Sentences with phrase «curatorial projects at»

He became Director of Special Curatorial Projects at the University of Virginia Art Museum (now the Fralin Museum of Art) in 2004, and was appointed Curator of Modern Art in 2008.

Drawing on his decades - long association with Jimmie Durham as well as his recent curatorial projects at the Smithsonian's National Museum of the American Indian, Paul Chaat Smith explores the contradiction at the heart of the American national project.

She has organized or co-organized curatorial projects at venues including the Hessel Museum at the Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; Künstlerhaus Schloss Balmoral, Bad Ems, Germany; The Kitchen, New York; and Abrons Arts Center, New York.

Kostova is the co-founder of Bulgarian Artists in America, Director of Curatorial Projects at Radiator Gallery in New York, and a board member of the international exchange program CEC ArtsLink.

An expert in Latin American art, Viso oversaw curatorial projects at the Walker that included surveys of the Argentine painter Guillermo Kuitca and American sculptor Jim Hodges, special projects with the Guerrilla Girls, and initiatives around the Walker's 75th anniversary in 2015, which brought nearly 250 new art works donated by more than 120 donors to the Walker's collections.

Daniela Kostova, Exhibition Director of Bulgarian Artists in America (BAA) and Director of Curatorial Projects at Radiator Gallery

The subject of critical reviews in the New Yorker, The New York Times, and other publications, Collier has also worked on curatorial projects at non-profit institutions, such as the New Langton Arts Center in San Francisco.

Her curatorial projects at the AGO have included At Work (2010); Sarah Anne Johnson: House on Fire (2009), All Together Now: Recent Toronto Art (2008), Luis Jacob: Habitat (2005 — 2006), Jennifer Steinkamp: Loom (2005), and Present Tense: Kori Newkirk (2005).

Selected exhibitions include: «UK / raine» at Saatchi Gallery (2015), «Whispers» curatorial project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries (2012).

Here's a peek at my curatorial project at the Roger Smith Hotel - Status Update by Katya Grokhovksy.

Apply to present a solo exhibition or curatorial project at CUE.

A Gathering, Farnell's sixth curatorial project at GSU, is evidence that such straightforward conceptual parameters for an exhibition can yield penetrating results.

Not exact matches

Hackett's curatorial projects during her tenure at the AGO include Barbara Kruger: Untitled (It)(2010); Songs of the Future: Canadian Industrial Photographs, 1858 to Today (2011); Max Dean: Album, A Public Project (2012); What It Means To be Seen: Photography and Queer Visibility and Fan the Flames: Queer Positions in Photography (2014); Introducing Suzy Lake (2014); and Outsiders: American Photography and Film, 1950s — 1980s (2016).

Recent curatorial projects include the retrospective exhibition Jack Tworkov: Against Extremes / Five Decades of Painting (2009); Jack Tworkov: Accident of Choice, the artist at Black Mountain College (2011).

His upcoming curatorial project, Eight Painters opens at Kathryn Markel Fine Arts, Chelsea, on January 4, 2014.

At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.

Tony Greene Movie (2014 — 16) similarly explores the blurry work - play balance of artistic labor via a visit to New York by Neff's boyfriend that coincides with the planning and execution of Neff's curatorial project focused on the painter Tony Greene at a Chicago gallery.

I am Yours is a new project by Bernd Krauss, the fall 2008 artist - in - residence at the Center for Curatorial Studies.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Her practice also has included curatorial projects with Pratt Center for Community Development and Bedford - Stuyvesant Restoration Corporation, and at the Ice Box Gallery in Philadelphia.

To further deepen the project, Brischler has chosen to utilize the second gallery at Gavlak Palm Beach as a curatorial space.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

Her collaborative projects include: «Second to None» (2005) at Iziko South African National Gallery, «Olvida quen soy / Erase me from who I am» (2005) at CAAM, Canary Islands, Las Palmas, «Titled / Untitled» (2008), a curatorial collaboration with Cape Town — based collective Gugulective, and «Scratching the Surface Vol.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

Previous curatorial projects include Forget About the Sweetbreads at James Fuentes with Joanne Greenbaum (2013), Snail Salon at Regina Rex (2013), If you throw a spider out the window, does it break?

Anca Rujoiu, is a Romanian curator based in London, where she currently coordinates the public programme of the School of Fine Art at the Royal College of Art and (UK) is part of the curatorial project FormContent.

She has been a participant in Ecole du Magain's International Curatorial Program and an editor of the «Harald Seemann Individual Methodology» project; resident artist of the Hyde Park Art Center's Center Program; Resident Artist at ACRE; Artist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar Intensive.

HOW TO SIGN UP: Please contact our pUN curatorial project consultant Carolina Guillermet at [email protected].

Ann Butler is the Director of the Library and Archives at the Center for Curatorial Studies at Bard College and the Project Director for Arts Spaces Archives Project (as-ap.org).

In her new role at the Hammer, Hodge will provide management and guidance to the curatorial department, including assuming oversight of projects and administrative responsibility for the department's staff and budget.

Similarly nomadic, artists and curatorial duo Kieran Leach and Precious Innes, working under the moniker Show.me.up, have taken up residence in the Paradise Works project space with their first exhibition «Tipping the Scales», which looks at work - life balance, and how for artists the two often overlap and become inseparable.

The specific mission and environment differ at each venue, highlighting curatorial nodes of the overall exhibition project: strategies of display via an encyclopedic museum (LACMA), pedagogy — or methods of teaching — through a school (Charles White Elementary School), and artist research at an artist residency complex (18th Street Arts Center).

For the past five years she has worked at David Zwirner gallery while also taking on independent curatorial projects.

Recent curatorial projects include the 2016 exhibition Amanda Curreri: The Calmest of Us Would Be Lunatics, which was also presented at the Oakland Museum of California, during Open Engagement 2016 — POWER.

ANDREW BLACKLEY: The following interview is being conducted with Lia Gangitano, on behalf of Art Spaces Archives Project (AS - AP), a project of the Center for Curatorial Studies at Bard CProject (AS - AP), a project of the Center for Curatorial Studies at Bard Cproject of the Center for Curatorial Studies at Bard College.

Mejico just finished a summer - long fellowship at Oxbow, and will begin a curatorial project with AIR Gallery in New York, set to premiere in 2019.

The panel will be moderated by Ann Butler, Project Director of AS - AP, and Director of the Library and Archives at the Center for Curatorial Studies at Bard College.

As part of his 2012 graduate project at Bard College's Center for Curatorial Studies, Duane Linklater, a Cree artist from Northern Ontario, did a beautiful thing: He planted blueberry bushes on the center's wide lawn.

Shahar Marcus will be featuring his work at the group exhibition «conTENporary words of art», a curatorial project that includes a video review of Italian and international artists housed in the space of Sala Santa Rita.

Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies at Bard College, Annandale - on - Hudson The Library of Babel / In and Out of Place (curated by Anna - Catharina Gebbers), Zabludowicz Art Projects, London

Job Piston, Special Projects Manager, job (at) performa-arts.org Sarah Haimes, Individual Giving Manager, sarah (at) performa-arts.org Marc Arthur, Contributing Editor, Performa Magazine, marc (at) performa-arts.org Lydia Brawner, Andrew W. Mellon Curatorial Fellow; Contributing Editor, Performa Magazine, lydia (at) performa-arts.org Maggie Chan, Assistant to the Founding Director & Chief Curator, maggie (at) performa - arts.

McDowell has held curatorial appointments at the CCA Wattis Institute for Contemporary Arts, San Francisco, the San Francisco Museum of Modern Art, and the Massachusetts Museum of Contemporary Art, where she mounted many solo and group exhibitions, including projects on Minimalism, Fluxus, assemblage, and avant - garde cinema.

Proposal must show history of at least 3 prior curatorial projects successfully presented to a public audience.

Each year, a panel of established artists and curators select two solo exhibitions and one curatorial project to be realized at CUE.

She curated the exhibitions In Place Of (2016) and Conspicuous Unusable (2013) at Miguel Abreu Gallery, and a curatorial project derived from her dissertation research will open at Columbia's Miriam and Ira D. Wallach Art Gallery in 2017.

The Center for Curatorial Studies at Bard College is the third venue to host Matthew Higgs's (Curator and Director of White Columns) bulletin board project.

He will discuss the connection between art and psychedelic imagery, concepts and practices in relation to his recent curatorial projects B / W Sensorium, as part of Dexter Bang Sinister at Charlottenborg Exhibition Hall, Copenhagen (2012), and Reflections from Damaged Life, Raven Row, London (2013).