Sentences with phrase «cultural value project»

The «Understanding the value of arts and culture» report represents the culmination of the AHRC's three - year Cultural Value Project.

Not exact matches

Since development projects also rightly respond to searing need abroad, they may unwittingly conceal from us cultural and national values that unavoidably accompany them.
On the other hand, if they want to maintain separate cultural identity within the predominantly Anglo congregation, we can create opportunities for them to discuss this project with other members and teach the congregation about the values of their distinctive heritage.
For this year's edition of Vendemmia d'Artista, the art project that Ornellaia launched in 2009 to revive, in a modern key, the Renaissance tradition and cultural value of artistic commissions, the winery selected Canadian artist Rodney Graham to interpret L'Infinito (Infinity), the quality that characterises Ornellaia 2011.
Is it then right for us to project our cultural values on them?
The Tribunal also counselled Socio - Economic Rights and Accountability Project (SERAP) to research the issues «to see how best we can reconcile our social and cultural values viz - a-viz the entire war against corruption and advise our policymakers accordingly.»
Research has long shown that people prefer to be in groups that are thought to have higher status or cultural value as a way of boosting self - image and projecting an impressive image to others.
The Cultural Cognition Project is a group of scholars interested in studying how cultural values shape public risk perceptions and related policy Cultural Cognition Project is a group of scholars interested in studying how cultural values shape public risk perceptions and related policy cultural values shape public risk perceptions and related policy beliefs.
The values of ecosystem services that are created through REF's restoration projects include Provisioning, Regulating, Habitat and Supporting, and Cultural.
The project shares many of the values we uphold in the tolino partnership: We strongly believe in the vision of books as cultural assets rather than simple consumer goods and stand against those trying to establish a monopoly via proprietary standards and closed - system vendor lock - in.
The project aims to explore the basic principles of cultural route planning and management in regard to the values of historic, natural, rural, modern and archeological components of cultural accumulation and cultural landscapes.
Before diving into the Internet Archive and the Open Library Project, let's ask ourselves some questions about the value of books and other cultural expressions.
• Rehabilitation - Large Category This category recognizes projects that make possible the continued historic use, or a compatible new use, through repair, alterations and additions, while preserving those portions or features which convey a site or structure s historical, cultural or architectural values.
(Sangre de Grado, Oje, Capirona) The «Project for the Rescue of Cultural Values» supports the local native community «Palma Real».
Recent staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoria Walsh).
Although these projects may be conceptually lacking and aesthetically bankrupt, they hold up a mirror to our cultural values, much like Koons's «Gazing Ball» paintings from 2015 (which are said to have inspired the Koons / Vuitton collaboration).
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
This is an exhibition project of authors with a cultural and artistic values built from experience, multidisciplinary research, developments in technology and the study of media and materials to culminate in the conception of a language and own aesthetic.
In a collaborative partnership beginning in March, the Cultural Policy Class from Drury University Arts Administration Program completed cultural impact assessments of perceived artistic, environmental, economic and social value of two projects of the ideaXfactory — The Beaux Arts Ball and the Morning Song / Evening Song sound instaCultural Policy Class from Drury University Arts Administration Program completed cultural impact assessments of perceived artistic, environmental, economic and social value of two projects of the ideaXfactory — The Beaux Arts Ball and the Morning Song / Evening Song sound instacultural impact assessments of perceived artistic, environmental, economic and social value of two projects of the ideaXfactory — The Beaux Arts Ball and the Morning Song / Evening Song sound installation.
They reveal value beyond the mainstream market, like Jeanne van Heeswijk's project in Rotterdam's Afrikaanderwijk district, or show that trade in a global economy also means non-monetary cultural exchange, as in Meschac Gaba's artistic currency exchange bureau.
He is a member of the Cultural Cognition Project, an interdisciplinary team of scholars who use empirical methods to examine the impact of group values on perceptions of risk and related facts.
«This is a project that shows an economic value, while also meeting the cultural and spiritual needs of the Hadza.»
Maybe you have created value by leading day - to - day PMO operations for large, complex IT projects, or led an organization through a $ 5 - million multi-divisional restructuring and cultural shift.
Distribution Channel Development Strategic Planning and Execution Licensing / Finance Identify / Capitalize on Emerging Markets Inspire, Mentor and Motivate Teams P&L Accountability / Budget Management Territory Development / Market Penetration Define ROI and Value Add Strategies Process Improvement Strategies Program Development / Project Management Reenergize Business Focus and Goals Global Diversity Awareness / Cultural Sensitivity
Civil Engineer — Duties & Responsibilities Responsible for civil engineering and construction projects valued in excess of $ 60 million Develop exposure to varied construction projects with both military and civilian applications Maintain, update, and create GIS and CADD data for use in Public Works civil engineering projects Coordinate data collection and project management with partner agencies and subcontractors Map utilities, environmental features, cultural resources, infrastructure, communication lines, and other features Utilize GPS and conventional surveying techniques to collect thousands of data points for detailed mapping Create and access spatial datasets in ArcSpatial Data Engine Develop and implement new mapping techniques using GIS software decreasing project turnover by 30 % Design and print large scale maps, drawings, and other items for use in engineering projects Set and strictly adhere to project timelines and budgets Manage construction contract negotiations, implementation, and funding Oversee finances identifying and resolving any errors or deviations of project budgets Direct office operations and support staff ensuring efficient, effective, and professional operations Serve as Civil Engineering instructor at the US Air Force Academy Lead classes in advanced GPS equipment operations, mapping, GIS software, and Terrasync data collection Develop new GIS, GPS, CADD curriculum for more than 1,200 cadets Implement instruction in Airfield Damage Assessment, MOS plotting, and combat skills Build and strengthen professional relationships with commanding officers, support staff, and business partners Perform all tasks with poise, integrity, and positivity
A collaborative approach between researchers and Aboriginal communities is pivotal to developing a research project consistent with Indigenous cultural values and health concepts, with the potential to improve services and outcomes for Aboriginal peoples.
The Bridging Cultures Project was designed to alleviate this cross-cultural value conflict by training teachers to understand both cultural orientations and make a bridge between them in the classroom.
Theoretically, in contrast to the water - sharing plans and other water reform processes, which aim to balance competing interests, the Water Trust is solely concentrated on Aboriginal projects in water and includes an eligibility criteria that incorporates the importance of Aboriginal cultural values in the grants process.
[28] Nature Conservation Act, 1992 (Qld), s [29] Dr N Rea and the Anmatyerr Water Project Team, Provision for Cultural Values in Water Management: The Anmatyerr Story, Land & Water Australia Final Report, (2008).
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