Drawing Center Electronic Arts Intermix Exit Art Eye Beam Japan Society The Kitchen Korean
Cultural Service Lower Eastside Printshop Momenta Art Museum of Contemporary African Diasporan Art National Coalition Against Censorship The New Yorker Percent for Art Program P.S. 1 Contemporary Art Center Rhizome Sculpture Center Storefront for Art and Architecture Studio Museum in Harlem Whitney Museum of American Art
Not exact matches
Salt Lake City residents have easy access to financial
services,
cultural and recreational amenities, and
low rates of diabetes and obesity.
PCS general secretary Mark Serwotka said: «Security guards in
cultural institutions work long hours for
low pay - but they are providing a vital
service.
«If our hypothesis is correct that all of the finds belong to the same event, we're dealing with a conflict of a scale hitherto completely unknown north of the Alps,» says dig co-director Thomas Terberger, an archaeologist at the
Lower Saxony State
Service for
Cultural Heritage in Hannover.
Katrina, a founder of the agency, takes in consideration individual and
cultural needs of each customer and offers exclusive dating
services to the
lowest prices in the market.
Patriarshy Dom Tours, a Russian - American
Cultural Center in Moscow, is operating as a full
service travel agency, consistently enlarging the number of It sounded like a scene from a Cold War spy movie: Donald Trump Jr. was in a helicopter flying
low on the outskirts of Russia's capital city.
The calculations were adjusted to emphasize
services and conditions for retirees, giving higher marks to cities with
low property taxes, excellent access to health care, a thriving
cultural community, nice weather and access to an airport.
2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the
Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising,
Lower Manhattan
Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.
ArtBuilt, in partnership with NYC Parks, Queens Museum, The Women's Housing and Economic Development Corporation (WHEDco), DreamYard,
Lower Manhattan
Cultural Council (LMCC), Seward Park Conservancy, and Immigrant Social
Services (ISSNYC), is now accepting proposals for: Studio in the Park for summer and fall 2018.
2004 Slouching Towards Bethlehem, The Project, New York / NY, USA Xtreme Houses, Lothringer13, Munich, Germany and Halle 14, Leipzig, Germany Adaptations, Kunstehalle Fridericianum, Kassel, Germany Our Mirror,
Lower Manhattan
Cultural Council, New York / NY, USA Urban Renewal: City Without a Ghetto, Temporary
Services, Chicago / IL, USA Urban Renewal: City Without a Ghetto, Princeton School of Architecture, Princeton / NJ, USA The Subsidized Landscape, The Center for Architecture, New York / NY, USA Sprawl, Hudson Clearing, New York / NY, USA Adaptations, with Richard Fischbeck, Apex Art, New York / NY, USA
Lower Manhattan
Cultural Council (LMCC) is the leading voice for arts and culture in downtown New York City, producing cultural events and supporting the arts through grants, services, and a
Cultural Council (LMCC) is the leading voice for arts and culture in downtown New York City, producing
cultural events and supporting the arts through grants, services, and a
cultural events and supporting the arts through grants,
services, and advocacy.
I will try to build an exhibition that measures up to our historical situation,» he said; and the Joan Mitchell Foundation in New York has named Kay Takeda as its new senior director of artist programmes — she joins the foundation next month, leaving her current post as vice president of grants and
services at the
Lower Manhattan
Cultural Council.
Takeda has held various leadership positions since 2005 and comes to the foundation from the
Lower Manhattan
Cultural Council, where she serves as vice president of grants and
services.
She is currently the Vice President of Grants &
Services at
Lower Manhattan
Cultural Council where she develops and oversees its grantmaking, career development programs and community initiatives.
Matthew Deleget hosts a conversation with Kay Takeda, Vice President, Grants &
Services,
Lower Manhattan
Cultural Council and Heather Pontonio, Director, Art Program, Emily Hall Tremaine Foundation Matthew Deleget is an abstract painter, curator, and arts worker.
Venues include
Service Garage, Amsterdam, The Netherlands;
Lower Manhattan
Cultural Council, New York; Latvian Contemporary Art Center; Frankfurter Kunstverein; Art Rotterdam, NEST, The Netherlands; Wyspa Institute of Art, Gdansk, Poland and more.
Municipal authorities increasingly understand the role (intra - and peri --RRB- urban farmers can play in environmental management (like the recycling of urban wastes, urban stormwater management,
lowering urban temperatures and dust, maintaining urban biodiversity) while innovative farmers in and around cities are offering nowadays a variety of recreational
services (staying on farm, horse riding, etcetera), playing a role in maintaining the
cultural landscape and other
services (e.g., on farm care for elderly people or with people with a psychological, eco-education,...) in response to the demands of citizens and city region managers.
It was also stated that loss estimates are
lower bound estimates because many impacts, such as loss of human lives,
cultural heritage and ecosystem
services are difficult to value and monetize, and thus they are poorly reflected in estimates of losses.
Psychosocial mediators such as history, relationships with mainstream
services and connectedness may be key mediators of health for Indigenous Australians.1
Cultural values, poor health, and
low socioeconomic status2 create a need for anti-smoking approaches to be tailored for Indigenous populations.3 The high overall rate of smoking in these communities potentially normalises smoking for individuals.4, 5 Low literacy levels and high rates of misuse of other substances are also associated with low rates of smoking cessation.6 Consequently, health services and health promotion programs should be specifically designed to meet the needs of this vulnerable populati
low socioeconomic status2 create a need for anti-smoking approaches to be tailored for Indigenous populations.3 The high overall rate of smoking in these communities potentially normalises smoking for individuals.4, 5
Low literacy levels and high rates of misuse of other substances are also associated with low rates of smoking cessation.6 Consequently, health services and health promotion programs should be specifically designed to meet the needs of this vulnerable populati
Low literacy levels and high rates of misuse of other substances are also associated with
low rates of smoking cessation.6 Consequently, health services and health promotion programs should be specifically designed to meet the needs of this vulnerable populati
low rates of smoking cessation.6 Consequently, health
services and health promotion programs should be specifically designed to meet the needs of this vulnerable population.