Sentences with phrase «cultural centre london»

Balassi Institute, Hungarian Cultural Centre London Institute Für Auslandsbeziehungen e.V. Stuttgart Korean Cultural Institute Outset Estonia Embassy of Sweden in London The Embassy of the Kingdom of The Netherlands The Great Britain Sasakawa Foundation

These works, out of sight of the main cultural centre London, remain on permanent display at Norwich Castle Museum since the 1880s.

Not exact matches

She has also trained with Janet Balaskas and Michel Odent at the Active Birth Centre in London and prior to that, earned a B.A. from Johns Hopkins University in cultural anthropology and public health.

«This is the first preliminary evidence that attending a cultural event can have an impact on endocrine activity,» said research lead Daisy Fancourt of the Centre for Performance Science, a partnership between the Royal College of Music and Imperial College London.

Corner describes the London College of Fashion as being centred around the development of ideas, with the staff and students using fashion, alongside cultural and historical practice, to challenge social, political and ethical agendas.

The centre of the British Empire, home to millions, a cultural melting pot of activity and history, city life in London is fast - paced, exciting and ever - changing.

The Southbank Centre — Belvedere Road, London, SE1 8XX The Southbank Centre is one of the most attractive cultural hotspots for dating in London.

West London's excellent riverside cultural centre offers a cinema, West End standard theatre, cafe, and a comfortable bar with outdoor river terrace under one roof.

Installation view of «Koo Jeong A: Riptide» at the Korean Cultural Centre UK, London, 2016.

Courtesy the artist and Korean Cultural Centre UK, London.

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).

From their Parisian studio, M / M has worked and developed strong relationships with musicians (Bjoerk, Madonna, Benjamin Biolay, Jean - Louis Murat...); contemporary artists (Philippe Parreno, Pierre Huygue, Liam Gilick, Sarah Morris, Francois Curlet, Dominique Gonzales - Foerster...); fashion designers (Yohji Yamamoto, Jil Sander, Balenciaga, Givenchy, Stella McCartney...); and magazines (Vogue Paris, i - D, Purple Fashion, Arena Homme +, Interview, Frog, eDEN, Documents sur l'art); and with cultural institutions (Palais de Tokyo, Musee d'Art Moderne and Centre Pompidou in Paris, Le Consortium in Dijon, The Desde Foundation in Athens, the Serpentine Gallery in London...).

As part of the course, students have had the opportunity to curate exhibitions in partner institutions such as the Korean Cultural Centre, the Government Art Collection, NHS practice, Mansion House, Mint Hotel, Rich Mix, Royal College of Psychiatrists, Valentine's Mansion, the Zabludowicz Collection in London, and the ME - Collector's Room / the Thomas Olbricht Collection, Berlin among others.

Over the next two years the South London Gallery will be expanding into the former Peckham Road Fire Station and is currently fundraising to enable its renovation and transformation into a cultural centre which will be an annexe to the SLG's main site.

Among its best known works are: the Menil Collection in Houston; the Kansai International Airport Terminal Building in Osaka; the Kanak Cultural Centre in New Caledonia; the Beyeler Foundation in Basel; the Rome Auditorium; the New York Times Building in New York; Potsdamer Platz in Berlin; and more recently, the Shard in London and the new Whitney Museum in New York.

Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

Collaborative presentations with Lucy Beech include: Together, Tate Britain, London, 2017; Public Relations, Maureen Paley, London, 2016; Passive Aggressive 3, Frieze Live, Frieze London the boys, the girls and the political, Lisson Gallery, London, 2015; Passive Aggressive 2, Camden Arts Centre, London, 2014; Passive Aggressive, Yapi Kredi Cultural Center, Istanbul, 2013; and Left Behind Together, Outpost, Norwich, 2013.

Her recent exhibitions include «Sticky», Austrian Cultural Forum, London (2015); «Giving It All That», Folkestone Triennial (2014) and «Dirty Looks», Camden Arts Centre (2013).

Recent solo exhibitions include: big MOUTH, Grand Union, Birmingham (2015); Sticky, Austrian Cultural Forum, London (2015); Spread, Art Exchange (2015); Giving It All That, Folkestone Triennial (2014); Dirty Looks, Camden Arts Centre (2013); M20 Death Drives, Whitstable Biennale, Whitstable (2012); TO DO, Matt's Gallery, London; Word Processor, Stanley Picker Gallery, London (2012).

About the speakers: Ope Lori is one of Embodied Spaces participating artists, Emma Dabiri is a visual sociology PhD researcher at Goldsmiths, and teaching fellow at the Centre of African Studies at SOAS, University of London, Nana Adusei - Poku is Research Professor in Cultural Diversity at Hogeschool Rotterdam and Lecturer in Media Arts at the University of the Arts, Zurich.

, at Galerie Perrotin, Paris; Painting 2.0: Expression in the Information Age, at Mumok, Vienna; Basim Magdy, at Deutsche Bank Kunsthalle, Berlin; Olga Balema, at Galerie Fons Welters, Amsterdam; Superstudio, at MAXXI, Rome; Francesco Vezzoli, at Nouveau Musée National de Monaco; Kirill Glushchenko, at VAC Foundation at Polkovaya Street 3, Moscow; Ian Cheng, at Migros Museum für Gegenwartskunst, Zürich; Liverpool Biennial 2016, at various venues, Liverpool; The Science of Imaginary Solutions, at Breese Little, London; Under the Same Sun: Art from Latin America Today, at South London Gallery; Jim Hodges, at Stephen Friedman Gallery, London; Making & Unmaking, at Camden Arts Centre, London; This Is A Voice, at Wellcome Collection, London; Paul Lee, at Maccarone, Los Angeles; Neïl Beloufa, at Ghebaly Gallery, Los Angeles; Benjamin Carlson, at Park View, Los Angeles; Michael Rakowitz, at Graham Foundation and Rhona Hoffman Gallery, Chicago; Ed Ruscha, at Edward Tyler Nahem, New York; Radcliffe Bailey, at Jack Shainman Gallery, New York, Christopher K. Ho, at Present Company, New York; Evan Robarts, at Bryce Wolkowitz Gallery, New York, Nasreen Mohamedi, at The Met Breuer, New York; Chelsea Culprit, at Yautepec, Mexico City; Arquivo Ex Machina, at Itaú Cultural, São Paulo.

S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.

Deeman's work was featured in a solo exhibition at the Berkeley Art Museum and Pacific Archive, Berkeley, CA, and has also been in many domestic and international group exhibitions, including Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; SF Cameraworks, San Francisco, CA; and the University of Derby, Derbyshire, UK.

Participating Institutions: Ballroom Marfa, Texas; Bonniers Konsthall, Stockholm; The Cultural Centre of Belgrade, Belgrad; Centre for Contemporary Arts Afghanistan, Kabul; The Contemporary Art Centre, Litauen; Fundacion PRÓA, Buenos Aires; Galleria D'Arte Moderna e Contemporanea, Bergamo; Hammer Museum, Los Angeles; Hanoi / DOCLAB, Hanoi; Istanbul Modern, Istanbul; Museum of Art, Architecture and Technology, Lissabon; Museum of Modern Art, Warszawa; Video — Forum of Neuer Berliner Kunstverein, Berlin; Para / Site Art Space, Hong Kong; Project 88, Mumbai; Tromsø Kunstforening, Tromsö; The Whitworth, Manchester; Whitechapel Gallery, London.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

León de la Barra has curated or cocurated more than a dozen exhibitions in the past decade, at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

Recent solo and two person exhibitions include: Love Life: Act 1, with Jonathan Baldock, Peer, London, The Grundy, Blackpool, De La Warr Pavilion, UK (2016 - 17), Big MOUTH, Grand Union, Birmingham (2015); Sticky, Austrian Cultural Forum, London (2015); Spread, Art Exchange (2015); SUCKERZ, L'etrangere, London (2015), with Jonathan Baldock; Giving It All That, Folkestone Triennial (2014); Dirty Looks, Camden Arts Centre (2013); M20 Death Drives, Whitstable Biennale, Whitstable (2012); TO DO, Matt's Gallery, London, 2012.

Selected exhibitions include: Utopian Bodies — Fashion Look Forward, Liljevalchs, Stockholm, 2015; White Perspectives of Stamp Stair, part of Fashioning Winter, Somerset House, London, 2014; K — Fashion Odyssey, Korean Cultural Centre, London, 2014; A Queen Within — Adorned Archetypes, Fashion & Chess, Christies New York / World Chess Hall of Fame, Saint Louis, 2013; A New Space Around The Body — Emerging Korean Fashion Designers, Korean Cultural Centre, London, 2012; Hedmankling's Shades Down In Tokyo Town, Calm & Punk Gallery, Tokyo, 2010; The Swedish Avant Garde: Fashion, Freud & the Hidden Ididentity, The Mall Galleries, London, 2009.

This piece was commissioned by the Vancouver 2010 Cultural Olympiad and the Barbican Centre, London.

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

Mendieta's work has been acquired by major museums worldwide including: Tate, London; Centre Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; San Francisco Museum of Modern Art, California, CA; Whitney Museum of American Art, New York, NY; Art Institute of Chicago, Illinois, IL; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Centro Cultural Contemporaneo, Mexico Chase Manhattan Bank, New York, NY; Art Gallery of New South Wales, Sydney, Australia.

The phenomenal buoyancy of this trend, including the National Portrait Gallery, Tate Britain, Tate Modern and the Royal Academy, predicates London's unique position as the leading global art centre, a touristic and cultural nucleus with no immediate reference, for example, to the indigenous local day - to - day art schools and their agendas.

Over the past 50 years Pistoletto has been the subject of numerous solo exhibitions at major institutions and cultural centres, including Museo Nacional de Bellas Artes, Havana, Cuba (2016); Blenheim Palace, Woodstock, UK (2016); Musée du Louvre, Paris, France (2013); Serpentine Gallery, London, UK (2011); MAXXI, Rome, Italy (2011) and Philadelphia Museum of Art, Philadelphia, PA (2010).

Exclusive: exhibition looks back on London cultural centre's legacy through 50 years of archive material

, Jumex Foundation of Contemporary Art, Mexico City (2015); The Singing Posters, Skirball Cultural Center, Los Angeles, CA (2015); FOR COLLECTORS ONLY (everyone is a collector), greengrassi, London, UK (2014); No Time Left to Start Again and Again, WIELS, Institute for Contemporary Art, Brussels, Belgium (2014); The Never Ending Book, Tate, St Ives, Cornwall, UK (2013); The Birth and Death of Rock n» Roll, The Art Institute of Chicago, Chicago, IL (2013) and Camden Arts Centre, London, UK (2008).

2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»

2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!

Deeman has had a solo exhibitions at Berkeley Art Museum and Pacific Archive, Berkeley, CA and domestic and international group exhibitions at Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; and SF Cameraworks, San Francisco, CA; and University of Derby, Derbyshire, UK.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Notable group exhibitions include «The Importance of Being», Museo de Arte Contemporáneo, Buenos Aires, Brazil (2015); «Contemporary Art in Dokolo Collection Sindika - You Love Me, You Love Me Not», Almeida Garrett Municipal Library, Porto, Portugal (2015); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Frankfurt, Germany; touring to SCAD Museum of Art, Georgia, USA; Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2015 - 2014); «Slow Future», Centrum Sztuki Współczesnej Zamek, Poland (2014); «INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation», Indira Gandhi National Centre for the Arts, India (2014); «Ruffneck Constructivists», ICA, Philadelphia, Pennsylvania, USA (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «My Joburg», La Maison Rouge, Paris, France (2013); «Artificial Amsterdam», de Appel Arts Centre, Amsterdam, The Netherlands (2013); «Sex, Money and Power», Maison Particulière, Brussels, Belgium (2013); «The Progress of Love», The Menil Collection, Texas, USA (2013 - 2012); «Mexico: Expected / Unexpected», Katzen Arts Centre, Washington D.C., USA (2012); «No Government No Cry», a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium (2011); «Contemplating the Void», Guggenheim Museum, New York, USA (2010) and «Wall Rockets: Contemporary Artists and Ed Ruscha», The FLAG Art Foundation, New York, USA (2008).

Over the past decade, Douglas's work has been the subject of solo exhibitions at prominent institutions worldwide, including the Canadian Cultural Centre, Paris (2013), Minneapolis Institute of Arts, Minnesota (2012), The Power Plant, Toronto (2011), Staatsgalerie Stuttgart and Württembergischer Kunstverein, Stuttgart (2007), The Studio Museum in Harlem, New York (2005), kestnergesellschaft, Hanover (2004), and the Serpentine Gallery, London (2002).

2011 Wander, Labyrinthine Variations, Centre Pompidou - Metz, Metz, France Terrible Beauty - Art, Crisis, Change and The Office of Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germany

Mohri has held artist residencies at the Lower Manhattan Cultural Council, the Victoria & Albert Museum, and Camden Arts Centre, London.

Selected exhibitions include: Solo show» Sunkissed» at Spanien 19 C (Aarhus),» Adjacent Realities» at the Austrian Cultural Forum (London),» Sweat» at Camden Arts Centre (London),» I'm Every Woman» at KH7artspace (Aarhus), Solo Show,» FAKE SUN» at ArtLacuna (London)

Recent and forthcoming solo shows include BALTIC Centre for Contemporary art, Gateshead, UK; Galerie Hussenot, paris, FR; Mary Mary Gallery, Glasgow, UK; Oriel Mostyn Gallery, Llandudno, UK (All 2014); BolteLang, Zurich, CH; Offspaceprojekt, Bernkastel, DE (all 2015); South London Gallery, London, UK; Limoncello, London, UK; Wysing Arts Centre, Cambridge, UK (All 2014) Stay: January 22, 2015 - March 17, 2015 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: «At the still point of the turning world...» - a salon event curated by Gina Buenfeld (February 21, 2015) Related: Tokyo Correspondence (Camden Arts Centre website) At the Still Point of the Turning World (Camden Arts Centre website) Report for Artist in Residency:

Recent and upcoming exhibition venues include, Mercer Union (Toronto); Art Gallery of Alberta (Edmonton); Forest City Gallery (London, ON); Modern Fuel (Kingston, ON); Blackwood Gallery (Mississauga); Xpace Cultural Centre (Toronto); Olga Korper Gallery (Toronto).

David Buckland: «Good Planets are Hard to Find - a Cultural Response to Climate Change» David Buckland is a designer, artist and film - maker whose lens - based works have been exhibited in numerous galleries in London, Paris and New York and collected by the National Portrait Gallery, London, the Centre Georges Pompidou, Paris, the Metropolitan Museum, New York and the Getty Collection, Los Angeles amongst others.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

His work was the subject of a solo exhibition at the Centre for Contemporary Arts, Glasgow (2012) and has also been featured in group exhibitions at Sharjah Biennial 13 (2017); Pune Biennale, India (2017); Kunsthalle Zurich (2017); Setouchi Triennale, Japan (2016); Kochi - Muziris Biennale, India (2016); Italian Cultural Institute, New Delhi (2016); Hong Kong Art Fair (2012); MAXXI - National Museum of XXI Century Art, Rome (2011); Centre Georges Pompidou, Paris (2011); FIAC, Paris (2011); Frieze Art Fair, London (2009, 2011); ARCOmadrid (2009); São Paolo Biennale (2008); Mori Art Museum, Tokyo (2008); Karton Gallery, Budapest (2007), Kunstmuseum Bern (2007); Museum Fondazione Sandretto Re Rebaudengo, Torino, Italy (2006); IFA Gallery, Berlin (2005) and Institute of Contemporary Arts, London (2003).