Sentences with phrase «curated life process»

Not exact matches

Personally, I love the process of planning, curating and wrapping gifts for people in my life — especially when the latter is done with a hot beverage nearby and a solid Christmas playlist.

Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA

Curated by Associate Curator of Decorative Arts, Dawn Brean, the exhibition is planned to showcase artists who are breathing new life into the ceramic medium by reinvigorating age - old motifs, processes, and techniques.

A quote on curating: «I've worked almost exclusively commissioning and curating artists» projects outside formal gallery contexts and I love the multitude of conversations that requires (from artist through to road sweeper), the way in which it allows you to continually renew your relationship to a city and its spaces, and the whole process of helping an idea take form and come to life.

Among exhibitions he has curated include Video Invitational at f a Projects, London in 2003, The Last Laugh: Humour and Contemporary Video Art, Painting as Process: Re-evaluating Painting and Jason Salavon: Brainstem Still Life at the Earl Lu Gallery, LASALLE - SIA College of the Arts, Singapore in 2004.

If Hipple is concerned with the feelings visited by life as we live it, the group show, styled «A Pinch of Saffron, Dash of Vermouth» and curated by Ted Gahl, focuses on the limits that artists impose on process and materials — and how artists exploit skill and technique to transcend those limits — another Casualist theme.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).