Sentences with phrase «curatorial practice focuses»

CCA's Graduate Program in Curatorial Practice focuses on the strategic and analytic skills required in making effective exhibitions, stimulating public programs, and meaningful written texts.

This 3 — day Intensive, for 15 applicants selected by ICI and MPC, offers a forum on curatorial practice focused on contemporary art and geared toward the emerging professional curator.

Not exact matches

A key focus of her curatorial practice is the exploration of the relationship between visual art and performance.

The culmination and continuation of extensive curatorial research across India, Indian Highway features nearly thirty individuals and collectives whose creative practices span a wide range of media — incorporating sculpture, video, installation, painting, and performance — and subject matter are focused around the situation of modern India.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practicepractice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial PracticePractice (CURP).

Judd Foundation and The Center for Curatorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialCuratorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialcuratorial practice.

Matthias Borello is a Danish critic and independent curator focused on art practices, exhibition formats and curatorial strategies within social practices.

The Judd / CCS Bard partnership will begin in Fall 2014, and continue through the Spring of 2015, with a series of public events and discussions focusing on the legacy of Donald Judd's work and particularly the importance of writing in relationship to art and curatorial practice.

The library contains over 25,000 volumes focusing on post-1960s contemporary art and curatorial practices.

The Library contains over 30,000 volumes focusing on post-1960s contemporary art and curatorial practices.

The second - year practicum runs over two semesters and develops a focused engagement with the conceptual and methodological foundations of students» thesis work, as well as the role of mediation and public programming in curatorial practice.

With a focus on research, project - based learning and collaboration, NLE Lab is designed to deepen an understanding of the development of a curatorial practice that is centered on responding to a specific context in a distinctly urban setting.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

Meg also maintains a curatorial practice, formerly as Exhibitions and Programming Director at Weinberg / Newton Gallery (Chicago, IL) where she curated exhibitions focused on issues of social justice in partnership with organizations.

Her curatorial vision and creative practice are focused on themes of community, creativity, awareness, process, empowerment and documentation.

Edwards» 5 - week internship followed his participation in Hampshire College's Institute for Curatorial Practice, an intensive summer program focused on curatorial issues and the development of digital exCuratorial Practice, an intensive summer program focused on curatorial issues and the development of digital excuratorial issues and the development of digital exhibitions.

[2] The Library consists of over 30,000 volumes focusing on post-1960s contemporary art and curatorial practices.

With a focus upon artistic and curatorial practices from the 1960's to the present day, the expansion creates a unique platform for research, exhibition preparation, and teaching.

Jeanne Brasile's curatorial practice is focused on working with emerging and mid-career artists in non-profit venues.

After studying industrial design with Irene Aragão at the Pontifícia Universidade Católica do Rio de Janeiro in Brazil, he continued his studies at Brown, focusing on learning curatorial practice with Mark Tribe and creative / spatial dynamics with Ian Gonsher.

The Library and Archives at the Center for Curatorial Studies serve as a vital and unique research center, an exhibition and discursive space, a classroom, and a social hub for a range of programs and activities focusing on and engaging with curatorial practices and the contempoCuratorial Studies serve as a vital and unique research center, an exhibition and discursive space, a classroom, and a social hub for a range of programs and activities focusing on and engaging with curatorial practices and the contempocuratorial practices and the contemporary arts.

Its focus on artistic programmes will enable different actors to expand on present - day research interests, modes of production and display, and how these curatorial practices can shape the institution that generates them.

As a curatorial practice, Cherry & Lucic focuses on exhibiting mid-career and established artists in a space that is resonant with the physical and economic precocity common to artistic practices.

Proposals for exhibitions and associated public programme should address the overall theme of COLLECTIVE MAKING and we particularly encourage proposals that bring focus and explore collaborative artistic and curatorial practice within the region of Africa and Middle East.

An independent curator currently based in Beirut, Amanda has focused her curatorial projects on socially engaged practices and exhibitions that critically address modes of production and exhibition in the art world today.

With an unconventional curatorial approach, EMPTY GALLERY (18 / F & 19 / F, Grand Marine Center, 3 Yue Fung Street, Tin Wan, Aberdeen) presents exhibitions by emerging and established artists that focus on ephemeral, time - based and non-object-oriented practices.

Alexandra Picard Originally from France, Picard is a practicing artist whose work and curatorial projects focus on the integration of art and life through structural works that convey a sense of journey, perception and discovery.

Saisha Grayson received an MA in Contemporary Art & Curatorial Studies from Columbia University and is currently a PhD student at the Graduate Center, CUNY where she focuses on contemporary art, feminist theory and museum practices, with a dash of medieval and film studies thrown in.

This program, focusing on regional networks, brings together emerging curators from across the American South and around the world for the opportunity to exchange ideas, develop their curatorial practice, and explore Prospect.3: Notes for Now, the international biennial curated by Franklin Sirmans.

His research focuses on the history of exhibition making, curatorial practices and the formation of the Indonesian contemporary art world.

surcontexto is a contemporary art platform based in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and experience of curatorial and artistic practices today with its focus on South and Latin American art and culture.

Her research interests and curatorial practice are focused on minor historical narratives that question hegemonic forms of knowledge, especially non-postmodern critiques of modernity.

He recently received an M.A. in the History of Art and Architecture at Boston University, where he focused on experimental exhibition design and curatorial practices.

His curatorial interests are focused on theories and practices of decolonization and he prefers to work in unorthodox spaces.

Projects supported by The Kindling Fund may include (but are not limited to): public art projects, intervention or site specific installations, one time events or performances, the publication of writing directly related to the visual arts including printed matter and online publications, online projects, artist residencies, series of screenings, curatorial projects that focus on unconventional artistic practice, lecture or workshop series, multimedia, video and photo projects, or unconventional exhibitions.

Projects supported by The Kindling Fund have included: curatorial projects that focus on unconventional artistic practice; public art projects, intervention or site specific installations; the publication of writing directly related to the visual arts; and the creation of artist residencies and unconventional exhibitions.

A discussion with Alessio Antoniolli (Director of Gasworks), Tanya Barson (Curator of International Art at Tate Modern) & Kiki Mazzucchelli (independent curator and writer) focuses on how Latin American art is represented through art institutional and curatorial practices, addressing the possibilities and limitations of international visibility.

The new combined facility of the Govett - Brewster and Len Lye Centre will offer a unique and independent curatorial voice given its dual focus on both contemporary international art practice, and the Len Lye Collection and Archive as a significant Modernist single - artist collection.

Focusing on new models for curating and exhibition development, ICI's annual summer Curatorial Intensive offers curators the opportunity to meet colleagues from around the world and share ideas on how to push the parameters of their practice.

Currently, Bridget's research focuses on the status of the image in contemporary culture in a twofold manner — exploring the spaces for the projection of images and our interface with images through curatorial projects such as The Cinemas Project (2011 - 14, and ongoing), which explores the spectral spaces of cinema in regional Australia; and through a growing body of writing and research that seeks to understand the changing technologies of the image, and the convergences of the body and image in relation to political philosophy as well as art practice.

At that time, many artists in the United States also were focusing on developing curatorial practices.

In this event Courtney J Martin focuses their conversation discussion on Himid's curatorial practice and her

The panel will focus on the curatorial premise of the exhibition as it relates to the individual practices of the artists.

Her research and curatorial practices interests are focused in small historical narratives that question the hegemonic shapes of knowledge.

Showcasing three different practices of curating and making art online the focus is on what stories we tell, what objects are displayed and how they are performed through curatorial and artistic practices and strategies online.

She has been focusing her curatorial projects on socially engaged practices and exhibitions that critically address modes of production and exhibition in the art world today.