Sentences with phrase «curator at presentation»

The following evening, September 12, at 7 pm, the four artists will speak at a special panel event at the AGO alongside Smith; AGO Associate Curator of Photography Sophie Hackett; and nominators Jennifer Blessing, Senior Curator of Photography at The Guggenheim; and Helga Pakasaar, Curator at Presentation House Gallery, Vancouver.

The artists will appear in conversation with nominators Jennifer Blessing, Senior Curator of Photography at the Guggenheim Museum, New York, and Helga Pakasaar, Curator at Presentation House Gallery, Vancouver.

Moderated by Sophie Hackett, Associate Curator, Photography at the AGO, and featuring shortlisted artists Erin Shirreff, Chino Otsuka and Helga Pakasaar, Curator at Presentation House Gallery, Vancouver.

The following evening, Sept. 12, 2013 at 7 p.m., the four artists will speak at a special panel event at the AGO alongside Smith; AGO associate curator of photography Sophie Hackett; and nominators Jennifer Blessing, senior curator of photography at The Guggenheim; and Helga Pakasaar, curator at Presentation House Gallery, Vancouver.

Join us for an evening with all four shortlisted artists — Edgardo Aragón, LaToya Ruby Frazier, Chino Otsuka and Erin Shirreff — in conversation with nominators Jennifer Blessing, Senior Curator of Photography at the Guggenheim Museum, New York, and Helga Pakasaar, Curator at Presentation House Gallery, Vancouver.

Not exact matches

At Michael Mina's Bourbon Steak, there is a Wine Spectator awarded wine collection, along with a unique tableside absinthe presentation and an exclusive barrel of 10 - Year Bulleit bourbon from Kentucky, personally chosen by Bourbon Steak's General Manager Andrew McLaughlin and resort Cocktail Curator Matthew Doerr.

Friday night at NeueHouse, after slinking past a seemly - looking Powerpoint presentation on the first floor, I headed towards the basement where far more titillating images were on view for the opening of the explicit B - side of «In Your Dreams,» organized by curator Marina T. Schindler for the Spring / Break art fair.

In his introductory remarks, panel chair Beauvais Lyons, professor of art at the University of Tennessee, Knoxville, and curator of the «Hokes Archives» (the name gives a clue to his endeavors), made a PowerPoint presentation on a slew of artworks and activities, and performances that fall under the rubric of «pranks.»

The presentation at P.S. 1 includes selections from the exhibition organized by Elizabeth Armstrong, Senior Curator at the Museum of Contemporary Art, San Diego.

On the occasion of the presentation of his new wall piece 1661 — 1910 from Nagasaki, Meiji, Setti at Fondation Beyeler, Tobias Rehberger talks to Theodora Vischer (Senior Curator, Fondation Beyeler) about his artistic practice and current projects.

Through utilizing printed matter, these artists and curators have found alternative routes by which the politics surrounding the presentation and creation of art become at least as relevant as the work itself.

Through presentations from artists and curators who participated in or visited dOCUMENTA (13), the evening will look at projects and reflect on their relationionship to social practice right now.

3 pm ABMB Art Salon: Walead Beshty and Silvia Karman Cubiñá Art Salon presentation at Art Basel Miami Beach with Walead Beshty, Artist, Los Angeles in conversation with Silvia Karman Cubiñá, Executive Director and Chief Curator, Bass Museum of Art, Miami Beach.

Its presentation at NOMA is organized by Russell Lord, Freeman Family Curator of Photographs.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Presentation: September 22, 2015 7:30 - 10:00 pm 18th Street Arts Center Curator's Lounge 1639 18th Street Santa Monica, CA 90404 Filmmaker J. Louise Makary, who is currently at 18th Street on a Philadelphia - based Pew Fellowship, makes films that...

Tuesday, Sept. 9, 2014 @ 7:30 p.m. CARRIE MAE WEEMS Talk at the Brooklyn Academy of Music Brooklyn, N.Y.. Following a presentation of her work and a screening of the new ART21 documentary exploring her practice, photographer Carrie Mae Weems discusses her creative process with former MoMA curator Laurence Kardish.

A number of events are programmed at Delfina Foundation as part of their season 2 of The Public Domain including a presentation by Paris - based Cameroonian curator Elise Atangana entitled «Before Seven Hills», dealing with the topic of mobilities: movement, representation and practice (9 Dec).

WE (Not I) began as a series of discussions and presentations at South London Gallery, London and Artists Space, New York in 2015, which gathered over 100 women artists, writers and curators together to discuss their projects in relation to authorship, collaboration, and the valuation of feminist practices.

In conjunction with the presentation of Axis Mundo: Queer Networks in Chicano L.A. as a part of Pacific Standard Time: LA / LA, ONE Archives at the USC Libraries and MOCA, Los Angeles have organized related programs including a panel discussion with the curators, performances, and screenings.

Prior to this, Van Eck worked as Associate Curator at the Museum of Contemporary Art in Chicago, where her last project was the Chicago presentation of The Mark Bradford Project.

This Tuesday Evenings at the Modern presentation, «40 Years: Talking and Thinking about Art,» is a biographical sketch of Michael Auping's four - decade career as a renowned curator, relaying stories of artists such as Lucian Freud, Agnes Martin, John Chamberlain, Louise Bourgeois, Bruce Nauman, Jenny Holzer, and Frank Stella.

READ THE REST OF OUR WHITNEY BIENNIAL COVERAGE Curator Michelle Grabner On Her Unruly «Curriculum» Curator Stuart Comer On His Shapeshifting Presentation Curator Anthony Elms On The Rise Of Literary Art And The Usefulness Of Ghosts Artist Amy Sillman On Painting, Stand - Up Comedy, And Making Inappropriate Art 5 Ways Of Looking At The 2014 Whitney Biennial

The workshop will feature a presentation by Al Miner, Assistant Curator of Contemporary Art at the Museum of Fine Arts, Boston.

The presentation will be accompanied by a digitized version of the original Robert Irwin catalogue, published by the Whitney at the time of his 1977 exhibition, which includes an ambitious combination of images, project plans, and theoretical texts written by Irwin himself as well as biographical and exhibition information compiled by the exhibition's curator, Richard Marshall.

The exhibition's presentation at The Frick Collection is coordinated by Director Ian Wardropper and Charlotte Vignon, Associate Curator of Decorative Arts.

During this special presentation, curatorial researcher Jane Panetta, who worked closely with Irwin and Whitney Chief Curator and Deputy Director for Programs Donna De Salvo, will share an insider's perspective, shedding light on both the process of installing such an ambitious site - conditioned work, and on the meaning of Irwin's work for the Whitney and its audiences at this current moment.

The Institute also will award honorary degrees to contemporary artist, curator, and social, political, and cultural critic Ai Weiwei, who will accept his honorary degree via a video presentation which will be screened at the ceremony; architect, engineer, and artist Santiago Calatrava; patron of the arts and education Kathryn C. Chenault, Esq.; and Director Emeritus, The Metropolitan Museum of Art and Fiske Kimball Professor, Institute of Fine Arts, NYU Philippe de Montebello.

READ THE REST OF OUR WHITNEY BIENNIAL COVERAGE Curator Michelle Grabner On Her Unruly «Curriculum» Curator Stuart Comer On His Shapeshifting Presentation Curator Anthony Elms On The Rise Of Literary Art And The Usefulness Of Ghosts 5 Ways Of Looking At The 2014 Whitney Biennial A Brief History Of The Whitney Biennial, America's Most Controversial Art Show

Claudia Nahson, Morris and Eva Feld Curator at the Jewish Museum, is Overseeing Curator for the New York presentation.

DAM's exhibition, curated by Rebecca Hart, curator of modern and contemporary art, will be an expanded presentation of the works on view at Albright - Knox.

Poddar was formerly Associate Curator of Asian Art at the Guggenheim, where she curated Anish Kapoor: Memory and Being Singular Plural for the Deutsche Guggenheim, Berlin and the Solomon R. Guggenheim Museum, and organized the Guggenheim's presentation of Zarina: Paper Like Skin.

This presentation is curated by James Elaine, Founder, Telescope; with Klaus Biesenbach, Director, MoMA PS1 and Chief Curator - at - Large, The Museum of Modern Art.

● Presentation of the project at the ART OVRAG festival (16 — 18.06.2017) The expert council of the contest Sabina Chagina — curator of various street - art projects, one of the managers of the Artmossphere Moscow Street Art Biennale.

Zoe Whitley, curator, international art at Tate, will work with Wilkes on her presentation in 2019.

The presentation at the Hunter College Art Galleries has been organized in collaboration with Chief Curator Sarah Watson.

Hear from Marisa Pascucci, Curator of 20th Century & Contemporary Art at Boca Museum of Art about opportunities and resources available to artists at the museum including the All Florida juried exhibition, lectures and presentations at the Museum, classes and master workshops at The Art School, and the Artists» Guild membership program.

At Blaffer, Sánchez Martínez will work with director and chief curator Claudia Schmuckli on the organization of exhibitions and publications for presentation at the Museum and subsequent circulation to other venueAt Blaffer, Sánchez Martínez will work with director and chief curator Claudia Schmuckli on the organization of exhibitions and publications for presentation at the Museum and subsequent circulation to other venueat the Museum and subsequent circulation to other venues.

The MoMA PS1 gallery presentation is organized by Klaus Biesenbach, Director, MoMA PS1 and Chief Curator - at - Large, The Museum of Modern Art.

Curated by Deputy Director and Chief Curator Alex Gartenfeld and organized by ICA Miami, The Van (Redux) marks the first presentation of new work by the artist since her 2009 presentation at the Whitney Museum of American Art, and reflects the museum's ongoing commitment to providing a platform for the work of the most innovative and experimental artists practicing today.

The exhibition coincides with Pace New York's presentation of Blackness in Abstraction, a major exhibition organised by Adrienne Edwards, a curator at Performa and curator - at - large at the Walker Art Center.

The Pulitzer presentation of the exhibition was assisted by Francesca Herndon - Consagra, Senior Curator of Prints, Drawings, and European Paintings at the Blanton Museum of Art at the University of Texas at Austin.

He is the producer of Music and Intermedia presentations at EI since 1973 (about 1000 performances) and the curator of EI's XI Records label.

On Thursday 19th March, exhibition curator Christine Eyene will give a presentation entitled Imag (in) ing the Black Body, to introduce the concept behind Residual and look at some of the issues around the representing the black body.

We were not only able to document the exhibition, but two renowned Robert Rauschenberg experts, Susan Davidson (curator at Guggenheim and RRF Board member) and David White (curator at Robert Rauschenberg Foundation and Board member) even gave us an exclusive tour of the presentation and provided us with fascinating insights into Robert Rauschenberg's life and work.

There is no question that the show, billed as a survey and initially mounted at the San Francisco Museum of Modern Art by curator Madeleine Grynsztejn, provides the amplest US presentation to date of the work of the forty - one - year - old Berlin - based artist — as was its aim.

Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.»

Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and co-curator of the Brooklyn presentation, added, «The exhibition is a remarkable scholarly achievement, expanding the canon and complicating known narratives of conceptual art and radical art - making, while building on the legacy of important and ambitious exhibitions at the Elizabeth A. Sackler Center for Feminist Art, including We Wanted a Revolution: Black Radical Women, 1965 — 85, Materializing «Six Years»: Lucy R. Lippard and the Emergence of Conceptual Art, and Seductive Subversion: Women Pop Artists, 1958 — 1968.»

Roundtable discussion with the artists + video screening Saturday, April 19, 3:30 - 5 pm at CCNY Join us for an afternoon of video works / presentations, followed by roundtable dialogue with the four artists and Heather M. O'Brien (artist, educator, organizer, and guest curator of the show).

Organized by Apsara DiQuinzio, SFMOMA assistant curator of painting and sculpture, the exhibition features a new series of paintings commissioned by the museum and made specifically for the exhibition at SFMOMA, the artist's second solo museum exhibition and the first presentation on the West Coast.