Sentences with phrase «cultural objects they create»

And the Cultural Objects they create are gorgeous.

Not exact matches

For example, Harvard theologian Ronald Thiemann, who studied under Frei, objects that the cultural - linguistic model makes talk about the «text» stand in place of Christian talk about God; Yale biblical scholar Brevard Childs rejects Lindbeck's talk about the text creating its own world.

God has created humans as cultural subjects, not objects.

They describe the books they create as «Cultural Objects».

Overview: Theaster Gates (b. 1973) weaves together personal and cultural narratives, creating objects that speak to a particular time and place, and to the arc of American history.

The objects he creates are an attempt to form a physical manifestation of memory and reckon with ideas of personal history, cultural traditions, and belief systems in the contemporary world.

Narrative and formal connections are created between images, objects, cultural lineage and the basic routine of life.

These artists have had great significance for the development of international contemporary art, either because they have created visual languages, objects and pictures of originality and quality, or because they have reinvented important aspects of cultural production.

On the occasion of this presentation, Biggers will create a large site - specific installation of a floor rug composed of loose sand poured unaffixed to the floor in colorful patterns that evoke prayer rugs or quilts — objects frequently referenced in Biggers's works for their aesthetic and cultural associations.

Kevin Beasley (b. Lynchburg, Virginia, 1985) creates sculptures and performances out of found objects of cultural and personal significance — anything from housedresses and do - rags to Air Jordan sneakers and football helmets.

Yoram Wolberger uses childhood toys and everyday domestic items to create his large scale sculptures, foregrounding the latent symbolism and cultural paradigms of these objects that so subtly inform Western culture.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

With a penchant for non-heroic, «anti-art» materials such as spray foam and aluminum, and a keen eye for cultural objects bemired in symbolic notions of power, Bäckström's deeply tactile works create a rich interplay between association, meaning, and materials.

Created on - site at the Addison's artist - in - residence studio, Liang's installation combines the Blanc de Chine (or Chinese White) porcelain native to Dehua, and jianzhi, the traditional Chinese art of cut paper, in works that examine the movement, appropriation, and transformation of cultural ideas, objects, and peoples.

She often combines ceramic elements, beautifully handcrafted, with utilitarian items, such as toilet plungers or buckets, to create pieces that call into question the cultural and historic meaning of particular objects or images.

And that has a kind of African context too in that the African artists or the medicine men and others who were involved with creating things — cultural icons and other things — would determine the value of something and place it in a different context; such as the use of objects from nature.

By investigating the cultural significance in objects and images, and their history within our culture, Cruzvillegas creates new dialogues for what would normally be discarded or useless.

Through a slow making process, Carr deliberately creates objects - paintings, artist books, pinhole cameras, short films, or clay sculptures, hand built or on the wheel - by reenacting cultural traditions common to domestic life.

Syjuco creates large - scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often inviting viewers to participate directly as producers or distributors.

She works with found objects, organic materials, video, words, and most recently with cultural clothing, to create assemblages and installations.

He creates and repurposes images, films, structures, and objects that are full of established cultural signifiers yet totally empty of empirical meaning to endow these seemingly known forms with new possibilities.

Still others create objects that speak to the importance of shared cultural references while living during an era of unprecedented technological change.

Through his characteristic fragmented archeological scenes, Brooks creates a kind of disintegrated reality, drawing attention to each object's place, and the cultural space they occupy.

Creating works in a diverse array of mediums, employing fabric, audio, video, film, installation, cultural events, and artistic happenings, Riedel often copies or recycles his own past work or art - related objects to comment on, expand, or even invert the meaning and intention of the original object or event.

As a result, STNDRD elicits thoughtful curatorial contributions as artists respond to these architectural prompts, creating works that must consider the physical constraints of the space, as well as the history and significance of flags as cultural objects.

By Proxy includes Marcel Duchamp's assisted readymade With Hidden Noise, a ball of string with an unknown object rattling inside it; embroidery works by Alighiero Boetti; three drawings from John Cage's 1990 series River Rocks and Smoke, in which chance operations are performed by smoke settling in the fibers of the paper; Oliver Laric's Yuanmingyuan Columns, a new work created with 3D scans of Chinese cultural artifacts ensconced in Bergen, Norway; Yoko Ono's seminal chess set and war allegory Play it By Trust; and a work from Xu Zhen's recent Eternity series, which juxtaposes the East and West by mounting headless replicas of key Hellenistic and Buddhist sculptures neck to neck.

She creates conceptually based socio - political, cultural and environmental objects, installations and performances that take on broad subjects such as feminism, national identity, climate change, war and the economic crisis.

Yet the artistic practice of mashup — where an artist fuses a found object with another to create something new — has a long history in the arts, its roots in a variety of prominent cultural movements from the last 100 years.

She has also created an impressive collection of assemblage works with found objects embedded with their own cultural history.

The works incorporate urban objects such as concrete slabs, taxi cab fragments, and garbage cans and are created using Greco - Roman techniques; this juxtaposition suggests parallels between the steady decay of contemporary cultural capitals like New York, with those now extinct, such as Rome.

Locke explores global cultural fusions, creating complex sculptural collages with an eclectic range of objects, including mass - produced toys, souvenirs, and consumer detritus.

For his inclusion in the 2014 Whitney Biennial, Tasset created «Artist Monument,» a monument which is the vehicle of cultural commemoration and preservation, honoring artists who, like himself, work to capture a moment of time in an object.

Bader appropriates film, music, text, digital images, and found objects, creating complicated hierarchies of cultural production that mine the intersection between the real and the fictive, and frequently employ double - entendres and wordplay.

Visiting Johnson's «salon» (created to mimic a psychotherapy practice) encourages contemplation and reflection of the definition of art objects and the meaning behind cultural experiences.

Urban investigates the space between art and design by creating objects and installations that directly engage the viewer and how they imbue products with meaning, both cultural and personal, concrete and abstract.

New York — based artist Anne Collier (b. 1970) creates seemingly straightforward images of pop - cultural objects that address both the practice and history of photography while simultaneously critiquing clichés and uncovering hidden truths.

This eco-concept project appealed to the Turner judges, who liked how «he transforms and reframes existing objects using a rigorous process of research» and admired his «unique ability to create poetic narratives which draw together a wide range of cultural, political and historical narratives».

The works presented in Repossession exemplify Attia's aptitude in creating hybrid cultural objects and collages that transform Western artifacts from icons of power and domination into symbols of freedom and resistance.

Today, the vision of the brand is to prolong the creative genius of founder René Lalique by issuing superb perfume bottles in crystal, reviving exciting and sensitive jewellery designs, pushing the limits of the factory by creating decorative objects with unique satin contrasts, carrying out major architectural projects, creating a unique Lalique world dedicated to the home, working with renowned artists to produce limited editions in crystal and to recreate its cultural heritage.