle Beach Camp, Elim Community Corporation, Erie Regional Housing Development Corp. — Belle Center, Firsthand Learning, FLARE, Girls Sports Foundation, Greater Niagara Frontier Council — Boy Scouts, Jericho Road Ministries, Justice Lifeline, King Urban Life Center, Lackawanna Sports & Education, Making Fishers of Men & Women, National Inner City Youth Opportunities, North Buffalo CDC, Northwest Buffalo Community Center, Old First Ward Community Association, PBBC Matt Urban Center, Peace of the City, Police Athletic League, Schiller Park Community Center, Seneca Babcock Community Association, Seneca Street Community Development, Town of Tonawanda Recreation Department, UB Liberty Partnership, University District CDC, Urban Christian Ministries, Valley Community Association, Westminster Community Charter School, Westside Community Center, Willie Hutch Jones Sports & Education, WNY United Against Drug & Alcohol Abuse, Young Audiences, Community Action Organization (Detention), Firsthand Learning (Detention), Willie Hutch Jones Sports & Education (Detention).

Agencies receiving Year - Round funding in 2014 include: Access of WNY, Inc. ($ 10,000), African Cultural Center of Buffalo, Inc. ($ 8,500), Be-A-Friend Program, Inc. (Big Brothers Big Sisters)($ 7,500), Blossom Garden Friends School ($ 3,000), Boys & Girls Club of Buffalo, Inc. ($ 7,500), Boys & Girls Club of Eden, Inc. ($ 5,000), Boys & Girls Club of Northtowns of WNY, Inc. ($ 12,500), Boys & Girls Club of Orchard Park, Inc. ($ 5,000), Boys and Girls Club East Aurora, Inc. ($ 15,000), Buffalo Urban League, Inc. ($ 12,500), Canisius College ($ 5,000), Child & Adolescent Treatment Services, Inc. ($ 5,500), Child and Family Services of Erie County (Haven House)($ 10,000), Compeer West, Inc. ($ 10,000), Computers for Children, Inc. ($ 7,500), Cradle Beach Camp, Inc. ($ 12,500), Daemen College ($ 10,000), Elim Community Corporation ($ 5,000), Erie Regional Housing Dev.

Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions aCultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions acultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.

Debra A. Reed voted with her boss on Wednesday at African - American Research Library and Cultural Center near Fort Lauderdale.

«Cultural differences in gender norms provide North African French boys less freedom to deviate from traditional gender roles and norms than that experienced by European French boys,» explains Isabelle Regner, professor of psychology at Aix - Marseille Universite and the National Center for Scientific Research (CNRS), who coauthored the study.

It is centered on African - American interests and cultural events, but is open to all people in Ohio living with herpes and HPV.

In partnership with African American Universities, museums and cultural centers, Open Road Films will provide free pre-release screenings for 11th and 12thgraders in seventeen (17) U.S. cities to take place on October 2.

1st charter school to be accredited (2002); among top performing charter schools for PARCC 2014 - 15 and 2015 - 16; subjects taught from a culturally relevant African - Centered worldview; STEM curriculum; monthly science themes, Black History literature review, celebration of ancestors, living s / heroes, & cultural fieldtrips and resources; reputation for family oriented parent participation, student excellence & exemplary character

Traveling to this center of African social and cultural interest can be anyone's truly great vacation from all around the world.

Explorations in the City of Light: African - American Artists in Paris 1945 - 1965 explores the relationship of African - American artists to Paris as a modernist cultural center in the mid-twentieth century.

Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1 - August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10 - December 10, 2008; San Diego Museum of Art, San Diego, California, January 21 - April 26, 2009.

She has exhibited and performed her work in numerous galleries and independent venues including, Portland Institute of Contemporary Art, SomArts Cultural Center, Yerba Buena Center for the Arts, African American Cultural Center, and Art Gallery of Windsor, Ontario.

2000 Bob Thompson and Jan Muller, Lori Bookstein Fine Art, New York, NY African - American Art: 20th Century Masterworks, VII, Michael Rosenfeld Gallery, New York, NY; Appleton Museum of Art, Florida State University and Central Florida Community College, Ocala, FL Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY The Figure, Another Side of Modernism, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Staten Island, NY Twentieth - Century American Art: The Ebsworth Collection, National Gallery of Art, Washington DC; Seattle Art Museum, Seattle, WA Search for the Unicorn, Lori Bookstein Fine Art, New York, NY

Arkansas Arts Center, Little Rock, AR Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles, CA Art Institute of Chicago, Chicago, IL Birmingham Museum of Art, Birmingham, AL Brooklyn Museum of Art, Brooklyn, NY California African American Museum, Los Angeles, CA Chrysler Museum of Art, Norfolk, VA Crystal Bridges Museum of American Art, Bentonville, AR Colby College Museum of Art, Waterville, ME Dayton Art Institute, Dayton, OH Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Greenville County Museum of Art, Greenville, SC Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Herter Art Gallery, University of Massachusetts, Amherst, MA Hirshhorn Museum and Sculpture Garden, Washington, DC Indianapolis Museum of Art, Indianapolis, IN LaJolla Museum of Art, LaJolla, CA The Metropolitan Museum of Art, New York, NY Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Art, Charlotte, NC Munson - Williams - Proctor Institute, Museum of Art, Utica, NY Museum of Contemporary Art, Chicago, IL Museum of Fine Arts, Boston, MA Museum of Fine Arts, St. Petersburg, FL The Museum of Modern Art, New York, NY Museum of the National Center of Afro American Artists, Boston, MA Nasher Museum of Art, Duke University, Durham, NC National Gallery of Art, Washington, DC New Jersey State Museum, Trenton, NJ New Orleans Museum of Art, New Orleans, LA The Newark Museum, Newark, NJ Norton Museum of Art, West Palm Beach, FL Pennsylvania Academy of the Fine Arts, Philadelphia, PA Solomon R. Guggenheim Museum, New York, NY The Smart Museum of Art, University of Chicago, Chicago, IL Smithsonian Museum of American Art, Washington, DC The Speed Art Museum, Louisville, Kentucky The Studio Museum in Harlem, New York, NY Tougaloo College Art Collection, Tougaloo, MS University Art Museum, University of California, Santa Barbara, CA University of Louisville, Louisville, KY Wadsworth Atheneum Museum of Art, Hartford, CT Whitney Museum of American Art, New York, NY

1990 Against the Odds: African American Artists and the Harmon Foundation, The Newark Museum, Newark, NJ; Gibbes Museum of Art, Charleston, South Carolina; Chicago Cultural Center, Chicago, IL

1996 Three Generations of African American Women Sculptors: A Study in Paradox, African American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, The Studio Museum, Harlem, NY; Chicago Cultural Center, Chicago, IL; New Orleans Museum of Art, New Orleans, LA Bearing Witness: Contemporary African American Women Artists, Spelman College Museum of Fine Art, Atlanta, GA; Tuskegee University Art Gallery, Tuskegee, AL

The Chicago - based artist Theaster Gates described his 20,000 - square - foot art space, library, and cultural center Stony Island Arts Bank, in the city's low - income and largely African - American South Side, as «a demonstration of our self - reliance, self - determinism, and worth.»

Mussai lectures internationally on curatorial practice, photography, and cultural politics, and has been a regular guest curator and non-resident fellow at the Hutchins Center for African and African American Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.

A Force Proportional To Their Masses is a permanent installation honoring African Americans in aviation past, present and future at The Fulton County Aviation Community Cultural Center in Atlanta, GA..

Lemus» work has been featured is several group exhibitions including, OZ: New Offerings From Angel City at Museo Regional Guadalajara in Jalisco, Mexico, the 09 New Insight exhibition, curated by Sussanne Ghez, at Art Chicago, V Bienal Internacional de Estandartes at CECUT in Tijuana, Mexico, Common Ground at the California African American Museum, Chicano: Pronouncing Diversity at the Eagle Rock Center for the Arts, Mexican Cultural Institute in Los Angeles, Latino Art Museum in Pomona, The DA Center for the Arts in Pomona, the Indianapolis Art Center, Galeria Nina Moreno in Tijuana, Mexico.

At the Crossroads: Black Males + Race, Place, & Identity with Instructor Derrick Lanois, VCU Department of African American Studies Monday, January 20, 6 p.m. Elegba Folklore Society's Cultural Center

1990 Against the Odds: African - American Artists and the Harmon Foundation, The Newark Museum, Newark, NJ; Gibbes Museum of Art, Charleston, SC; Chicago Cultural Center, Chicago, IL

1996 African - American Art: 20th Century Masterworks, III, Michael Rosenfeld Gallery, New York, NY The Countee Cullen Art Collection from the Hampton University Museum, California African American Museum, Los Angeles, CA Three Generations of African American Women Sculptors: A Study in Paradox, Afro - American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY; Museum of African American Life and Culture, Dallas, TX; California Afro - American Museum Foundation, Los Angeles, CA; Museum of the National Center of Afro - American Artists, Boston, MA; Telfair Museum of Art, Savannah, GA; Center for the Study of African American Life and Culture, Smithsonian Institution, Washington, DC Woman's Work: A Century of Achievement in American Art, The Columbus Museum, Columbus, GA The Figure in American Sculpture: A Question of Modernity, National Academy of Design, New York, NY

African Root, American Fruit: Paintings by Ronald Jackson February 7 — April 30 Elegba Folklore Society's Cultural Center Ronald Jackson paints portraits and figurative works to comment on the identity of African American people and their influence on the landscape of American society.

The new center will afford Blackman the opportunity to continue his extensive curatorial work on the African Diaspora ensuring its important cultural influence finds an anchor and a proper voice in the Washington, DC art world.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

Allen Memorial Art Museum, Oberlin College, Oberlin, OH American Academy of Arts and Letters, New York, NY Amon Carter Museum, Fort Worth, TX The Art Institute of Chicago, Chicago, IL Arkansas Arts Center, Little Rock, AR California African American Museum, Los Angeles, CA Chicago Public Library, Chicago, IL The City College of New York, New York, NY Clark Atlanta University Art Galleries, Atlanta, GA Colby College Museum of Art, Waterville, ME Deutsche Akademie Der Kunst, Berlin, Germany Fisk University Art Galleries, Nashville, TN Flint Institute of Arts, Flint, MI Gibbes Museum of Art, Charleston, SC Hampton University Museum, Hampton, VA High Museum of Art, Atlanta, GA Hirshhorn Museum and Sculpture Garden, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC Intergrafik, Berlin, Germany Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL Library of Congress, Washington, DC Long Beach Museum of Art, Long Beach, CA Los Angeles County Museum of Art, Los Angeles, CA Los Angeles County Public Library, Los Angeles, CA Los Angeles State College, Los Angeles, CA Lucas Museum of Narrative Art, Chicago, IL Metropolitan Museum of Art, New York, NY Montclair Art Museum, Montclair, NJ Montgomery Museum of Fine Arts, Montgomery, AL Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY National Academy Museum, New York, NY National Afro - American Museum and Cultural Center, Wilberforce, OH The National Archives, Washington, DC National Gallery of Art, Washington, DC National Gallery of Australia, Canberra, Australia Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT Oakland Museum of California, Oakland, CA Pasadena Museum of California Art, Pasadena, CA Pioneer Museum and Haggin Galleries, Stockton, CA Princeton University Art Museum, Princeton, NJ The Pushkin Museum of Fine Arts, Moscow, Russia Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Selma Burke Art Center, Carnegie Institute, Pittsburgh, PA Sheldon Museum of Art, University of Nebraska - Lincoln, Lincoln, Nebraska Smithsonian American Art Museum, Washington, DC Staatlichen Kunstsammlungen Dresden, Germany Syracuse University Art Galleries, Syracuse, NY Taller de Grafica Popular, Mexico City, Mexico Tuskegee University, Tuskegee, AL University of California, Berkeley Art Museum and Pacific Film Academy, Berkeley, CA University of Illinois, Chicago, IL University of Michigan Museum of Art, Ann Arbor, MI Virginia Museum of Fine Art, Richmond, VA Whitney Museum of American Art, New York, NY Wichita Museum of Art, Wichita, KS The Wylie and May Louise Jones Gallery, Bakersfield College, Bakersfield, CA

He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.

«A gifted and original scholar, Kellie Jones offers unique and stimulating insights into the role L.A.'s close - knit African American artists and communities played in creating art spaces in museums, cultural centers, and storefronts.