Sentences with phrase «cultural center where»

LUMA Arles is an experimental cultural center where artists, researchers, and creators from diverse fields collaborate on multidisciplinary exhibitions and projects.

For our particular studio visit we convened at the Chicago Cultural Center where Rashayla had organized a collection of research materials and photographic prints for her installation Appropriation Politics 102 Circa 2017.

The plaza in Isabela is an active cultural center where you can immerse yourself in the welcoming culture of Puerto Ricans.

A private retreat on the edge of Ubud, Bali's cultural center where festivals, dances, galleries and shops abound.

Not exact matches

You stated your interest in a city where you can grow your company to 50,000 employees over the next 20 years, a home base that can hold your interest... a strong sense of place, a rich cultural life, great transit systems, smart young people and plenty of infrastructure - ready land that is close to both the business center and top universities... density, walkability, and diversity... some of the nation's finest universities... tech - savvy millennials... Philadelphia, the birthplace of America, offers all of these desirable attributes at a more affordable cost.

We gathered into the Indian and Metis Cultural Center, where...

We gathered into the Indian and Metis Cultural Center, where his portrait still hangs on the back wall.

To be sure, we can keep on moving the cultural markers, and still comfort ourselves that we know where the redefined «center» is.

Its welcoming calm and nondenominational culture are in stark contrast to the emotional debate over plans to build an Islamic cultural center and mosque two blocks from ground zero in New York City, where planes flown by al Qaeda hijackers destroyed the World Trade Center, killing more than 2,700 pcenter and mosque two blocks from ground zero in New York City, where planes flown by al Qaeda hijackers destroyed the World Trade Center, killing more than 2,700 pCenter, killing more than 2,700 people.

To say that a symbol has a «history» can mean two things: (a) that this symbol was constituted at a certain historical moment and that therefore it could not have existed before that moment; (b) that this symbol has been diffused, beginning from a precise cultural center, and that for this reason one must not consider it as spontaneously rediscovered in all the cultures where it is found.

Two suspects have been detained in an attack on the Quebec City Islamic Cultural Center, a mosque in the middle of the city, around 7:55 p.m. where two gunmen in...

Last week Carol Mann, an LPGA star in the»60s and»70s and winner of 38 tournaments worldwide, let loose a rant on her Facebook page, criticizing the proposed construction of an Islamic cultural center near where the World Trade Center towers were located before the 9/11 atcenter near where the World Trade Center towers were located before the 9/11 atCenter towers were located before the 9/11 attacks.

26 Where: Curious Theater Branch, 7001 N. Glenwood Ave.; No Exit, 6970 N. Glenwood Ave.; Chicago Cultural Center, 78 E. Washington St. Price: $ 12; 773-274-6660

And an Australian daycare study has found that kids were more likely to experience healthy, declining cortisol levels in centers where caregivers promoted fairness and were sensitive to children's individual and cultural differences (Sims et al 2005).

A plan by Islamic leaders to build a mosque and cultural center on private land two blocks from where the World Trade Center twin towers were attacked September 11, 2001 has been strongly opposed by those who say it would be an affront to the memories of those who died at ground zero thacenter on private land two blocks from where the World Trade Center twin towers were attacked September 11, 2001 has been strongly opposed by those who say it would be an affront to the memories of those who died at ground zero thaCenter twin towers were attacked September 11, 2001 has been strongly opposed by those who say it would be an affront to the memories of those who died at ground zero that day.

HANOI, APRIL 11 — Cultural archeology is a precious resource in forming collective memory and identity... The center opened its doors to a restoration laboratory where local technicians have already started experiments on how to best preserve and... -LSB-...]

Every Little Step Where: Embarcadero Center Cinema, 1 Embarcadero Ctr., 415-352-0835 When: All Week Why: Having been performed in 22 countries over the course of four wildly successful decades, A Chorus Line is no ordinary Broadway smash — it's a full - fledged cultural phenomenon.

After a few days, she gave me the nod and I embarked in the depths of Line 1 of the Madrid Underground, to reach the Pilar Miró Cultural Center, in the district of Vallecas, where they conduct their trials.

In 1921 the park was located in where the cultural Center of the National University of San Marcos now stands.

Dato Hotel is located in the financial and cultural center of Vitoria, and the commercial area, where you will find plenty of shopping opportunities, restaurants and several theaters, is located within walking distance.

Oahu is also the island where you'll find Pearl Harbor and the Pearl Harbor Memorial as well as great cultural attractions like the Polynesian Cultural Center and the only royal residence on US soil, the Iolani Palace, where you can learn about Hawaii's storied (and sometimes tragicultural attractions like the Polynesian Cultural Center and the only royal residence on US soil, the Iolani Palace, where you can learn about Hawaii's storied (and sometimes tragiCultural Center and the only royal residence on US soil, the Iolani Palace, where you can learn about Hawaii's storied (and sometimes tragic) past.

Tom Finkelpearl, now the commissioner of cultural affairs for New York City, who organized Hammons's first solo museum show at P.S. 1 Contemporary Arts Center in Queens in 1990, recalled that for years Hammons didn't even have a phone; Cannon's apartment was one of the few places where the artist could reliably be found.

2008 Alex Hubbard and Oscar Tuazon, Contemporary Art Museum St. Louis, Saint Louis / MO, USA September Show, Tanya Leighton, Berlin, Germany Degrees of Remove: Landscape and Affect, Sculpture Center, Long Island / NY, USA Sommerakademie, Paul Klee Zentrum, Bern, Switzerland You Complete Me, Western Bridge, Seattle / WA, USA Transformational Grammar, Francesca Kaufmann, Milan, Italy Sack of Bones (Los Angeles), Peres Projects, Los Angeles / CA, USA Group show, Dependance, Brussels, Belgium Contemporary Northwest Art Awards, Reed College, Portland / OR, USA Rendez - Vous Nowhere, Centro Cultural Montehermoso, Vitoria - Gasteiz, Spain The Station (curated by Shamim Momin), Miami / FL, USA Suddenly: Where We Live Now, Douglas F. Cooley Memorial Art Gallery, Portland / OR, USA

Last week Sotheby's took over a gallery in the Katara Art Center — a collaborative cultural village of galleries with an open - air theater — where it showed highlights from next month's important contemporary art auctions in New York.

Mussai lectures internationally on curatorial practice, photography, and cultural politics, and has been a regular guest curator and non-resident fellow at the Hutchins Center for African and African American Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.

Designed by Brooklyn - based architect Thomas Leeser, BRIC House aims to be a home and cultural center for artists and audiences and a place where emerging and established artists can make art that deepens their practice, according to the website.

He resided in New York from 2000 — 2014, where he received a BFA from New York University's Tisch School of the Arts and participated in Artist - in - Residence programs at the Lower Manhattan Cultural Council, the Center for Photography at Woodstock, The Studio Museum in Harlem and Fire Island Artist Residency.

Smith completed an Andrew W. Mellon Curatorial Fellowship at the Davis Museum and Cultural Center at Wellesley College where she implemented interdisciplinary interpretation and programming related to the Museum's permanent collection and exhibitions.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

He has also worked with the New York Landmarks Preservation Foundation and the Historic Landmarks Preservation Center, where he helped initiate its acclaimed Cultural Medallions program.

He holds an MA in Cultural Studies at the University of Leuven and was affiliated with the Center for Art, Design and Visual Culture at UMBC in Baltimore, where he translated academic research into accessible and often confrontational exhibitions.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

Thomas was born and raised in Columbus, where her family was at the center of African American social and cultural activities.

They both work at the Czech Center NY, a cultural institute of the Czech Republic, located on the Upper East Side, where they curate and organize the program.

She formerly served as the Director of Visual Arts at Angels Gate Cultural Center in San Pedro, where she curated for the gallery and oversaw a studio artist program.

What: Flowers & Sounds: Korean Folk Art Reimagined When: Sunday, April 22, 6 - 8 pm Where: Korean Cultural Center Washington DC (2370 Mass Ave. NW Washington DC)

Lerman's individual and collaborative projects have been shown at the Drawing Center, SculptureCenter, Tina Kim gallery, Where, Storefront for Art and Architecture, Anthology Film Archives, Austrian Cultural Forum, Artists Space, Queens Museum, New Museum in New York and MUSAC in Spain.

The Retreival carries forward the momentum of important recent exhibitions including The Black Woman is God at SOMArts Cultural Center, When and Where I Enter, Angela Hennessy's solo exhibition at Southern Exposure, and Hinkle's solo exhibition Who Among Us... at San Francisco's Museum of the African Diaspora (2015 - 16) and The Evanesced at Los Angeles» California African American Museum (2017).

Brand New Gallery is a space devoted to contemporary art, suspended halfway between a gallery and a center for cultural promotion, a platform where artists, curators and collectors can meet and exchange ideas.

Prior to joining Art Agency, Partners, for more than 12 years, Melissa worked at Lower Manhattan Cultural Council (LMCC), where she played a leadership role in the development, administration, and artistic direction of major initiatives such as LMCC's Arts Center at Governors Island, the River To River Festival, and the organization's Artist Residency programs.

The exhibition was organized by independent curator Raymond Foye and Senior Curator Jennifer McGregor at the Wave Hill botanical garden and cultural center in New York City, where this exhibition first originated and was on view from April to June, 2011.

At 81, the conceptual artist and writer is still mining the timely themes of racial identity, cultural legacies, and what it means to be female — as seen in Lorraine O'Grady: Where Margins Become Centers, at the Carpenter Center for the Visual Arts (CCVA), October 29 - January 10.

The SFAC acknowledges that The Retreival carries forward the momentum of important recent exhibitions including The Black Woman is God at SOMArts Cultural Center, When and Where I Enter, Angela Hennessy's solo exhibition at Southern Exposure, and Hinkle's solo exhibitions Who Among Us... at San Francisco's Museum of the African Diaspora (2015 - 16) and The Evanesced at Los Angeles» California African American Museum (2017).

Meryem Jazouli, also a mother, lives in Casablanca, Morocco, where she is the founder and director of a cultural center (Espace Darja) and a choreographer investigating the social and geopolitical landscapes of Casablanca.

It will travel to the Chicago Cultural Center (Feb. 10 - May 6, 2018) and then to Los Angeles, California, where it will be jointly presented by the Institute of Contemporary Art, Los Angeles, and the California African American Museum (Sept. 23, 2018 - Jan.

at BAK Utrecht, NL, and Kunsthal Extra City Antwerp, BE; Politiek Kunstbezit, Jonas Staal at Van Abbemuseum, Eindhoven, NL; The City that Doesn't Exist, Ludwig Forum Aachen, DE (all 2012); Melanchotopia, Witte de With Center for Contemporary Art, Rotterdam, NL; Project Europa: Imagining the Impossible, Wallach Gallery, Columbia University, New York, US; Moving Worlds, Podbielsky Contemporary, Berlin, DE (all 2011); The Politics of Collecting / The Collecting of Politics, Van Abbemuseum, Eindhoven, NL; Morality — Act VIII Nether Land, Dutch Cultural Center, Shanghai World Expo, China (both 2010); Freedom of Expression, Museum As Hub, Van Abbemuseum at the New Museum, New York, US; Free as Air and Water, Cooper Union, New York, US (all 2009); Be (coming) Dutch, Van Abbemuseum, Eindhoven, NL (2008); and Be What You Want But Stay Where You Are, Witte de With, Center for Contemporary Art, Rotterdam, NL (2005).

Van de Ven heeft onderandere deelgenomen aan de volgende groepstentoonstellingen: Project Europa: Imagining the Impossible, Wallach Gallery, Columbia University, New York; Moving Worlds, Podbielsky Contemporary, Berlijn (bijde 2011); Morality — Act VIII Nether Land, Dutch Cultural Center, Shanghai World Expo (2010); Free as Air and Water, Cooper Union, New York (2009); Be (coming) Dutch, Van Abbe Museum (2008), Documenta 12, Kassel (2007), the 2006 Sydney Biennale, and Be What You Want But Stay Where You Are, Witte de With (2005).

The MCA is an innovative and compelling center of contemporary art where the public can experience the work and ideas of living artists, and understand the historical, social, and cultural context of the art of our time.

After the Nasher, it will travel to the Chicago Cultural Center (February 10 — May 6, 2018); Los Angeles, where it will be jointly presented by the Institute of Contemporary Art, Los Angeles, and the California African American Museum (September 23, 2018 — January 20, 2019); and the Neuberger Museum of Art, SUNY - Purchase College (April 7 — August 4, 2019).

It's no coincidence that visiting museums and cultural centers with my parents fostered my appreciation of historical painting and fine arts because I didn't get this kind of exposure where I grew up.