Sentences with phrase «curatorial intern in»

2005 - 2006; 2008 Graduate Curatorial Intern In Pursuit of the Masters: Stories from the Raymond and Patsy Nasher Collection (2008), Jacques Lipchitz (2008), Matisse: Painter as Sculptor (2007), and Women of Giacometti (2006) 2004 — 2005 Assistant to Director of External Affairs and Director of Finance 2004 — 2008 Admissions Staff, Shift Manager Nasher Sculpture Center, Dallas, TX

Not exact matches

Summer Guthery, Assistant Curator Laura McLean - Ferris, Curatorial Fellow Mike Skinner, Technical Director Randi Grov Berger, Curatorial Fellow and Coordinator for Norwegian Pavilion Monika Rendzner, Production Fellow and Coordinator for Polish Pavilion Robert Wuss, Lighting Designer Elizabeth Feidelson, Production Manager Cara Stewart, Curatorial Assistant and Artists Liaison Kristina Valberg, Performa 13 Hub Coordinator Debbie Huang, Production Assistant and Website Coordinator Melissa Negro, Website Coordinator Cora Walters, Communications Intern Amanda Ryan, Curatorial Assistant Paula Court, Archival Photographer Pierce Jackson, Director Performa TV A Practice for Everyday Life, Design Fitz & Co, Public Relations Perry Garvin Studio, Website Design Yeju Choi, Designer in Residence Darling Green, Logistics and Construction Studio Miessen, Performa Hub Design

By interning with Berlin Art Link, you will gain valuable exposure and insight to artist studio visits, local and international curatorial projects, exhibitions and current events, and the overall ins - and - outs of the contemporary art scene of Berlin.

Please specify «Curatorial Programs Intern» in the subject line.

Our interns, our curatorial assistants, they're hired for four years and then either a job is created for them in an assistant curator position or they have to leave.

She developed a particular interest in working for non-profit contemporary art institutions after interning at the Wattis Institute of Contemporary Art in San Francisco, as well as from experience as a curatorial research intern at Art21.

Hannah Klemm (Smart Museum Mellon Foundation Curatorial Intern [2013 — 14] and PhD candidate in Art History, University of Chicago) and Iva Olah (Smart Museum Mellon Foundation Curatorial Intern [2012 — 13] and PhD 2013, University of Chicago) discuss issues of value, provenance, and attribution

Deconstructing Robert Mangold is co-curated by Erin Dziedzic, director of curatorial affairs at the Kemper Museum, and Ameli Klein, Kemper Museum summer 2015 curatorial intern who is currently studying art history at Johannes Gutenberg University in Mainz, Germany.

Catherine Stuer (Assistant Professor of Art History, Denison University; Smart Museum Mellon Foundation Curatorial Intern [2011 — 12]; and and PhD» 12, Art History, University of Chicago) and Jie Shi (PhD candidate in Art History at the University of Chicago and Smart Museum Curatorial Intern) discuss why traditional East Asian paintings are often inscribed with words and stamped with seals

While in college, he interned at the Andy Warhol Museum as a curatorial assistant.

Sarah has been a curatorial assistant at the Whitney since 2013, but joined the Whitney family in 2012 when she interned for Carter Foster while he was curating Hopper Drawing.

Mia was the 2013 — 2015 Curatorial Fellow for Visual Arts at the Walker Art Center in Minneapolis and has interned and worked nationally, including at the Museum of Contemporary Art in Chicago, the Smithsonian's Hirshhorn Museum and Sculpture Garden, and the Contemporary Art Museum Houston.

She has interned at Boston's Museum of Fine Arts as a curatorial research assistant, is a nationally certified rehabilitation counselor (CRC), and has worked both in disability services offices and as a researcher and editor in art history in Vanderbilt's Special Collections and Archives and in their History of Art department.

She served as a curatorial intern to the Portland Art Museum and participated in two LA County Arts summer internships at performing arts organizations.

Iva Olah (University of Chicago PhD 2013), Mellon Foundation Curatorial Intern at the Smart Museum, in consultation with Anne Leonard, Smart Museum Curator and Associate Director of Academic Initiatives.

Kimberly Mims, Smart Museum curatorial intern and PhD student at the University of Chicago, in consultation with Richard A. Born, Smart Museum Senior Curator.

She is currently a Curatorial Assistant at the Margulies Collection at the Warehouse in Miami and previously worked at the University Galleries, FAU, Art and Culture Center of Hollywood and interned at Girls» Club Collection in Fort Lauderdale.

Rachel Furnari, Smart Museum curatorial intern and University of Chicago PhD candidate in Art History, in consultation with Richard A. Born, Smart Museum Senior Curator.

She has worked in the American Art Curatorial and Marketing & Communications departments at the Corcoran Gallery of Art in Washington, D.C., and previously interned at the Singapore Tyler Print Institute.

This symposium is conceived by Defne Ayas (Director, Witte de With) and Adam Kleinman (Chief Editor, WDWReview) and organized by Associate Curator Amira Gad with assistance from Renée Staal (Curatorial Intern), and is presented in collaboration with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary Art.

She has worked as an education intern at the Guggenheim Museum, New York, and a curatorial intern at the Studio Museum in Harlem and the Metropolitan Museum in the Arts of Africa department.

Shayda Amanat (SC» 14), Graham «Bud» ’55 and Mary Ellen ’56 Kilsby Curatorial / Research Intern, since Fall 2012, «Project Series 46: Hirokazu Kosaka: On the Verandah Selected Works 1969 - 1974,» «Project Series 48: Andrea Bowers: #sweetjane,» and «Portraits, Abstractions, and the In - Between: Gathering the Work of Frederick Hammersley,» Mentor: Rebecca McGrew

Prior to the ICA, she was curatorial assistant at the Harvard Art Museums; Curatorial Intensive Coordinator at Independent Curators International in New York; Graduate Curatorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of Amecuratorial assistant at the Harvard Art Museums; Curatorial Intensive Coordinator at Independent Curators International in New York; Graduate Curatorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of AmeCuratorial Intensive Coordinator at Independent Curators International in New York; Graduate Curatorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of AmeCuratorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of AmeCuratorial Research Assistant at the Whitney Museum of American Art.

Selected interns will be provided the opportunity to explore several areas of a non-profit arts organization by assisting staff members with projects in the office related to curatorial, gallery management, development, and administrative departments.

Sarah Montross, Associate Curator, and Clancy Taylor, Curatorial Intern, lead a focused gallery talk on paintings in Expanding Abstraction created from the 1980s to today.

The Curatorial Intern assists with research, planning and writing for upcoming exhibitions, assists with program development and presentation, and helps with art - related tasks in conjunction with our fall gala.

She interned at the Met during high school («the idea that you could go and see things that were hundreds of years old, that they were preserved and collected — that was fascinating to me»), and went on to intern at the Studio Museum as a sophomore while studying at Smith College («interning here at the Studio Museum gave me a sense of my place in museums»), before taking a curatorial position there after school in 1987.

Gemma, who holds a degree in Fine Art, joined Zabludowicz Collection in 2013 from David Roberts Art Foundation where she was a curatorial intern and has previously assisted schools and families workshops at Parasol Unit Foundation for Contemporary Art.

Very special thanks to: all of the artists in Queens International 2016 for their dynamic participation in this exhibition, programs, and publication; Queens Museum staff members for their unending dedication and support in various aspects of this entire project; and brave curatorial interns, engaged members of Queens Teens, as well as the devoted staff members at Immigrant Movement International.

Stacy worked on the Smithsonian Hyperbolic Crochet Coral Reef Exhibition in 2010 as a curatorial intern as well as a featured artist.