Sentences with phrase «cultural spaces fund»

The investment is being made through the Canada Cultural Spaces Fund.

Not exact matches

Funds were raised through a walkathon and cultural night, allowing for office space at the SCWO premises

1 Etymology 2 History 2.1 Prehistory 2.2 Medieval kingdoms 2.3 European contact (15th century) 2.4 Independence (1957) 2.5 Operation Cold Chop and aftermath 2.6 21st century 3 Historical timeline 4 Geography 4.1 Climate 4.2 Rivers 4.3 Wildlife 5 Government 5.1 Foreign relations 5.2 Law enforcement and Police 5.3 Military 5.4 Administrative divisions 6 Transportation 7 Economy 7.1 Key sectors 7.2 Manufacturing 7.3 Petroleum and natural gas production 7.4 Industrial minerals mining 7.5 Real estate 7.6 Trade and exports 7.7 Electricity generation sector 7.8 Economic transparency 8 Science and technology 8.1 Innovations and HOPE City 8.2 Space and satellite programmes 8.3 Cybernetics and cyberwarfare 8.4 Health and biotechnology 9 Education 9.1 Overview 9.2 Enrollment 9.3 Foreign students 9.4 Funding of education 9.5 Provision of educational material 9.6 Kindergarten and education structure 9.7 Elementary 9.8 High school 9.9 University 10 Demographics 10.1 Population 10.2 Legal immigration 10.3 Illegal immigration 10.4 Language 10.5 Religion 10.6 Fertility and reproductive health 11 Universal health care and health care provision 12 Culture 12.1 Food and drink 12.2 Literature 12.3 Adinkra 12.4 Traditional clothing 12.5 Modern clothing 12.6 Music and dance 12.7 Film 12.8 Media 12.9 Sports 12.10 Cultural heritage and architecture 13 National symbols 14 Tourism 15 See also 16 References 17 Further reading 18 External links

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

Wexford, Ireland, 2018 Foundation for Contemporary Arts Emergency Grant, New York, NY, 2016 Emerging Artist Fellowship 2015, Socrates Sculpture Park, Queens, NY, 2015 The Quarry At Marble House Project, Dorset, VT, 2015 Process Space, Lower Manhattan Cultural Council, New York, NY, 2014 Frans Masereel Centrum, Kasterlee, Belgium, 2014 Workspace, Lower Manhattan Cultural Council, New York, NY, 2012 - 2013 The Banff Centre, A PAPER A DRAWING A MOUNTAIN with Silke Otto - Knapp and Jan Verwoert, Banff, Canada, 2012 Mildred's Lane, Beach Lake, PA, 2011 With funds granted from Parsons, The New School for Design Atlantic Center for the Arts - With Jean - Marc Bustamante — New Smyrna Beach, FL, 2010 With funds granted from the Center and the Joan Mitchel Foundation Vermont Studio Center — Johnson, VT, 2009 Big Cypress National Preserve - Ochopee, FL, 2007 Rocky Mountain National Park - Estes Park, CO, 2006

As awareness of the cultural, economic, and artistic contributions art spaces make within local and regional areas rises, coupled with drastic reductions in public funding over the past several years; a second wave of «alternative art spaces» has emerged.

She has been the recipient of several international awards and honors such as the Art Prize / Art Juried Award, Grand Rapids, MI (2015); Rauschenberg Residency Award, Rauschenberg Foundation, Captiva, FL (2014); Rome Prize from the American Academy in Rome (2007/2008); The Louis Comfort Tiffany Foundation Award, New York, NY (2009/2010); Art Matters Grant, New York, NY (2012); Lower Manhattan Cultural Council Award for Artistic Excellence, New York, NY (2010); the Franklin Furnace Fund for Performance, New York, NY (2006); «In the Public Realm», Public Art Fund, New York, NY (2010); The LMCC Workspace Residency, New York, NY (2005); New York Foundation for The Arts Fellowship, New York, NY (2012 and 2005); and the Marie Walsh Sharpe Space Residency, Brooklyn, NY (2010).

EFA Project Space is supported by public funding from the New York City Department of Cultural Affairs in Partnership with the City Council, The Andy Warhol Foundation for the Visual Arts, as well as generous individuals in our community.

Funded by cultural producer Gary Wasserman, the project transformed the disused space into a center geared to serve artists, allowing them to share their visions with the local community in a professional venue.

He has received several honors, such as the Sculpture Space Fellowship and Residency (partially funded by both the Pollock - Krasner Foundation and the New York State Council on the Arts), the Strategic Opportunity Stipend Program Grant through the New York Foundation for the Arts, and the Vermont Studio Center's partial - grant and Residency, and for the project grants from the Nomura Cultural Foundation, ISE Cultural Foundation, Asahi Shimbun Foundation, SBU FAHSS Grant, and NYU ITP Camp Fellowship.

The Orphiflamme Foundation The Lambent Foundation (formerly the Starry Night Fund of the Tides Foundation): $ 528,000 The Flora Family Foundation: $ 410,000 The Andy Warhol Foundation for the Visual Arts: $ 281,514 The New York State Council on the Arts: $ 203,473 The National Endowment for the Arts: $ 170,000 The Annenberg Foundation: $ 100,000 The Greenwall Foundation: $ 80,000 The Katchadourian Family Foundation: $ 87,000 The New York City Department of Cultural Affairs: $ 115,720 The Frankel Foundation: $ 45,000 The Peter Norton Family Foundation: $ 40,000 The Danielson Foundation: $ 29,000 The American Center Foundation: $ 10,000 Artslink: $ 10,000 Furthermore: $ 5,000 Art Matters: $ 3,000 The Fifth Floor Foundation: $ 2,500 The New York Council for the Humanities: $ 2,500 The Edward C. Wilson and Hesu Coue Wilson Family Fund: $ 1,000 The Debs Foundation: $ 1,000 Foundation for Contemporary Arts: $ 1,000 The Milton and Sally Avery Foundation: $ 1,000 Epson America, Inc.: Printer Two Trees, Inc.: Donated Office Space, 2005 — 2008

9:30 — 11:00 AM Public Art Dialogue Agency / Agencies for Public Art Chairs: Eli Robb, Lake Forest College; and Mary Tinti, New England Foundation for the Arts Wendy Feuer, New York City Department of Transportation Anne Pasternak, Creative Time Sarah Reisman, Percent for Art, New York City Department of Cultural Affairs 11:15 — 11:45 AM Artist Presentations Su Stockwell, independent artist, London; and Robert Ransick, Bennington College NOON — 2:00 PM Public Art World vs. the Art World Chairs: Sharon Louden, Louden Studio; and Norie Sato, Sato Service Richard Griggs, Public Art Fund Jack Becker, Forecast Public Art and Public Art Review Jennifer McGregor, Wave Hill Lester Burg, MTA Arts for Transit Brian Tolle, independent artist, New York 2:15 — 2:45 PM Artist Presentations Ethan Greenbaum, independent artist, Brooklyn; and Timothy Nolan, independent artist, Los Angeles 3:00 — 5:00 PM Is Public Space Museum Space?

Exhibitions at the Project Space are funded in part by Zellerbach Family Foundation, Fleishhacker Foundation, The Clorox Company Foundation, the City of Oakland's Cultural Funding Program and individual donors, like you.

EFA Project Space is supported in part by public funding from the Department of Cultural Affairs in Partnership with the City Council, and by The Andy Warhol Foundation for the Visual Arts.

Additional support provided by Bloomberg, the Cogut Family Foundation, the Dorothea Leonhardt Fund of the Communities Foundation of Texas, GLM, the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, Park Avenue Spring, the Ronald & Jo Carole Lauder Foundation, Sperone Westwater, the Wagner Family Foundation, and XCOR Aerospace / Space Expedition Corporation.

It is less interested in a play of signifiers within a supposedly neutral space than in what cultural resources are to hand (funds, status, accessibility, mobility, visibility) and of what is to be done with them.