Sentences with phrase «curator of twentieth century art»

Previously, Nancy served as the Executive Director of the Santa Barbara Contemporary Arts Forum and Curator of Twentieth Century Art for the Santa Barbara Museum of Art.

Not exact matches

Harald Szeemann: Museum of Obsessions Edited by Glenn Phillips and Philipp Kaiser With Doris Chon and Pietro Rigolo The Swiss curator Harald Szeemann is arguably one of the most influential figures in twentieth - century art.

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.

Performa Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading organization dedicated to exploring the critical role of live performance in the history of twentieth - century art and encouraging new directions in performance for the twenty - first century.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Visionary Agency: Grandma Moses, Agnes Pelton, Jay DeFeo and Twentieth - Century American Art Chair: Erika Doss, Ph.D., Professor American Studies, University of Notre Dame Speakers: Elizabeth Ferrell, Ph.D., Assistant Professor, Arcadia University and Katherine Jentleson, Ph.D., Merrie and Erika Doss, Ph.D., Professor American Studies, University of Notre Dame and Dan Boone Curator of Folk & Self - Taught Art, High Museum of Art, Atlanta

Carolyn Christov - Bakargiev is a writer and curator living in Rome, who has become an internationally recognized scholar of late twentieth - century Italian art.

Another pair, Katy Rothkopf, Senior Curator of the BMA's Department of European Painting and Sculpture, and Janet Bishop, Curator of Painting and Sculpture from the San Francisco Museum of Modern Art, have gathered more than ninety of the artists» major paintings and drawings to create what Jay Fisher, the BMA's Deputy Director for Curatorial Affairs, describes as «an unprecedented visual narrative that reaches across the twentieth century.»

Rasuchenberg, Stella, Spero — introducing New York Masters, a new video series for which art historian and curator Robert Storr discusses New York's art history, and the some of the city's influential twentieth century artists represented at Frieze New York 2017.

Lucas Knipscher uses African fabrics as the backdrop for playing cards, Ana Cardoso subjects cotton and art history to serious punishment, Wilder Alison gives tapestry as art the look of emoticons, and Mae Fatto (also the show's curator) runs riot right through the twentieth century.

Throughout the twentieth century and accelerating with the rise of conceptualism and Michael Fried's prediction of the end of art, or at least the death of painting, critics, curators, and historians have questioned the validity of the medium while artists have continued to paint.

Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» exhibited at 522 West 21st Street, spanned from the mid-sixteenth through the late twentieth centuries and included over 50 paintings and works on paper by nearly 40 artists.

«Graphite was known as a preparatory material until the modernists of the twentieth century began presenting graphite drawings as finished works of art,» says Georgia O'Keeffe Museum Curator Carolyn Kastner.

In 1997 Hopps organized a Robert Rauschenberg retrospective for the Menil Collection, the Museum of Fine Arts, Houston, and the Solomon R. Guggenheim Museum in New York (where he held the title of Adjunct Senior Curator of Twentieth - Century Art).

Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» on view at 522 West 21st Street, spans from the mid-sixteenth through the late twentieth centuries and includes over 50 paintings and works on paper by nearly 40 artists.

Joe Brainard: A Retrospective reveals the creative genius of this important late - twentieth century American artist, and is curated by Constance Lewallen, Senior Curator at The University of California, Berkeley Art Museum and Pacific Film Archive, where it debuted.

He was the first curator of twentieth - century art at the Boston Museum of Fine Arts [3] and later the director of the Museum of Art Fort Lauderdale (1987 — 1997), a position he left in order to attend to being the guiding light of the artist group he founded the «New New Painters&raquart at the Boston Museum of Fine Arts [3] and later the director of the Museum of Art Fort Lauderdale (1987 — 1997), a position he left in order to attend to being the guiding light of the artist group he founded the «New New Painters&raquArt Fort Lauderdale (1987 — 1997), a position he left in order to attend to being the guiding light of the artist group he founded the «New New Painters».

Sounds Like Her builds on Eyene's acclaimed exhibition Curators Series # 8: All Of Us Have A Sense of Rhythm at David Roberts Art Foundation, London (2015), which presented an original research into the influence of black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practicOf Us Have A Sense of Rhythm at David Roberts Art Foundation, London (2015), which presented an original research into the influence of black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practicof Rhythm at David Roberts Art Foundation, London (2015), which presented an original research into the influence of black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practiArt Foundation, London (2015), which presented an original research into the influence of black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practicof black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practiart, and highlighted their overlooked legacy in the history of this practicof this practice.

< SYMPOSIUM National Gallery of Art hosts two - day symposium (March 16 - 17) exploring «The African American Art World in Twentieth - Century Washington, D.C.,» featuring presentations by curators and scholars, and an unforgettable conversation among eight artists — Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith A. Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall.

Prior to joining the Whitney in 2000 Rinder was founding director of the California College of Arts and Crafts Institute; Curator for Twentieth - Century Art at the University Art Museum and the Pacific Film Archive, UC Berkeley, and Curator of the Matrix program, UC Berkeley.

With Professor Eric Hobsbawm, eminent historian and author of Behind The Times: The Decline and Fall of the Twentieth Century Avant - Gardes; Frances Morris, specialist in contemporary art and Art Programme Curator for the Tate Gallery of Modern Aart and Art Programme Curator for the Tate Gallery of Modern AArt Programme Curator for the Tate Gallery of Modern ArtArt.

Curated by Simonetta Fraquelli, an independent curator and specialist in early twentieth - century European art, the exhibition explores Pablo Picasso's work between 1912 and 1924, prior to, during, and after the tumultuous years of the First World War, when the artist began exploring both cubist and classical modes in his art.

Performa, founded in 2004 by art historian and curator RoseLee Goldberg, is the leading organization dedicated to exploring the critical role of live performance in the history of twentieth - century art and to encouraging new directions in performance for the twenty - first century.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Prior to the Whitney, Rinder was founding director of the CCA Wattis Institute for Contemporary Arts, in San Francisco, and served as Assistant Director and Curator for Twentieth - Century Art at the Berkeley Art Museum and Pacific Film Archive.

ONE OF EIGHTY - SOME EXHIBITIONS in the Getty Foundation's Pacific Standard Time: LA / LA initiative, «Radical Women: Latin American Art, 1960 — 1985» explicitly endeavored, as curators Cecilia Fajardo - Hill and Andrea Giunta put it, «to write a new chapter in twentieth - century art history» by correcting the field's long - standing obfuscation of women artists» contributionOF EIGHTY - SOME EXHIBITIONS in the Getty Foundation's Pacific Standard Time: LA / LA initiative, «Radical Women: Latin American Art, 1960 — 1985» explicitly endeavored, as curators Cecilia Fajardo - Hill and Andrea Giunta put it, «to write a new chapter in twentieth - century art history» by correcting the field's long - standing obfuscation of women artists» contributioArt, 1960 — 1985» explicitly endeavored, as curators Cecilia Fajardo - Hill and Andrea Giunta put it, «to write a new chapter in twentieth - century art history» by correcting the field's long - standing obfuscation of women artists» contributioart history» by correcting the field's long - standing obfuscation of women artists» contributionof women artists» contributions.

In 1997 Hopps organized a Robert Rauschenberg retrospective for the Menil Collection, the Museum of Fine Arts, Houston, and the Solomon R. Guggenheim Museum in New York (where he held the title of adjunct senior curator of twentieth - century art).

This exhibition is curated by Carmen Giménez, Stephen and Nan Swid Curator of Twentieth - Century Art, and Nat Trotman, Associate Curator, Solomon R. Guggenheim Museum.

From 2006 — 2013 she was The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, New York where she co-curated the first major Lygia Clark retrospective in the United States (2014) and «On Line: Drawing Through the Twentieth Century» (2010).