Betty Turnbull was the first
Curator of Exhibitions for the Orange County Museum of Art (formerly the Newport Beach Harbor Art Museum).
Joining us to discuss the exhibition and upcoming artist talks are Jason Shaiman,
curator of exhibitions for the Miami University Art Museum; and Illustrator Ekua Holmes who won the Coretta Scott King Illustrator Award for the 2017 book «Out of Wonder: Poems Celebrating Poets,» written by Kwame Alexander with Chris Colderley and Marjory Wentworth.
«Bowie himself left England in 1974 to eventually settle in America, so we could not be more delighted that the final leg of the tour brings the show back to New York, where Bowie made his home,» Victoria Broackes,
curator of the exhibition for the Victoria and Albert Museum, said in a statement.
Not exact matches
The
curators of a recent
exhibition featuring depictions
of Jesus as Mickey Mouse and V.I. Lenin were convicted yesterday
for «inciting religious hatred» at a 2007
exhibition.
The «interactive» elements
of the
exhibition — suitably underdone
for a publication which so often lampoons the techno - obsessed — superbly conjure up what the
curator, Julius Bryant, calls «the creative mayhem in the editor's office, the Aladdin's cave
of detritus».
The
exhibition's
curator David Francis Taylor, associate professor
of English at the University
of Warwick, says that Shakespeare has such allure
for political commentators because it often offers a «wonderfully concise way
of suggesting much more complex political problems».
Nick Clegg and Samantha Cameron among guest
curators for exhibition of works normally housed in embassies and ministries
You and a guest can hear Eric's remarkable story from Ben Russell, Lead
Curator for the Robots
exhibition, and see the first demonstration
of Eric before he goes on public display.
Several
of the pieces on display come in
for easy laughs — check out the room full
of perfectly arranged, identical - looking rock piles, or not — but the real
exhibition here is the museum's
curator, Christian (Danish actor Claes Bang), a divorced father
of two girls and a proud, prominent member
of his city's cultural elite.
At the moment, the lighting people are out, and I can see these wonderful objects
for what they are from any angle, I can compare this map with that map, I can understand the cartography
of the French and the British, or the Dutch and the Portuguese,» said a naturally excited Martin Woods, National Library's
curator of maps, who said the
exhibition marks the culmination
of years
of planning and negotiations.
Because Ai is unable to visit Alcatraz, he is developing the works in his Beijing studio with the support
of exhibition curator and
FOR - SITE Executive Director Cheryl Haines and an international team
of collaborators from organizations including Amnesty International and Human Rights Watch.
Bringing together newly commissioned essays from leading activists,
curators, and humanitarians, extensive photographic documentation, and an array
of archival materials, the catalogues will serve as the comprehensive record
for this groundbreaking
exhibition and provide readers with an expanded historical and political context
for the project.
Because Ai is currently unable to visit Alcatraz, he is developing the works in his Beijing studio with the support
of exhibition curator and
FOR - SITE Executive Director Cheryl Haines and an international team
of collaborators from organizations including Amnesty International and Human Rights Watch.
«I like the challenge
of an artist who isn't very articulate,» says Elizabeth Armstrong, assistant director
for programs and
exhibitions and
curator of contemporary art at the Minneapolis Institute
of Arts.
Publishing on the Web is good
for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb,
curator of «Morning Serial: Webcomics Come to the Table,» a current
exhibition at Seattle's Henry Art Gallery (www.henryart.org).
Beginning in early 2000, Walter Hopps (a leading
curator of 20th - century art and founding director
of the Menil Collection in Houston) and art historian William C. Agee began kicking around ideas
for a comprehensive
exhibition of Abstract Expressionist work from... Read More
To the many inquiries I've made to Johns over the years
of my search
for the Short Circuit flag, he responded once to say he had no involvement in the decision to replace his flag with Sturtevant's, a decision that stems from 1967, the year Rauschenberg fielded a request from Finch College Museum
curator Elayne Varian, who wanted to include Short Circuit in a traveling
exhibition, «Art in Process: The Visual Development
of a Collage.»
Among its programs is the annual Grants & Commission Program,
for which artists, nominated by a network
of CIFO - affiliated
curators and artists, submit proposals
for new work to be debuted at an annual
exhibition in September.
All too often, museum
curators cave to these pressures, too, validating the trend by staging
exhibitions of market - darling artists collected by their trustees with a lack
of scruples that gives the worst insider traders a run
for their money.
October 8, 3:30 pm - 7:00 pm 3:30 pm
Exhibition Reception
for FotoFocus Curated
Exhibitions Zanele Muholi: Personae, Jackie Nickerson: August, and Robin Rhode: Three Films 5:30 pm Evening Program with Zanele Muholi, Artist, Johannesburg, South Africa, Introduction by Sophie Hackett,
Curator, Photography, Art Gallery
of Ontario
Curators Patricia Spergel and Shazzi Thomas selected artists
for this
exhibition who reference garden and landscape in their work in a variety
of ways — traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.
«Jettisoning the silence that has been imposed on women
of all races and religions and classes and sexual orientations is important
for all
of these artists,» said Deborah Frizzell, an independent
curator who organized the
exhibition with guest
curator Harry J. Weil, and Wave Hill's senior
curator Jennifer McGregor and
curator of visual arts Gabriel de Guzman.
An invitation
for cocktails and a tour
of an
exhibition with the executive director or chief
curator.
Organized by Ellen Lupton, senior
curator of contemporary design, and Andrea Lipps, assistant
curator of contemporary design, the
exhibition includes work by more than 65 designers and teams and reveals how sensory design can solve problems and enhance life
for all people, including those with sensory disabilities.
Join contemporary Belgian artist Michaël Borremans in conversation with Dr. Jeffrey Grove,
curator of the
exhibition Michaël Borremans: As sweet as it gets,
for insights into Borremans» life and work.
The Archives also contain artist files
for the artists represented in the Hessel Museum collection, and Study Collections which document significant international
curators, and a selection
of historic
exhibitions.
2018 — Figurative Diaspora: The Migration
of Academic Training from Russia to China in the Service
of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School
of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist
Curator, Responsible
for interviewing artists, portfolio reviews and initial selections
for group
exhibitions.
Alexandra Terry is Associate
Curator at the Museum
of Contemporary Art Santa Barbara (MCASB), where she is responsible
for planning, organizing, and implementing
exhibitions.
All Collector's Circle Member benefits, plus: • Private collections» tours at the homes
of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with
Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships
Curators receptions, an opportunity to mingle with the Executive Director and
curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships
curators and learn about upcoming
exhibitions and projects • Private Tour
of current Bronx Museum
exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition
for an
exhibition or program • Two Individual - level gift memberships to share
Organized by Catherine Morris,
curator of the Elizabeth A. Sackler Center
for Feminist Art at the Brooklyn Museum, this
exhibition takes stock
of feminism's enduring influence on contemporary art with a selection
of works engaging themes
of gender, equality, and empowerment.
Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50
exhibitions in 50 consecutive weeks throughout 2015 at the Institute
of Contemporary Arts (ICA), London, and acted as associate
curator for the 10th Gwangju Biennale, South Korea.
Michelle Jacques is the Chief
Curator at the Art Gallery
of Greater Victoria, where she is responsible
for guiding an
exhibition, education and acquisitions program that links contemporary practices, ideas and issues to the Gallery's historical collections and legacies.
Please join 11R
for a conversation between artists Douglas Melini and Brian Alfred with
curator Daniel S. Palmer, on the occasion
of Melini's current
exhibition at the gallery, You Have To Peer Into The Sky To See The Stars.
Major museum
exhibitions include «Paintings 1975 — 1995,» Modern Art Museum
of Fort Worth, Texas (opened 1995 at the Metropolitan Museum
of Art, New York, traveled to the Modern Art Museum
of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum
of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center
for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum
of Modern Art Oxford (2010, traveled to De Pont Museum
of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum
of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,»
Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).
Pamela Topham's art was selected by Marla Prather,
Curator for the Development
of Modern and Contemporary Art at the Museum
of Modern Art, as Top Winner
of the 2015 Guild Hall Artists Members
Exhibition.
Co-curators: Stacy C. Hollander, Deputy Director
for Curatorial Affairs, Chief
Curator, and Director
of Exhibitions, American Folk Art Museum, and Aimee E. Newell, Director
of Collections, Scottish Rite Masonic Museum & Library.
Opportunity to arrange a private tour
for up to ten guests
of an
exhibition with the Director or Senior
Curator
Previously an independent
curator, Morris organized, among other projects, Decoys, Complexes and Triggers: Women and Land Art in the 1970s at SculptureCenter, New York; 9 Evenings Reconsidered: Art, Theatre and Engineering, 1966
for the List Visual Arts Center, MIT, Cambridge, Massachusetts; and two
exhibitions, Gloria: Another Look at Feminist Art
of the 1970s and Food at White Columns, New York.
«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day
for Night,» Whitney Museum
of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute
of Contemporary Art at the University
of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center
for the Arts
of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute
of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center
of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural
Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle
of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli,
curator of Architecture and Design at MOMA and independent
curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002
As
curator of the El Paso Museum
of Art in El Paso, Texas he has curated one - person
exhibitions, authored artist essays
for the Encyclopedia
of Twentieth Century Photography, as well as numerous other publications
for the El Paso Museum
of Art.
Sheridan was nominated
for the Young
Curators Invitational, Fondation d'entreprise Ricard, Paris (2009); served as one of the commissioning curators for the annual Scotiabank Nuit Blanche exhibition in Toronto (2010); was a visiting curator at the Banff Centre for the Arts, Banff, Alberta (2011); and participated as a juror for the Philadelphia Exhibitions Initiative
Curators Invitational, Fondation d'entreprise Ricard, Paris (2009); served as one
of the commissioning
curators for the annual Scotiabank Nuit Blanche exhibition in Toronto (2010); was a visiting curator at the Banff Centre for the Arts, Banff, Alberta (2011); and participated as a juror for the Philadelphia Exhibitions Initiative
curators for the annual Scotiabank Nuit Blanche
exhibition in Toronto (2010); was a visiting
curator at the Banff Centre
for the Arts, Banff, Alberta (2011); and participated as a juror
for the Philadelphia
Exhibitions Initiative (2012).
The
exhibition will provide a vital opportunity
for those selected to have their work seen by tens
of thousands
of visitors, to work with BALTIC's
curators and be supported by a high - profile artist.
But a recent series
of exhibitions is questioning the accepted narrative
of that transformational mid-20th-century art movement and arguing
for the recognition
of key participants who
curators believe have been wrongly undervalued.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College
of Charleston; The Meddin Building; and the Gibbes Museum
of Art, Charleston, South Carolina (May 21 — June 28) Summer group
exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni
of the School
of the Art Institute
of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute
of Chicago (May 10 — June 14) 15th Anniversary
Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute
for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni
Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
Exhibition, School
of the Art Institute
of Chicago (April 20 — June 15) An
Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University
of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance
of Independent
Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York
Prior to this, he was Associate Director
for Art and
Exhibitions and
Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 t
Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first
curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 t
curator designated to oversee the permanent collection
of the Whitney Museum
of American Art, where he worked from 1976 to 1987.
«We Speak: Black Artists in Philadelphia, 1920s - 1970s» @ Woodmere Art Museum Philadelphia This
exhibition grew out
of 14 oral history interviews with artists and their families, art dealers, scholar and museum
curators, centers around the city organizations and institutions that provided a foundation and a platform
for artists to pursue their careers.
Experimenting with a new model
of inviting three separate
curators who will each be responsible
for a floor
of the
exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection
of Grabner, outside professional
curators in an attempt to be less insular and more representative
of the country at large.
He has been described as an «artist, architect,
curator, publisher, poet and urbanist» and the
exhibition will explore all possible facets
of his career to date alongside a variety
of work created specifically
for the RA.
All Director's Circle Patron Member benefits, plus: • Complimentary copies
of all major
exhibition catalogues • Invitation
for dinner with the Executive Director or Chief
Curator
Since then she has held Senior
Curator positions at the American Federation
of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding
Curator of the Elizabeth A. Sackler Center
for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first
exhibition and public programming space in a U.S. museum devoted exclusively to feminist art.