Sentences with phrase «curatorial practice at»

Bracey is currently Programme Leader of MA Fine Art and MA Contemporary Curatorial Practice at The University of Lincoln, England.
Subsequently, I did the masters program in curatorial practice at the California College of the Arts, opening up a project space before I graduated.
CALENDAR EDITORS, PLEASE NOTE: March 13 - April 18, 2015 The Graduate Program in Curatorial Practice at California College of the Arts presents the exhibition Martin Wong: Painting Is Forbidden
Words and Places: Etel Adnan is an exhibition produced by the graduating class of the Graduate Program in Curatorial Practice at California College of the Arts with the support of the Wattis Institute for Contemporary Arts.
She earned her MA in Curatorial Practice at California College of the Arts, San Francisco, and her BA in Art at University of California, Los Angeles.
CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2010 (exhibition catalogue)
San Francisco, Calif., January 19, 2016 — Void California: 1975 — 1989 — is an exhibition curated by the 2016 class of the Graduate Program in Curatorial Practice at California College of the Arts with the support of the Wattis Institute for Contemporary Arts.
NAIL (Not Always in Location) was initiated by the MA students in Curatorial Practice at CCA in September 2008.
Curated by the 2015 master's degree candidates in the Graduate Program in Curatorial Practice at California College of the Arts, Painting Is Forbidden will be on view at the Wattis Institute for Contemporary Arts from March 13 to April 18, 2015.
She is currently a fellow in Curatorial Practice at the School of Visual Arts.
Leigh worked at Serpentine Gallery, Hayward Gallery, and the Wattis Institute for Contemporary Arts; eventually becoming the Chair of the Graduate Program in Curatorial Practice at California College of the Arts, where she shaped more than a decade of cohorts of MA students in the first program of its kind on the West Coast.
The show at 1407 Fleet Street is curated by Caitlin Tucker - Melvin as a Masters Thesis in Curatorial Practice at the Maryland Institute College of Art.
Currently she resides in Melbourne, Australia were she is a PhD Candidate in Curatorial Practice at MADA.
Her MFA research in Criticism and Curatorial Practice at OCAD University investigated cultural agency and the encoding of food from diverse Indigenous perspectives, and resulted in the exhibition titled Best Before.
She is a student in the Graduate Program in Curatorial Practice at California College of the Arts in San Francisco, CA.
He is pursuing his MA in Curatorial Practice at SVA and is the assistant curator at Satellite Art Show (FL).
Even before her time in New York her career was solidified by becoming the inaugural International Curator of the Ullens Center for Contemporary Art in Beijing followed in 2002 and 2007 by becoming Chair of the Master's Program in Curatorial Practice at California College of the Arts, San Francisco, which she co-founded with Ralph Rugoff.
Organized by James Voorhies, Dean of Fine Arts and Acting Chair of the Graduate Program in Curatorial Practice at California College of the Arts, in partnership with Dena Beard, Director of The Lab.
The Curatorial Intensive: Contemporary Curatorial Practice at the Bag Factory Artists» Studios is generously funded by Arts Collaboratory through the Triangle Network, with additional support by Africalia through the Visual Arts Network of South Africa (VANSA), the South African National Lottery Distribution Trust Fund, Everard Read Gallery, Sam Nhlengethwa, and the Goethe Institute.
Kirszenbaum is a regular contributor to Flash Art, CURA, Kaleidoscope and Mousse, and has led seminars on curatorial practice at the Universite?
She is a regular contributor to Flash Art, CURA, Kaleidoscope and Mousse, among other publications, and has led seminars on curatorial practice at the Université de Paris VIII and Parsons, Paris.
CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2016
CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2011 (edited volume accompanying the exhibition God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle / ART COM)
Leigh Markopoulos (1968 - 2017) was a writer, editor, curator, arts manager, the Director of the Steven Leiber Trust, a significant collection of artist's books, ephemera, and works, and the chair of the Graduate Program in Curatorial Practice at the California College of the Arts (CCA), San Francisco since 2008.
CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2013 (edited volume accompanying the exhibition Words and Places: Etel Adnan)
Myers earned her Master of Fine Arts in Criticism and Curatorial Practice at OCAD University and continues her research as an independent curator.
Elizabeth Thomas is a curator and writer, currently working independently and as Senior Lecturer in Curatorial Practice at the California College of the Arts.
In 2000 Hoffmann was visiting professor at the department of Critical Writing and Curatorial Practice at Konstfack University College of Arts, Crafts and Design in Stockholm.
Hoffmann was guest lecturer at the Nuova Accademia di Belle Arti in Milan from 2004 to 2016 [26] and associate professor at the Graduate Program in Curatorial Practice at California College of the Arts in the San Francisco Bay Area from 2006 to 2012.
Alongside teaching in the Graduate Program in Curatorial Practice at California College of the Arts since the program's inception in 2003, he is a member (with Joanna Szupinska - Myers) of the curatorial collaboration grupa o.k., and senior editor of The Exhibitionist, a journal on exhibition making.
After completing a master's degree in curatorial practice at the California College of the Arts in San Francisco, followed by several years working in a commercial gallery, she held a series of academic residencies.
Curatorial Talk: Rosario Güiraldes of the Drawing Center Thursday, March 29, 2018, 6:30 — 8 pm Presented in conjunction with the exhibition Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros Güiraldes will be discussing her curatorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibition on view.
Tara McDowell is Associate Professor and Director of Curatorial Practice at Monash University in Melbourne, Australia.
Monash University Museum of Art (MUMA) in association with the Institute of Modern Art (IMA), Brisbane and Curatorial Practice at Monash Art Design and Architecture (MADA) are pleased to present a special illustrated lecture by visiting international artist, Céline Condorelli.
The inaugural class of the MA Curatorial Practice at the School of Visual Arts is preparing 3 weeks of amazing art in April / May in NYC!
Locks is currently on the faculty of the MA program in Curatorial Practice at the School of Visual Arts, New York.
The presentation will include a responsive Q&A session convened by Tara McDowell, recently appointed Associate Professor and Director of Curatorial Practice at Monash University.
Rejoicing in the constantly evolving landscape of today's art industry and with a considerable knack for finding the gems, Bray maintains her curatorial practice at Mercer Contemporary while contributing regularly to several publications, including this one.
Full Disclosure: Leigh Markopoulos is the chair of the graduate program in curatorial practice at the California College of the Arts.
From 2002 to 2007, Fowle was chair of the Master's Program in Curatorial Practice at California College of the Arts in San Francisco, which she co-founded in 2001.
She regularly contributes for «Kaleidoscope», «L'Officiel», and «Voxpop», and has recently led seminars on curatorial practices at Université Paris VIII and Parsons Paris.

Not exact matches

Artsy featured CCA's Graduate Program in Curatorial Practice as one of the «15 Leading Art History and Curatorial Master's Programs in the U.S.» alongside programs at Columbia University, University of Pennsylvania, Williams College and more.
10/3/2013 — Celebrated American sculptor Robert Gober discusses the work of Forrest Bess and curatorial practice with Elisabeth Sussman, curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art.
Her practice also has included curatorial projects with Pratt Center for Community Development and Bedford - Stuyvesant Restoration Corporation, and at the Ice Box Gallery in Philadelphia.
2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany
Every year, the graduating curatorial practice students at California College of the Arts organize a culminating thesis exhibition of their own choosing.
The new series of discussions with curators at the New York at fair held in March is envisioned as a «unique opportunity to facilitate dialogue among international thought leaders in the curatorial profession» and further develop the Armory Show's «role as an incubator for new ideas and practices among the world's top curators.»
Danni Shen is the Curatorial Associate at Empty Gallery, a black - cube space dedicated to time - based, non-object-oriented, interdisciplinary practices as well as Asian diasporic artists and communities, physically located in Hong Kong.
This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.
Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial practice as well as an informed understanding of public galleries and the contemporary visual arts.
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