Descendants and Dissonance:
Cultural Iconography in Contemporary LA Salt Fine Art Gallery, Laguna Beach, CA EXHIBITION DATES: September 18 — October 31
Please RSVP to:
[email protected] Tim Okamura explores social identity within the urban environment, using metaphors and
cultural iconography in his work.
Not exact matches
The first one was that Maori students identified that they wanted teachers who respected their
cultural location as Maori and part of that [is] teachers who are culturally appropriate; so, who understand some of the features of Maori culture, and use
in the curriculum and use
in the classroom what I would call «Maori
iconography» - so students could see themselves
in the curriculum.
The exhibition, presented by LA Plaza de Cultura y Artes and California Historical Society, will examine a group of murals produced
in the greater L.A. area from the 1970s to the 2000s that were threatened or destroyed, and explore how their
iconography, content, and artistic strategies challenged dominant
cultural norms and historical narratives.
The reimagining and recycling of Hollywood
iconography in contemporary art, and the way that movies live on
in our personal and
cultural memories, are explored
in the exhibition Walkers: Hollywood Afterlives
in Art and Artifact.
Working with appropriated images and texts, Gilsdorf creates sculptures and performances that delve into the relationship between historical narratives, the
iconography of authority, and the ways
in which representations influence our perception of
cultural values.
Her sculptures and performances delve into the relationship between historical narratives, the
iconography of authority, and the ways
in which representations influence our perception of
cultural values.
His work for Art Brussels pushes his oeuvre further
in his use of
iconography to
cultural references including symbolism.
In a press release, CAA cited his «meticulous installations incorporating the memories, experiences and
cultural and religious
iconography of Latino communities and family dynamics.»
She defies the rectilinear, ornamental expectations of traditional quilts
in favor of complicated narratives and varied
cultural iconography — from African textiles to fabrics taken from her own wardrobe.
Paintings by Julian Schnabel, Thornton Dial, Rita Ackermann, Joe Bradley, and others largely abandon
iconography for material
in their reshaping of
cultural clay (Laska does this too
in her own work, hung
in an earlier gallery).
Through the use of high and low
cultural iconography and art historical references I create a working space between both
cultural identities
in which samples could be -LSB-...]
Exploiting the creative potential of free association and past experience, he created deeply personal, often autobiographical, images by drawing liberally from such disparate fields as urban street culture, music, poetry, Christian
iconography, African and Aztec
cultural histories and a broad range of art historical sources, a practice that is particularly evident
in this work.
Located
in downstairs Blue Mark Gallery and featuring over twenty works from Hagan's prolific practice, «Better Than The Truth» spotlights his expansive and unrelenting exploration of
cultural iconography though rigorous mark - making.
In these times of diversity and multicultural experience, the artist's image is both a cypher for the human condition as well as the foundation for complex iconography in which the cultural object stands to reflect the impact of societal norms on the individua
In these times of diversity and multicultural experience, the artist's image is both a cypher for the human condition as well as the foundation for complex
iconography in which the cultural object stands to reflect the impact of societal norms on the individua
in which the
cultural object stands to reflect the impact of societal norms on the individual.
The paintings meander through various systems of knowledge and representation such as Tantric
iconography, a landscape
in the isolated dictatorship of North Korea, illustrations of cellular generation and radical
cultural histories seen through the lenses of fellow artists Emily Roysdon and Cameron Rowland.
They both use dramatic religious and mythological
iconography to delve inside the psychological worlds of people who suffer from tragic events (the socio - political dimension of human experience
in Jerome's Jewish inspired paintings) and physical abnormalities (the transgression of
cultural constructions of perversity
in Joel - Peter's Catholic inspired photographs).
The core members — Chip Lord, Doug Michels, Hudson Marquez, and Curtis Schreier — sustained an interest
in American
cultural iconography, nomadic living, technology, and big cars over a ten year collaborative career.
By contrast, Harrison's work uses industrial tactics to romanticize what he terms «post-industry,» a time
in which artists can use technology to refashion the
cultural iconography that defines us.
The Pop art movement was largely a British and American
cultural phenomenon of the late 1950s and»60s and was named by the art critic Lawrence Alloway
in reference to the prosaic
iconography of its painting and sculpture.
In the early 1970s, the poet and artist Cecilia Vicuña (b. 1948, Santiago de Chile) made a series of paintings «that critically explore the patriarchal
iconography of international socialism and reinterpret Andean
cultural symbols.»
Her work attempts to «frame» women
in order to create new arrangements of contemporary
iconography and
cultural representations.
Like Warhol, Lichtenstein and Johns, her commercial design background served to immerse her
in the powerful American
cultural themes of consumerism and pop
iconography.