Sentences with phrase «cultural identity project»

Not exact matches

On the other hand, if they want to maintain separate cultural identity within the predominantly Anglo congregation, we can create opportunities for them to discuss this project with other members and teach the congregation about the values of their distinctive heritage.

Although not readily visible to the casual observer on Andros Island amid an abundance of natural resources including a wide range of beautiful flora and fauna species, fresh water springs, dense woodlands with chestnut and poplar trees along with a preserved cultural identity including the presence of ancient water mills surrounded by an azure blue sea, there are nevertheless some natural threats and threats from anthropogenic activities associated with the island's continuing growth that adversely impact the conservation status of the project's targeted species.

His latest movie, Black Panther, beautifully blends those sensibilities into one of Marvel Studios» most exciting projects to date: a superhero film that embraces its cultural identity while still providing all of the action, humor, and dazzling visuals fans have come to expect from the Marvel Cinematic Universe.

The Personal Perspectives multimedia project described in this article engages teacher candidates in examining and representing their cultural identity by means of Apple's iMovie software.

«We can not divorce ourselves from our racial or cultural identities, including those identities that have been projected onto us by others,» said Arronza LaBatt, executive director at Montgomery County Public Schools.

Join us for an interactive quilting and embroidery project featuring Julia Kwon, followed by a conversation on gender, cultural identity, and personal history with textile artists Chloe Bensahel and Olivia Tripp Morrow.

Their projects have encompassed a range of mediums — sound, video, performance, sculpture — and often deal with issues of politics, cultural identity, and authorship.

That original iteration of the project was intended as an homage to the Skate Circle, a community of roller dancers in Central Park that have been a part of New York City's identity for years and part of the fabric of its cultural life.

Mucho Hombre, a Hispanic phrase meaning «a lot of man», is Calnan's project exploring the cultural implications of toys and more precisely My Little Pony, and how they can assist gender and identity formation.

Audrey Chan (b. 1982, Chicago, Illinois) is a Los Angeles - based artist, writer, and educator whose research - based projects articulate political and cultural identities through allegorical narrative and the feminist construct of «the personal is political.»

(b. 1982, Chicago, Illinois) is a Los Angeles - based artist, writer, and educator whose research - based projects articulate political and cultural identities through allegorical narrative and the feminist construct of «the personal is political.»

The myriad elements used in her projects, such as dolls, quilts, and uniforms, are handmade and labor intensive, foregrounding the role of craft in the construction of cultural identity.

2009 Identity, Land & Spirit, Red Shift Gallery, solo exhibit, Saskatoon, SK Creation, Land, Treaty: From Sacred to Profane, Ojibway Cultural Foundation, group exhibit, Mchigeeng, ON Willisville Mountain Project, group exhibit, Whitefish Falls touring to, Temiskaming, and Sheguindah, ON

The theoretical discourse of the exhibition project revolves around five storylines: symbol, body, identity, the social side and the cultural side.

Combined with ideas stemming from the social sphere such as ecological protests and utopian scientific experiments, this project takes an approach that links to current theoretical developments in the areas of cultural identity, models for communities and social and political activism.

Asante has been working on projects exploring music and its cultural and social significance, with particular emphasis on black music and its importance in the creation of a post-war British cultural identity.

Eusebio Siosi (Riohacha, 1971) is a visual artist, architect and cultural producer who works in collaborative projects with the indigenous Wayuu ethnic community and the cultural identity of which he is part.

I have curated shows for a variety of art spaces, such as Rush Arts Gallery, The Bronx Museum of the Arts, Northern Manhattan Arts Alliance, the Affordable Art Fair, En Foco, and Dorsky Gallery Curatorial Programs; these projects have investigated cultural identity, immigration politics, community, and geometric abstraction.

The two projects of the exhibition share an exploratory approach to the imagery and workings of individual and collective identity as it arises within social behaviors, sexual and legal ties, and linguistic and cultural contexts.

Tha artist also works as an independent curator, developing projects that discusses cultural identities and political activism.

Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.

Washington Project for the Arts presents The Art of the Superhero — Revisited, a group exhibition organized by F. Lennox Campello exploring our cultural fascination with masked men and caped crusaders.The artists included in the exhibition approach their topic with a mix of levity and seriousness, using the figure of the superhero to explore issues of identity, immigration, and the struggles of daily life.

The project will present a selection of contemporary Slovak and German visual artists whose work involves critical thinking about issues of cultural exchange, identity and nationality.

The project — conceived in collaboration with Kuwaiti architect and artist Aziz Al Qatami, founder of the architecture firm Atelier Aziz Al Qatami and member of the artist collective GCC, who was commissioned to create the Grand Opening Reception exhibition design — questions the role of «artistic positions in contemporary institutional marketing and the eventisation of cultural production in the form of local identity creation».

Audrey Chan is a Los Angeles - based artist, writer, and educator whose research - based projects articulate political and cultural identities through allegorical narrative and the feminist construct of «the personal is political.»

It's what Dan Kahan of the Cultural Cognition project at Yale calls identity - protective cognition.

A strong cultural identity is widely acknowledged as important for Aboriginal and Torres Strait Islander health and wellbeing, and the recent Congress Lowija showcased some inspiring projects.

A strong cultural identity is widely acknowledged as important for Aboriginal and Torres Strait Islander health and wellbeing, and the recent Congress Lowija showcased some inspiring project... Read more

«The Healing Foundation has found the solutions that work best are those that are led by communities to design, develop and deliver projects that are rooted in the strength of our living culture and that strengthen our cultural identity,» Weston said.

The Youth Music Identity Profiles project aimed to increase cultural awareness and support positive identity building for secondary students from culturally and linguistically diverse backIdentity Profiles project aimed to increase cultural awareness and support positive identity building for secondary students from culturally and linguistically diverse backidentity building for secondary students from culturally and linguistically diverse backgrounds.