Prior to this appointment in 2016, Mr. Rondeau led two of the museum's 11 departments as the Frances and Thomas Dittmer chair and curator in the department of modern and contemporary art from 2004 until 2015, and as chair and
curator of photography from 2008 to 2009.
Not exact matches
The past few months have been hectic as I transitioned
from freelance
photography in Illinois to a new job:
Curator of Entomology at the University
of Texas in Austin.
Split into three sections to reflect the different sides
of London's nocturnal character, an accompanying book
of the same name contains essays by Museum
of London's
Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images
from the exhibition that span the genres
of architectural, documentary and portrait
photography.
As an independent
curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary
Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian
Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate -
Photographies from Collection Auer (MAM - SP, 2009), The Invention
of the World - Collection
of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).
From the 15 finalists, a jury
of experts — Adelina Vlas, associate
curator of contemporary art at the Art Gallery
of Ontario; Lisa Oppenheim, winner
of the 2014 AIMIA AGO
Photography Prize; and Gabrielle Moser, a writer, educator and independent
curator based in Toronto — selected three winners.
Following her RISD Graduate Studies» Artslink Residency and her internship in the
Photography Department at the Museum
of Modern Art, New York,
curator and photographer Viera Levitt moved to Rhode Island in 2006
from Slovakia where she had been the director
of the Jan Koniarek Gallery.
From the eight finalists, a jury
of experts — Sophie Hackett, associate
curator of photography at the Art Gallery of Ontario; Erin Shirreff, winner of the 2013 AIMIA AGO Photography Prize; and Kelly McKinley, Director of the OMCA LAB at the Oakland Museum of California — selected the thr
photography at the Art Gallery
of Ontario; Erin Shirreff, winner
of the 2013 AIMIA AGO
Photography Prize; and Kelly McKinley, Director of the OMCA LAB at the Oakland Museum of California — selected the thr
Photography Prize; and Kelly McKinley, Director
of the OMCA LAB at the Oakland Museum
of California — selected the three winners.
Artists kept playing catch - up as color increasingly swamped popular culture and amateur
photography; many came to take their cues
from both, and in 1976 Museum
of Modern Art
photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery
of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject
of the photograph,» Rohrbach writes.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions
of 2010 — The Art Newspaper Recent Art News - Texas Week
of 03/27/11 Ed Ruscha at the Modern Museum
of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries
of Drawing — ARTnews Recent Art News - National - International Week
of 03/27/11 Ed Ruscha Street
Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits
of Liz Taylor — NYMag Eduardo Souto de Moura, Architect
from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week
of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week
of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week
of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week
of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week
of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week
of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week
of 02/13/11 Amon Carter's Director
of Education Named National Educator
of the Year — Amon Carter Museum Blanton
curator heads to National Gallery
of Art — Austin 360 Director Dana Friis - Hansen departs
from the Austin Museum
of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week
of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
As a Long Island - based photojournalist, documentary photographer,
curator, and educator, Susan Dooley's artistic education includes a BS in Journalism and Mass Communications
from the University
of Illinois and an MFA in
Photography from Long Island University, C.W. Post.
Organized by Dena M. Woodall, associate
curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints
from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture,
photography, painting, installation, and dance.
In his catalogue essay for Paul Graham's imminent retrospective at east London's Whitechapel Gallery, the
photography writer and
curator David Chandler borrows a telling quotation
from Richard Ford's novel, The Lay
of the Land.
Mthethwa's work challenges the conventions
of both Western documentary work and African commercial studio
photography, marking a transition away
from the visually exotic and diseased — or «Afro - pessimism,» as
curator Okwui Enwezor has described it — and employing a fresh approach marked by color and collaboration.
Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen
from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (
Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (
Photography; Halle, Germany) CuratorsMaria Stadirani (
Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (
Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection
of former residents video works will be presented.
The museum's
photography curator at the time, Hugh Edwards, purchased 30 photographs
from this now - legendary series for the permanent collection, and in 2000, the artist generously gifted a further 38 photographs — works that were openly personal and very different
from his chronicling
of the state
of the country in The Americans.
2011 Video Exhibition Highlights Wadsworth Atheneum's History Wadsworth Atheneum Receives $ 21,000
From NEA to Support MATRIX Exhibition Series Wadsworth Atheneum Commemorates Civil War's 150th Anniversary in New Collection Installation Claire Beckett / MATRIX 163 Opens Nov. 3 Robin Jaffee Frank Named Chief
Curator and Krieble
Curator of American Painting and Sculpture Wadsworth Atheneum to Receive Significant NEH Funding Wadsworth Atheneum Presents
Photography by Patti Smith Shaun Gladwell / MATRIX 162 Opens June 2 Wadsworth Atheneum's Morgan Great Hall Opens to the Public
In her role as
Curator of the
photography competition at Viridian Artists, Blessing spent many long hours viewing over 800 images sent to Viridian
from around the world.
Seven pieces
from Earl's series Late Night Polaroids were selected by Assistant
Curator of Photography at the High Museum
of Art Gregory Harris to be included in their permanent collection.
Jill Freedman: Resurrection City, 1968 features Freedman's original text
from 1971 and new essays by John Edwin Mason, historian at the University
of Virginia, and by Aaron Bryant, the Mellon
Curator of Photography at Smithsonian National Museum
of African American History and Culture.
No Mountains in the Way: Photographs
from the Kansas Documentary Survey, 1974 In 1974, with a grant
of $ 5,000
from the NEA, No Mountains in the Way was organized by Jim Enyeart, then
curator of photography at the University
of Kansas Museum
of Art.
Simon Baker,
Curator, International Art (
Photography), Tate, and Michael Hoppen, Owner and Founder
of Michael Hoppen Gallery, will discuss the photographic creativity and innovation emerging
from contemporary Japanese photo artists.
At the MCA, she curated solo exhibitions
of work by Gaylen Gerber and José Lerma, and worked with chief
curator Michael Darling on landmark projects like the exhibitions «Destroy the Picture: Painting the Void, 1949 - 1962 ″ and «Think First, Shoot Later:
Photography from the MCA Collection.»
Icons
of modern portrait
photography At the invitation
of BOZAR — Paleis voor Schone Kunsten (Palace
of Fine Art) in Brussels, where this touring exhibition begins its itinerary, Frits Gierstberg (
curator of the Nederlands Fotomuseum) selected work by well - known or leading portrait photographers
from the past few decades.
Streaming Spirits, which was conceived by guest
curator Crista Cloutier, draws inspiration
from the 19th - century genre
of spirit
photography.
Thomas served as Visual Arts
Curator for the Contemporary Arts Center in New Orleans
from 1988 - 1995, and as Executive Director
of the Houston Center for
Photography, Houston, Texas,
from 1985 - 87.
Hammer Fellow and Patron - level members are invited to join us for a private walk - through
of Still Life with Fish:
Photography from the Collection led by the Hammer's chief
curator Connie Butler.
Before we pass judgment on these men and dismiss them
from our thoughts, Elkins wants us to consider their experiences, both before and after their convictions,» said Gregory Harris, the High's assistant
curator of photography.
His work has been exhibited in a number
of notable exhibitions, including at the Museum
of Modern Art (Tbilisi, Georgia), National Portrait Gallery (London, UK) and the Yixian International
Photography Festival (Anhui, China) among others.Awards and accolades include PDN's 30 2018, CENTER 2017 Choice Award Winner,
Curator's Choice (First Place), the 2017 TAYLOR WESSING Photographic Portrait Prize (Finalist), and is the recipient
of two Artist Initiative Grants
from the Minnesota State Arts Board (2016, 2018).
In just five years —
from the point in 1949 that the exhibit's
curator, Walter Hopps, identifies as Rauschenberg's first artistic maturity until 1954, just before the first «combine» paintings that were to make him famous — the artist worked in paint, sculpture made
of found objects, collage, and
photography.
In the main gallery, Gregory Harris Selects, a group show
of contemporary photographic works curated by Gregory Harris, Assistant
Curator of Photography at the High Museum
of Art,
from a national call for submissions.
Every three years, ICP's
curators round up some
of the most interesting contemporary
photography and video works
from around the world.
Explore highlights
from the Art Fund Collection
of Middle Eastern
Photography with our map
of the region and listen to the
curator introduce key artists.
In addition to being the producing sponsor
of the dance production, the Berkeley Art Museum and Pacific Film Archive, under the direction
of Assistant
Curator Dena Beard, has mounted an exhibition
of visual materials relating to Parades and Changes, including
photography, newspaper clippings, video (the Swedish television production) obtained
from the Halprin Archive at the Performaing Arts Library and Museum in San Francisco.
Prior to that, Fogle was a
curator at the Walker Art Center in Minneapolis
from 1994 to 2005, where he initiated a series
of exhibitions with emerging artists as well as a number
of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using
Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge
of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.
Michelle came to Skinner
from the Fogg Museum / Harvard Art Museums, where she first joined the Department
of Photographs in 2004 and, beginning in 2008, served as the John R. and Barbara Robinson Family Assistant
Curator of Photography.
As a
curator, her work has cited the domains
of photography and lens - based work
from archival and contemporary sources.
From 2016 - 2018 she has served as a visiting
curator and lecturer to VCUarts's Departments
of Painting and Printmaking, Sculpture and Extended Media,
Photography and Film and VCUart's Summer Studio Program (SSP).
This year's juror, Lisa Sutcliffe,
curator of photography at the Milwaukee Art Museum, will select one body
of work each
from 6 - 8 artists for exhibition at the APG Gallery this January.
A certain reminisces
of Minimal Art and Post Object art is notable, yet this selection, which ranges in media spanning
from video, performance, sculpture,
photography, painting to installations, reflects an apparent interest
of the
curator in conceptual and formal approaches
of the artwork itself.
Connects emerging, mid-level, and professional photographers with gallery directors, educators, academics,
curators, and other elite
photography professionals
from across the country, with emphasis on those
of the Midwest, and in particular those
of Chicago.
«We knew
from the start that this would be an integrated exhibition, as that's always been the Whitney's mission,» said Elisabeth Sussman, the Sondra Gilman
Curator of Photography.
Carrie Mae Weems: The Museum Series is organized by Assistant
Curator Lauren Haynes and runs concurrently with Weems's mid-career retrospective, Carrie Mae Weems: Three Decades
of Photography and Video, on view at the Guggenheim Museum
from January 24 — May 14, 2014.
Russell Lord,
curator of photographs at the New Orleans Museum
of Art, introduces some favourites
from the collection that explore how
photography has developed as both art form and technology
This spring the star billing
of two retired alums
from MoMA — John Elderfield, the former chief
curator of painting and sculpture, and Peter Galassi, the former chief
photography curator — helped draw huge crowds and critical attention to paired shows at Gagosian galleries in New York.
Sandra S. Phillips is senior
curator of photography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of Jo
photography at SFMOMA where she has organized such exhibitions as History
of Photography from California Collections (1989), and a 1989 retrospective of Jo
Photography from California Collections (1989), and a 1989 retrospective
of John Gutmann.
Organized by
curator Brett Abbott, the show tackles all aspects
of Bullock's
photography,
from black - and - white landscape, nature studies and nudes to experimental work with color and abstraction.
Nancy Huth,
Curator of Education and Installation
Curator from the Taft Museum
of Art talks about the new exhibit Star Power: Edward Steichen's Glamour
Photography.
It's not just anyone giving these talks; expect appearances
from the likes
of Jennifer Blessing,
Curator of Photography at the Guggenheim, New York and Sandra Phillips, Senior
Curator of Photography at SFMOMA.
2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections
from the Collection
of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute
of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum
of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent
Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part:
Photography as Theatre, National Gallery
of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery
of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute
of Contemporary Arts and South London Gallery, London, England
Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)
«Since its origins,
photography has infiltrated every aspect
of modern life,
from art to war, and religion to politics and many
of these applications are represented in NOMA's extensive collection,» said Russell Lord, Freeman Family
Curator of Photographs.