Exhibition
Curated by Associate Professor Carol Magee Opens at Kenyon College Art Department
ANGELL GALLERY is pleased to present Let There Be Light, a group exhibition
curated by associate director Bill Clarke, which features work by seven Toronto and New York - based artists who produce photo imagery using in - camera and darkroom processes.
The exhibition is organized by the Art Gallery of Ontario (AGO) and is
curated by the Associate Curator, Contemporary Art, Adelina Vlas.
The exhibition is organized by the Art Gallery of Ontario (AGO) and is
curated by the Associate Curator of Contemporary Art, Adelina Vlas.
Curated by Associate Curator Seán Elder.
Curated by associate director Bill Clarke, the exhibition runs from Oct. 13 to Nov. 11 with an opening on Friday, Oct. 13 from 7:00 to 9:00 p.m.
Curated by Associate Curator of Decorative Arts, Dawn Brean, the exhibition is planned to showcase artists who are breathing new life into the ceramic medium by reinvigorating age - old motifs, processes, and techniques.
The show is
curated by associate curator Wendy Van Deusen with LongHouse founder and co-curator Jack Lenor Larsen and co-curators Sherri Donghia and Elizabeth Lear.
David Zwirner Gallery's recent group exhibition Folk Devil,
curated by Associate Director Rodolphe von Hofmannsthal, didn't exactly breach the conventions of the standard Chelsea group show, but I forgave it.
Not exact matches
Inventing Downtown is
curated by Melissa Rachleff, clinical
associate professor in NYU's Steinhardt School.
The exhibition will be
curated by Adelina Vlas, the AGO's
Associate Curator of Contemporary Art.
The exhibition is
curated by Jessica Frost,
Associate Curator / Registrar of Permanent Collection.
Curated by Margaret Miller, Director, USF Institute for Research in Art, and Megan Voeller,
Associate Curator of Education, USF Contemporary Art Museum; organized
by USF Contemporary Art Museum.
Fatos Ustek recently
curated fig - 2, a ground - breaking project initiated
by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as
associate curator for the 10th Gwangju Biennale, South Korea.
NSFW: Female Gaze is a large thematic group exhibition at the Museum of Sex,
curated by Vice's Creators» editor in chief, Marina Garcia - Vasquez, and Museum of Sex's
associate curator, Lissa Rivera.
2006 Art LA, represented
by Linda Warren Gallery, Los Angeles, CA Urban Institute for Contemporary Art, Grand Rapids, MI Drawing No Conclusions,
curated by Dominic Molon,
Associate Curator, Museum of Contemporary Art Chicago, IL Judith Racht Gallery, Layer on Layer: a collage show, Harbert, MI
The exhibition is co-organized
by MoMA PS1 and Fundación Jumex Arte Contemporáneo, and
curated by Peter Eleey, Curator and
Associate Director of Exhibitions and Programs, MoMA PS1; and Magalí Arriola, Curator, Fundación Jumex Arte Contemporáneo; with Jocelyn Miller, Curatorial Assistant, MoMA PS1; and Javier Rivero, Curatorial Assistant, Fundación Jumex Arte Contemporáneo.
This includes performance ranging from the BxNU Respond series, open studios during The Late Shows and
associated programme for the annual BALTIC 39 FIGURE series, an open submission exhibition
curated by BALTIC and resulting in ten exhibitions running over five weeks.
NEW YORK - «Histories of Sexuality» situates Wynne Greenwood's work in proximity to two programs from the New Museum's past that focused on sexuality and gender in then - recent video works: «HOMO Video: Where We Are Now» (1986 — 87),
curated by William Olander, and the video programs
associated with Marcia Tucker's «Bad Girls» exhibition (1994),
curated by filmmaker Cheryl Dunye.
This exhibition is
curated by P.S. 1 Director Alanna Heiss with P.S. 1
Associate Curator Daniel Marzona.
This exhibition is
curated by Ian Berry, Dayton Director of the Tang Museum and Lauren Haynes,
Associate Curator, Permanent Collection at the Studio Museum and is supported
by the Friends of the Tang.
Not I, We, Gavlak, Los Angeles, CA 2016 No Man's Land: Women Artist's from the Rubell Family Collection, National Museum of Women in the Arts, Washington D.C. Museum of Women in the Arts, Washington, D.C. Haptic, Alexander Gray
Associates, New York, NY The Fool,
curated by Westminster Waste, Rod Barton Gallery, London, UK
Curated by MOCA Director Jeffrey Deitch and
Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to -LSB-...]
The exhibition is
curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1
by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and
Associate Director of Exhibitions and Programs, MoMA PS1.
The exhibition is guest -
curated by Christopher Hight, an
associate professor at Rice University's School of Architecture.
Arcadia Missa has
curated a presentation of work
by associated artists Harry Sanderson, Hannah Perry and Maja Cule.
The exhibition is
curated by Massimiliano Gioni, Artistic Director; Margot Norton,
Associate Curator; and Natalie Bell, Assistant Curator.
Curated by artist Michelle Grabner, Anthony Elms,
associate curator at the Institute of Contemporary Art in Philadelphia, and Stuart Comer, curator of media and performance art at the Museum of Modern Art, this is the first time in the Biennial's history that each curator has been given their own floor.
Telling Time, the 10th Bamako Encounters
curated by Bisi Silva with
associate curators Antawan I. Byrd and Yves Chatap.
A selection of Another Land: After Noguchi is on view at The Noguchi Museum from August 10, 2016 - January 8, 2017,
curated by Noguchi Museum Senior Curator Dakin Hart and
Associate Curator Matt Kirsch.
EXHIBITIONS Recently opened: Telling Time, the 10th Bamako Encounters
curated by Bisi Silva with
associate curators Antawan I....
Shona MacDonald, Sky on Ground # 1, 2014 Guest
curated by Lorne Falk, Five College visiting
associate professor of contemporary art, this exhibition focuses on the recent work of twelve full - time Art Department faculty, many of whom are new to the Amherst community: Alexis Kuhr, Young Min Moon, Shona Macdonald, Copper Frances Giloth, Susan Jahoda, Jeanette Cole, Michael Coblyn, Patricia Galvis y Assmus, Benjamin Jones, Jerry Kearns, Nancy LaPointe, Robin Mandel, and Jenny Vogel.
Paweł Althamer: The Neighbors is
curated by Massimiliano Gioni,
Associate Director and Director of Exhibitions, and Gary Carrion - Murayari, Curator.
Face and Figure in European Art, 1928 - 1945 is
curated by John Klein,
associate professor in the Department of Art History & Archaeology, Washington University in St. Louis.
The Plant That Heals May Also Poison is organized
by ICA and will be
curated by Kate Kraczon, the Laporte
Associate Curator.
The exhibition is
curated by Massimiliano Gioni, Edlis Neeson Artistic Director; Gary Carrion - Murayari, Kraus Family Curator; and Helga Christoffersen,
Associate Curator.
The exhibition is
curated by Allegra Pesenti, curator at large, Menil Drawing Institute and former curator of the Grunwald Center for the Graphic Arts, with Leslie Cozzi, curatorial
associate.
E. Charlton Fortune: The Colorful Spirit is organized
by the Pasadena Museum of California Art and
curated by Scott A. Shields, Ph.D., California art scholar and Crocker Art Museum's
Associate Director and Chief Curator.
Charles Gaines: Gridwork 1974 - 1989 is organized
by The Studio Museum in Harlem and
curated by Naima J. Keith,
associate curator.
Curated by MOCA Director Jeffrey Deitch and
Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.
Basquiat: The Unknown Notebooks is organized
by the Brooklyn Museum and is
curated by Dieter Buchhart, guest curator, with Tricia Laughlin Bloom, former
Associate Curator of Exhibitions, Brooklyn Museum.
The exhibition is
curated by Massimiliano Gioni, Artistic Director, and Gary Carrion - Murayari, Kraus Family Curator, with Margot Norton,
Associate Curator.
This exhibition is
curated by P.S. 1
Associate Curator Larissa Harris and is accompanied
by a publication containing information sections on the artists; an essay
by Harris; an essay
by independent curator and critic Bennett Simpson; puzzles
by poet and translator Monica de la Torre; and interviews with the artists
by Harris.
This year's publication and exhibition was thoughtfully
curated by Kelly Schindler,
associate curator at the St. Louis Contemporary Art Museum.
Curated by Kelly Chorpening, artist and course leader of BA drawing at Camberwell, it places a judicious selection of pieces
by older artists
associated with the school alongside a broad swath of work
by recent graduates.
American People, Black Light: Faith Ringgold's Paintings of the 1960s was
curated by Miami Art Museum Director Thom Collins and Neuberger Museum of Art Curator and Purchase College
Associate Professor of Art History Tracy Fitzpatrick with students from the Purchase College, SUNY, spring 2010 Art History Exhibition Seminar.
Past events include: •
Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed
by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led
by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum
Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.
The show,
curated by Olnick and Calabrese, is a tribute to Margherita Stein, a pioneering gallerist and collector whose Christian Stein Gallery — first opened in Turin and then in Milan, where it celebrated its 50th anniversary last year — featured artists
associated with the Arte Povera movement.
The first exhibiton at the new gallery space, Audible Presence: Lucio Fontana, Yves Klein, Cy Twombly, was
curated by Dominique Lévy and
Associate Director Jennifer G. Buonocore, and organized with support from the Yves Klein Archives, Paris, and the Fondazione Lucio Fontana, Milan, Audible Presence will present more than 30 paintings and sculptures.
Manon de Boer is
curated by Laura Fried,
Associate Curator and João Ribas, Curator at the MIT List Visual Arts Center, Cambridge.