The «Understanding the value of arts and culture» report represents the culmination of the AHRC's three - year
Cultural Value Project.
Not exact matches
Since development
projects also rightly respond to searing need abroad, they may unwittingly conceal from us
cultural and national
values that unavoidably accompany them.
On the other hand, if they want to maintain separate
cultural identity within the predominantly Anglo congregation, we can create opportunities for them to discuss this
project with other members and teach the congregation about the
values of their distinctive heritage.
For this year's edition of Vendemmia d'Artista, the art
project that Ornellaia launched in 2009 to revive, in a modern key, the Renaissance tradition and
cultural value of artistic commissions, the winery selected Canadian artist Rodney Graham to interpret L'Infinito (Infinity), the quality that characterises Ornellaia 2011.
Is it then right for us to
project our
cultural values on them?
The Tribunal also counselled Socio - Economic Rights and Accountability
Project (SERAP) to research the issues «to see how best we can reconcile our social and
cultural values viz - a-viz the entire war against corruption and advise our policymakers accordingly.»
Research has long shown that people prefer to be in groups that are thought to have higher status or
cultural value as a way of boosting self - image and
projecting an impressive image to others.
The
Cultural Cognition Project is a group of scholars interested in studying how cultural values shape public risk perceptions and related policy
Cultural Cognition
Project is a group of scholars interested in studying how
cultural values shape public risk perceptions and related policy
cultural values shape public risk perceptions and related policy beliefs.
The
values of ecosystem services that are created through REF's restoration
projects include Provisioning, Regulating, Habitat and Supporting, and
Cultural.
The
project shares many of the
values we uphold in the tolino partnership: We strongly believe in the vision of books as
cultural assets rather than simple consumer goods and stand against those trying to establish a monopoly via proprietary standards and closed - system vendor lock - in.
The
project aims to explore the basic principles of
cultural route planning and management in regard to the
values of historic, natural, rural, modern and archeological components of
cultural accumulation and
cultural landscapes.
Before diving into the Internet Archive and the Open Library
Project, let's ask ourselves some questions about the
value of books and other
cultural expressions.
• Rehabilitation - Large Category This category recognizes
projects that make possible the continued historic use, or a compatible new use, through repair, alterations and additions, while preserving those portions or features which convey a site or structure s historical,
cultural or architectural
values.
(Sangre de Grado, Oje, Capirona) The «
Project for the Rescue of
Cultural Values» supports the local native community «Palma Real».
Recent staff exhibition and research
projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern,
Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoria Walsh).
Although these
projects may be conceptually lacking and aesthetically bankrupt, they hold up a mirror to our
cultural values, much like Koons's «Gazing Ball» paintings from 2015 (which are said to have inspired the Koons / Vuitton collaboration).
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts
Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts
Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use
Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013
Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan
Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
This is an exhibition
project of authors with a
cultural and artistic
values built from experience, multidisciplinary research, developments in technology and the study of media and materials to culminate in the conception of a language and own aesthetic.
In a collaborative partnership beginning in March, the
Cultural Policy Class from Drury University Arts Administration Program completed cultural impact assessments of perceived artistic, environmental, economic and social value of two projects of the ideaXfactory — The Beaux Arts Ball and the Morning Song / Evening Song sound insta
Cultural Policy Class from Drury University Arts Administration Program completed
cultural impact assessments of perceived artistic, environmental, economic and social value of two projects of the ideaXfactory — The Beaux Arts Ball and the Morning Song / Evening Song sound insta
cultural impact assessments of perceived artistic, environmental, economic and social
value of two
projects of the ideaXfactory — The Beaux Arts Ball and the Morning Song / Evening Song sound installation.
They reveal
value beyond the mainstream market, like Jeanne van Heeswijk's
project in Rotterdam's Afrikaanderwijk district, or show that trade in a global economy also means non-monetary
cultural exchange, as in Meschac Gaba's artistic currency exchange bureau.
He is a member of the
Cultural Cognition
Project, an interdisciplinary team of scholars who use empirical methods to examine the impact of group
values on perceptions of risk and related facts.
«This is a
project that shows an economic
value, while also meeting the
cultural and spiritual needs of the Hadza.»
Maybe you have created
value by leading day - to - day PMO operations for large, complex IT
projects, or led an organization through a $ 5 - million multi-divisional restructuring and
cultural shift.
Distribution Channel Development Strategic Planning and Execution Licensing / Finance Identify / Capitalize on Emerging Markets Inspire, Mentor and Motivate Teams P&L Accountability / Budget Management Territory Development / Market Penetration Define ROI and
Value Add Strategies Process Improvement Strategies Program Development /
Project Management Reenergize Business Focus and Goals Global Diversity Awareness /
Cultural Sensitivity
Civil Engineer — Duties & Responsibilities Responsible for civil engineering and construction
projects valued in excess of $ 60 million Develop exposure to varied construction
projects with both military and civilian applications Maintain, update, and create GIS and CADD data for use in Public Works civil engineering
projects Coordinate data collection and
project management with partner agencies and subcontractors Map utilities, environmental features,
cultural resources, infrastructure, communication lines, and other features Utilize GPS and conventional surveying techniques to collect thousands of data points for detailed mapping Create and access spatial datasets in ArcSpatial Data Engine Develop and implement new mapping techniques using GIS software decreasing
project turnover by 30 % Design and print large scale maps, drawings, and other items for use in engineering
projects Set and strictly adhere to
project timelines and budgets Manage construction contract negotiations, implementation, and funding Oversee finances identifying and resolving any errors or deviations of
project budgets Direct office operations and support staff ensuring efficient, effective, and professional operations Serve as Civil Engineering instructor at the US Air Force Academy Lead classes in advanced GPS equipment operations, mapping, GIS software, and Terrasync data collection Develop new GIS, GPS, CADD curriculum for more than 1,200 cadets Implement instruction in Airfield Damage Assessment, MOS plotting, and combat skills Build and strengthen professional relationships with commanding officers, support staff, and business partners Perform all tasks with poise, integrity, and positivity
A collaborative approach between researchers and Aboriginal communities is pivotal to developing a research
project consistent with Indigenous
cultural values and health concepts, with the potential to improve services and outcomes for Aboriginal peoples.
The Bridging Cultures
Project was designed to alleviate this cross-
cultural value conflict by training teachers to understand both
cultural orientations and make a bridge between them in the classroom.
Theoretically, in contrast to the water - sharing plans and other water reform processes, which aim to balance competing interests, the Water Trust is solely concentrated on Aboriginal
projects in water and includes an eligibility criteria that incorporates the importance of Aboriginal
cultural values in the grants process.
[28] Nature Conservation Act, 1992 (Qld), s [29] Dr N Rea and the Anmatyerr Water
Project Team, Provision for
Cultural Values in Water Management: The Anmatyerr Story, Land & Water Australia Final Report, (2008).