Sentences with phrase «curator of no show museum»

At the opening on the October 30 at 7 pm, Andreas Heusser, Curator of No Show Museum, will guide through the exhibition and give an illuminating introduction (lecture performance) to the art of nothing.

Not exact matches

Christoper Spring, curator of the African galleries at the British Museum, explains why he hopes his exhibition will change people's perception of African art and show the diversity present in the continent.

«Bowie himself left England in 1974 to eventually settle in America, so we could not be more delighted that the final leg of the tour brings the show back to New York, where Bowie made his home,» Victoria Broackes, curator of the exhibition for the Victoria and Albert Museum, said in a statement.

I have worked in museums for a number of years and this incident shows that the director and / or curator are clearly out of touch with the museum population they serve.

In Cincinnati, a curator was tried for obscenity because his museum defended the cause of Art by showing the Mapplethorpe collection.

Frogs hop their way to Peggy Notebaert Nature Museum - Fox 32 Chicago - November 7, 2016 Allison Sacerdote - Velat, curator of herpetology, joins the set to show off some of the 70 different frogs making their way to the Peggy Notebaert Nature Museum for their frog exhibit.

Of Seeds, Monarchs and Kayaks - The Mike Nowak Show - July 9, 2017 Allen Lawrance, Associate Curator of Entomology at the Peggy Notebaert Nature Museum, reports on monarch sightings for 201Of Seeds, Monarchs and Kayaks - The Mike Nowak Show - July 9, 2017 Allen Lawrance, Associate Curator of Entomology at the Peggy Notebaert Nature Museum, reports on monarch sightings for 201of Entomology at the Peggy Notebaert Nature Museum, reports on monarch sightings for 2017.

«Showing it the way they did... is pretty clever,» says Robert Zink, curator of birds at the Bell Museum in St. Paul, Minnesota.

«Evan's research shows alligators didn't evolve in a vacuum with no other crocodilians around,» said co-author David Steadman, ornithology curator at the Florida Museum of Natural History at the University of Florida.

The study has solid geographical sampling, and the team's statistical analysis of two DNA genomes — mitochondrial and nuclear — shows pretty good evidence for the new species, says Bryan Stuart, a curator of herpetology at the North Carolina Museum of Natural Sciences in Raleigh, who was not involved in the work.

A dental analysis showed that K. simmonsae's molars were large and rectangular, and had more cusps than the teeth of other multituberculates, said study lead researcher Thomas Williamson, a curator of paleontology a the New Mexico Museum of Natural History and Science.

The trailer, that released today, shows Christian, the curator of an art museum in Stockholm talking about the exhibition called «The Square» that he has got installed.

In the film's present day setting, Ford has some fun with the archetypes of the jet set — creating a luxurious dandy in Michael Sheen (a purple dinner jacket steals the show), an Auntie Mame eccentric in Andrea Riseborough and an L.A. nightmare in a museum curator played by Jena Malone.

In order to ready himself to play Reynolds Woodstock, he studied the lives of designers, learnt to sew, watched archive footage of 1950s fashion shows, consulted with the Victoria & Albert Museum's curator of fashion, apprenticed for a time under the head of costumes at the New York City Ballet and created his own couture dress from scratch using his wife, Rebecca Miller, as a model.

Alternatively you can spend the day in Qualicum Beach where you can visit Qualicum Beach Museum and Historical Society, where curator Graham Beard's ranges of fossils are on show.

This week, Chief Curator of the National Air and Space Museum Peter Jakab, PhD joins the show to talk about some of the museum's most fascinating artiMuseum Peter Jakab, PhD joins the show to talk about some of the museum's most fascinating artimuseum's most fascinating artifacts.

The Cannon Beach Arts Association is pleased to announce that it will be hosting Bonnie Laing - Malcolmson, the curator of Northwest Art at the Portland Art Museum, as the guest curator for the Winter All Juried Show.

(The museum also recently acquired a painting from Ofili's show last fall at Zwirner in New York, which was donated by Mimi Haas and Lisa and Steven Tananbaum in honor of Kynaston McShine, the longtime MoMA curator who died in January.)

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

«I did a show at the Hammer five years ago called «Oranges and Sardines: Conversations on Abstract Painting,»» says Gary Garrels, senior curator of painting and sculpture at the San Francisco Museum of Modern Art.

Gabriel Pérez - Barreiro, one of the curators of the Reina Sofía show, will talk with Whitney Museum curators Elisabeth Sussman and Donna De Salvo about Pedrosa and his connections to Hélio Oiticica, currently the subject of a Whitney retrospective.

The show is organized by Bennett Simpson, senior curator, with Rebecca Matalon, curatorial associate, The Museum of Contemporary Art, Los Angeles.

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

«It was really a happy accident,» says Connie Butler, curator of the Hammer Museum's Opie show.

In an essay in the catalogue, Caitlin Julia Rubin (an assistant curator at the Rose who co-curated the show with art historian Katy Siegel, curator - at - large for the museum) writes that Home Sweet Home «suggests the duality of Drexler's home — the spaces where she lived never all that separate from the ones in which she worked — and her own, twinned role as homemaker and artist.»

Working with Cynthia Burlingham, the deputy director of Hammer Museum in Los Angeles, and Andrew Hunter, curator of Canadian art at the Art Gallery of Ontario, Martin crisscrossed Canada and came up with a show that, in all probability, no Canadian museum would ever dare to pMuseum in Los Angeles, and Andrew Hunter, curator of Canadian art at the Art Gallery of Ontario, Martin crisscrossed Canada and came up with a show that, in all probability, no Canadian museum would ever dare to pmuseum would ever dare to put on.

Both shows open this week, but what one curator a few months ago called an art - world «battle royale» — the two megadealers competing over the work of a super-profitable artist — has settled into something else, and just maybe what Koons wanted all along: the beginning of a Year of Koons, culminating in summer 2014's full - career retrospective at the Whitney Museum — its last exhibition in its Madison Avenue headquarters before moving to the bottom of the High Line.

Former LACMA curator Franklin Sirmans, now director of Pérez Art Museum Miami, organized the show with LACMA's Christine Y. Kim.

Instead of resigning herself to plan B, Kasper, 35, pitched an idea to the curators of the Whitney Biennial that would solve her problem and earn her a coveted spot in the contemporary art show: setting up shop in the Manhattan museum, where she could work, interact with patrons, and store her belongings for the show's three - month run.

As the first black curator of the Whitney Museum, she organized landmark shows, such as «Black Male: Representations of Masculinity in Contemporary American Art» in 1994, that now seem strikingly prescient.

The exhibition was curated by Sabine Breitwieser and Laura Hoptman at MoMA in collaboration with curators at the museums to which the show traveled in 2014 — Michael Darling at the Museum of Contemporary Art Chicago and Jeffrey Grove at the Dallas Museum of Art.

Group Exhibitions College of Marin — 1976 Mill Valley Art Guild, Group Show, Mill Valley, CA, 1976 San Francisco Art Institute Student Show, 1977 & 1978 Omnivore Restaurant, Berkeley, CA 1979 Rocklands Gallery, Monterey, CA, 1983 & 1984 Santa Cruz Art League — «California Landscape Juried Show,» Juror Terry Long, Curator — Oakland Museum, 1989 Santa Cruz Art League — «61st California Annual Juried Show,» Jurors Jo Hernandez & Marc D'Estout, Directors Monterey Museum of Art, Santa Cruz, CA, 1991 Perimeter Gallery — «Group Show,» Chicago, IL 1991 Hauk Fine Arts — Pacific Grove, CA.

2006 Art LA, represented by Linda Warren Gallery, Los Angeles, CA Urban Institute for Contemporary Art, Grand Rapids, MI Drawing No Conclusions, curated by Dominic Molon, Associate Curator, Museum of Contemporary Art Chicago, IL Judith Racht Gallery, Layer on Layer: a collage show, Harbert, MI

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

A catalog featuring full - color images of Whitney's work with writings by exhibition curator Lauren Hayes, Lowery Stokes Sims, Robert Storr and museum director Thelma Golden, is being published to coincide with the show.

«This was easily one of my favorite shows of the year... the ideas were strong, the perspective clear, and the work definitely impressive,» says critic and curator Hrag Vartanian, highlighting visual artist Angel Otero's show Elegies at the Bronx Museum.

To realize the show, the curators secured dozens of loans from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.

June 28 - August 17, 2003, Juror Terry St. John — Curator Modern Painting — Oakland Museum Monterey Museum of Art — «Juried Show,» Monterey, CA Sept 2003 - Jan 2004 Perimeter Gallery — Chicago, IL 2004 Perimeter Gallery — Chicago, IL 2009

In a dispute over financing with a curator at the MMK Museum für Moderne Kunst in Frankfurt weeks before Murakami's 2008 retrospective opened there, the artist was ready to pull out of the show.

In this discussion, Kate Fowle, Chief Curator of Garage Museum of Contemporary Art, will talk with artist Rashid Johnson about his installation Within Our Gates, which is on show in Garage Atrium.

The curators expound upon a score of topics, from the Studio Museum in Harlem, Just Above Midtown Gallery, The Black Photographers Annual, and Emory Douglas and the Black Panther newspaper to abstraction shows, black women artists, FESTAC» 77, and the Wall of Respect and mural movement.

Her first major museum show, a retrospective of her 1950s work with a catalog by the critic and poet Frank O'Hara, a curator at the Museum of Modern Art, was at the Jewish Museum inmuseum show, a retrospective of her 1950s work with a catalog by the critic and poet Frank O'Hara, a curator at the Museum of Modern Art, was at the Jewish Museum inMuseum of Modern Art, was at the Jewish Museum inMuseum in 1960.

And the show's organizers — Johanna Burton, director and curator of education and public engagement at the New Museum, working with Natalie Bell and Sara O'Keeffe, assistant curators — have included a substantial amount of entirely abstract work of a kind 1982 audiences perceived as apolitical, though here it is not.

It was inconceivable for the Getty curators not to have any women in their shows and, since I was one of the women working at that time who was taken seriously, I was suddenly in maybe eight museum shows and I had three solo shows.

Most recently, she held the position of Adjunct Curator of American Art at the Indianapolis Museum of Art, where she organized the major touring retrospective Hard Truths: The Art of Thornton Dial, an exhibition that Time Magazine called «triumphant» and The Wall Street Journal named one of the best shows of 2011.

Organized by Mark Pascale, the Art Institute of Chicago's Janet and Craig Duchossois Curator of Prints and Drawings, the show was seen in Chicago, at the Morgan Library and Museum in New York, and the Smithsonian American Art Museum in Washington.

Barneys New York creative ambassador - at - large Simon Doonan will present the Pratt Fashion Award for Lifetime Achievement to Harold Koda, former curator in charge at The Costume Institute at The Metropolitan Museum of Art, at the Pratt Institute Fashion Show + Cocktail Benefit on May 5.

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

Gerd Harry Lybke, director of a German gallery, Eigen + Art, a frequent Basel exhibitor who was denied admission in 2011 but readmitted the next year and now regularly shows, said the selection panel should consist of museum directors and curators rather than rival dealers.

From 2012 until 2015 he was the Manilow Senior Curator at the Museum of Contemporary Art Chicago where he curated and co-curated, among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel: Art and Archaeology (2013).