Sentences with phrase «culture group present»

In a new paper appearing in IEEE Access, members of the Camera Culture group present a new approach to time - of - flight imaging that increases its depth resolution 1,000-fold.

Not exact matches

The global culture which the present suggests and the future demands impels everyone — every individual, every group, every culture, every religious and theological tradition — to recognize the plurality within each self, among all selves, all traditions, all cultures in the.

Upper division offerings include cud - chewing courses which regurgitate the contents of pop culture, cheerleading courses which extol the glories of pet groups, and consciousness - raising courses that unmask the past as a conspiracy against the present.

These individuals best qualify as Catholic writers, and yet they are currently the least visible in a literary culture where at present only the third group, the dissidents, has any salience.

- God, the Absolute - humanity, the human condition in its universal characteristics, - male and female, though different, equal in rights and dignity, - the cosmos, especially the planet earth available, with its limited resources, for all humanity - the planet's ecology as common essential source of life and hence of concern for all humans, present and future, - the human conscience guiding each one interiorly would be known only to each one personally, - the each group of humans has a history and a religio - cultural background of its own is a universal factor that makes for particularity and different contexts for theology, - the realization that the present increasing globalization of relationships, economy and culture impinge on theology and spirituality universally, though differently.

Man's responsibility in this regard must be exercised in and with varying degrees of deference to the external moral (and natural) orders he inherits in virtue of his past and present relationships with God, other individuals, groups, nature, history, culture, and a variety of moral communities.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

Present at the Adamasingba Stadium for the group loyal to the state Governor are the state Chairman of the party, Chief Akin Oke, Commissioners for Information, Culture and Tourism, Mr. Toye Arulogun, Commissioner for Education, Science and Technology, Professor Adeniyi Olowofela among others.

The Rev. Jason McGuire, executive director of the conservative advocacy group New Yorkers for Constitutional Freedoms, is among more than two dozen signatories of an open letter to Trump that presents pointed questions about the current Republican front - runner's commitment to culture - war issues including abortion, same - sex marriage and gambling.

Sort of a Russian companion piece to Erik Gandini's nonfiction Videocracy, which looked at modern Italian life and the high - glitz, low - information media culture promulgated by prime minister Silvio Berlusconi, documentary Putin's Kiss throws a light on dissident voices and oppositional political groups in the former Soviet Union, where once - and - present president Vladimir Putin has in ways both subtle and not - so - subtle encouraged the stifling of political foes and those seeking greater governmental transparency through a youth group known as Nashi.

Investigating World Cultures 03/09/2001 [Geography, Technology Grades 6 - 8 Submitted by David Anderson] Students work in groups to write research reports and create visuals about countries, put on a culture fair, and use PowerPoint to present their information.

Based on the literature reviews, observations in the schools and meetings with the departments at the Ministry of Education, the team presented several key policy considerations to the Ministry: (1) utilize a website, the National Play Day, and the Jamaican Teaching Council as platforms from which educators can develop and share best game - based learning practices; (2) promote a culture of collaboration through the Quality Education Circles (local discussion groups for educators), and by allocating time for teachers to develop and share game - based learning strategies; (3) provide resource support for schools in the form of workshops and training; and (4) create a monitoring and evaluation plan to be conducted at the school level.

FOR GOOGLE CLASSROOM Included in this resource: • Title page • Native Americans of the Southwest reading passage with graphic organizer • Application / Closing / Higher Order thinking question • Answer Key for graphic organizer Students will research and analyze the lives and culture of the Native Americans of the Southwest region of the United States: present - day areas, groups, geography / climate, adaptations, cultures / spiritual rituals / roles of men and women Adheres to Social Studies Common Core Standards - research, application, literacy, vocabulary; lifting evidence from text Differentiation: graphic organizer; cooperative (students may work in groups / teams / partner to complete graphic organizer based on teacher's discretion) ★ ★ Looking for the pen and paper, hard - copy version of this resource?

These data allow the reader to begin to understand what the culture of schooling means to Mexican children and families and, hopefully, how to emulate strategically this culture in feasible ways that promote meaningful educational experiences and outcomes for Mexican immigrant children in the U.S. Specifically, data discussing el grupo escolar (the school group), el turno matutino vs. el turno vespertino (morning vs. afternoon shifts), and el comité de padres (the parent committee) are presented.

La Deliciosa Show is presented as part of Mutations, a group exhibition that explores the relationship between man and nature, looking at how the boundaries between the natural world and culture are defined, crossed, and obliterated.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

Selected group exhibitions include: Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museum, USA, 2015; Artists and Empire: Facing Britain's Imperial Past, TATE Britain, London, 2015; 18th Biennale of Sydney: all our relations, Sydney, 2012; National Indigenous Art Triennial: Culture Warriors, National Gallery of Australia, Canberra, 2009; Beyond the Pale: Contemporary Indigenous Art, Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, 2000; Fluent: Emily Kame Kngwarreye, Yvonne Koolmatrie, Judy Watson, 47th Venice Biennale, Venice, 1997; Aratjara: Art of the First Australians, Kunstsammlung Nordrhein - Westfalen, Dusseldorf, and Hayward Gallery, London, 1994; Australian Perspecta, Art Gallery of New South Wales, Sydney, 1993; The First Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, 1993; and Unfamiliar Territory: Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, 1992.

PLAYBOY Playboys & Girls Group Exhibition Slow Culture 943 N. Hill St. Los Angeles, CA 90012 Opening Reception: September 2, 7 - 10PM Exhibition Dates: September 2 — September 24 Slow Culture is proud to present: Playboys & Girls, a group exhibGroup Exhibition Slow Culture 943 N. Hill St. Los Angeles, CA 90012 Opening Reception: September 2, 7 - 10PM Exhibition Dates: September 2 — September 24 Slow Culture is proud to present: Playboys & Girls, a group exhibgroup exhibition

Lévy Gorvy is particularly pleased to present a group of paintings by internationally celebrated artist Pat Steir: four works from her new series, «For Hong Kong» (2017 — 2018), were created in homage to the artistic and literary heritage of East Asian cultures.

Upstream Gallery proudly presents Shifting Optics IV, the newest edition in the series of group exhibitions in which the impact of digital culture on the visual arts is shown.

Upstream Gallery presents Shifting Optics III, a new edition in a series of signaling group exhibitions where the impact of digital culture on the visual arts is shown.

Upstream Gallery presents Shifting Optics III, a new edition in a series of signaling group exhibitions where the impact of digital culture on the visual...

Sean Kelly announces From Pre-History to Post-Everything, a group exhibition that presents ancient objects alongside contemporary paintings, providing the opportunity for a visual dialogue between the forms found in ancient cultures and the forms being investigated by today's youngest generation of painters working with abstraction.

Four of the highlights of Prospect.3 are the electrifying film, The Living Need Light, And the Dead Need Music by The Propeller Group (Phunam and Tuan Andrew Nguyen from Saigon, Matt Lucero from Los Angeles) with New Yorker Christopher Myers at the UNO St Claude Art Gallery; Silent Parade... or The Soul Rebel's Band vs Robert E Lee, a video by Peruvian - born William Cordova in which a local band serenades — or challenges — a statue of Robert E Lee from a rooftop shown at Dillard University; the exuberant, immersive two - channel video at the CACNO by David Zink Yi, another Peruvian artist, that explores Afro - Cuban music and culture, remixing the visual and the aural; and Kwaku Ananse (2013), a film by Akosua Adoma Owusu, an American of Ghanian descent, presented with the compelling simplicity of a fable in which a young woman returns home to attend her father's funeral, then goes into the wild in search of existential meaning.

«It is a privilege to present Pride of Place: The Making of Contemporary Art at NOMA and welcome into the museum's collection a dynamic group of artworks that reflect Arthur's lifelong commitment to contemporary art, and invaluable contributions to the art and culture of the city of New Orleans,» says Susan Taylor, The Montine McDaniel Freeman Director of NOMA.

Presenting an intriguing mix of real and imaginary images the exhibition doesn't try to present a collective portrait of adolescence, but rather brings together the work of various internationally known photography artists dealing with a variety of related issues revolving around the three central themes of youths as a social group, adolescence as a particularly tormented stage, and the self - presentation emblematic of the digital image and Internet culture.

Artists Republic Gallery is proud to present the third installment of Expression Session, a group exhibition featuring nine of the most influential artists in surf culture.

VITRINE presented a group booth at Manchester Contemporary 2017 and mentioned as exhibitors to go and see in general articles about the fair: here in a-n, here in confidentials and here, for culture colony.

This contemporary art exhibition, organized by Wiels and curated by Dirk Snauwaert in collaboration with Mons 2015 — European Capital of Culture, will present a group of artists interested in phenomena of circulation, diaspora and cultural dislocation.

Materials for the Arts Gallery presents WasteDiversions: Sculpture and Collage from New York's Waste Stream, an exhibition of new work by artists from MFTA recipient groups Culture Push and Vaudeville Park, as well as participants in Friends of MFTA's open studio program.

A group exhibition of emerging contemporary artists who address the ongoing HIV / AIDS pandemic in North America through the lens of childhood, education, popular culture and race, this exhibition is guest - curated by Danny Orendorff and is presented concurrently with the touring exhibition ArtAIDSAmerica, presented by the Alphawood Foundation in Chicago.

Chocolate Cities will feature three exhibitions featuring Washington, DC and Prince George's County based artists and youth: Chocolate Cities Group Show, Sacred Cows: Works by Imar Hutchins, and Culture Keepers Presents: Chocolate Cities Youth Exhibition.

PRESENTED BY DASHBOARD U.S. CURATED BY SUSANNE SLAVICK LOCAL ADDITIONS CURATED & COMMISSIONED BY DASHBOARD Opening at Marcia Wood Gallery / April 28, 6 - 10 pm On view April 28 - May 20, 2017 As the National Rifle Association hosts its 146th annual meeting in Atlanta (April 27 - 30), Dashboard US welcomes UNLOADED, a multimedia group show that explores historical and social issues surrounding the availability, use, and impact of guns in our culture.

Tabor Robak is one of the artists in a group show curated by Samuel Leuenberger called Constructed Culture sounds like Conculture in Dublin, Harm van den Dorpel has another solo show in Berlin, Caroline Ongaro is curating Exquisite Collapse and Finnish performance group Vibes is presenting a site - specific installation at Helsinki's SIC.

With individuals ranging from UNICEF through to the UAE government present the multiple workshops, panels and discussions, there will also be a diverse grouping of arts figures presenting their insider perspective on the impact and effects of culture.

Walker Art Center presents 9 Artists an international, multigenerational group exhibition that considers the changing role of the artist in contemporary culture.

The New Museum will present «2018 Triennial: Songs for Sabotage,» a group show questioning how individuals and collectives around the world might effectively address the connection of images and culture to the forces that structure society.

CB1 Gallery is pleased to present Tight Ass: Labor Intensive Drawing and Realism, a group exhibition curated by Brett Reichman featuring 14 artists working in diverse approaches that contest the assumption that realism is incompatible with a critical engagement in contemporary culture.

EXHIBITION: Fresh from her residency at the Studio Museum in Harlem (2015 - 16) and her new gallery representation with Casey Kaplan in New York, Jordan Casteel is presenting group of recent, large scale paintings at the Harvey B. Gantt Center for African American Arts + Culture.

Asian Society of Arts presents a group exhibition, «The Human Element,» curated by Katya Grokhovsky, which showcases selected artists who explore aspects of human character, culture and the body through drawing, photography, digital art and installation.

The Pittsburgh Cultural Trust presents UNLOADED: a multimedia group show that «explores historical and social issues surrounding the availability, use, and impact of guns in our culture.»

Presenting a solo exhibition by Samson Young, and a group exhibition of 7 artists, the Manchester - based gallery aims to make Chinese art and culture available and accessible.

Centro de Artes presents a full season of solo and group exhibitions and programming annually through an open call managed by the City of San Antonio, Department of Arts and Culture.

Made in L.A. 2018 presents a diverse group of artists who are deeply engaged with vital aspects of our culture today and believe in art's capacity to engage social discourse.

(São Paulo, Brazil) Galeria Marilia Razuk presents the group show «Brutalidade Jardim», under the theme of the formation process of Brazilian society starting from the importation of an European culture and its adaptation in the «new world».

The exhibition presents a focused look at a group of artists of Middle Eastern and South Asian descent whose work engages the diverse forms of Islamic visual tradition to explore religion, culture, and socio - political issues today.

A group of 10 internationally recognized artists, including Mary Heilmann, Vincent Fecteau, and Keltie Ferris, presented their work, discussed their practices, and participated in panel discussions that delved into issues of material, context, theory, academic culture, art criticism, and the market.

A major issue that this feminist group counseling model presented was based on Asian female pastors» lives and work in a patriarchal church structure guided by traditional patriarchal theology and culture.

We've been conditioned by pop culture to think interventions — a group of loved ones presenting a united front to tell a person battling addiction that they need help — are the first step you should take when telling