Sentences with phrase «culture typology»

(In School Culture Rewired, page 67, you can find the School Culture Typology which is a great tool for initial assessment.)

Jerry Falwell is the last gasp of the transformationist mentality; the Christ - culture typology is inadequate — a too simple reading of the church's situation today.

It is easy for Christians, for example, to get stuck on abstract issues, such as whether the believing community ought to be — in terms borrowed from H. Richard Niebuhr's Christ - and - culture typology — «above» the political order, «in tension» with it, «transforming» it, «of» it or «against» it.

Not exact matches

In Niebuhr's memorable typology, the «Christ against culture» position is generally associated with the anabaptists, Tolstoyans, and various sects that position themselves as communal alternatives to the larger society, based of course not on ethnic distinctives but on fidelity to the gospel.

Critics argue that though Niebuhr presents with apparent neutrality a typology of five ways that Christians have related to culture, he subtly asserts his own liberal Protestant bias.

But I finally realized I was spending so much class time arguing with the typology that I was neglecting the subject at hand, so this year I dropped Christ and Culture, reluctantly.

Almost every American seminary student knows H. Richard Niebuhr's typology of five ways of relating Christ and culture.

The author looks at Niebuhr's typology of various possible relations between Christianity and the culture and shows their relevance for our present time.

Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.

Drawn entirely from the permanent collection and spanning the nine collecting areas of Phoenix Art Museum - American, Asian, Contemporary, European, Fashion, Latin American, Modern, Photography, and Western American - these works reveal the loosely defined typology of portraiture, and provide a broad dialogue of art history, perception, and popular culture.

Applicability of Baumrind's parent typology to collective cultures: Analysis of cultural explanations of parent socialization effects