Sentences with phrase «curatorial studies department»

Marco Scotini is Artistic Director of the FM Center for Contemporary Art and Head of the Visual Arts and Curatorial Studies Department at NABA, both in Milan.

Since 2013 she is a guest lecturer at the Art Theory and Curatorial Studies Department at the Hungarian University of Fine Arts.

Not exact matches

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museum shop.

At the School of the Art Institute of Chicago he served as a Curatorial Assistant in the Department of Exhibitions and Exhibition Studies.

Now she is included in the Whitney Biennial (her second) in a year that also sees her acclaimed survey «Amy Sillman: One Lump or Two» touring in May to Bard College's Center for Curatorial Studies, where she is the co-chair of the influential paintings department (and where she herself earned her MFA in 1995).

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

This talk is given as part of the lecture series: The Visitor Talks — We are the Center for Curatorial Studies: The Department of Events (The Discursive Core)

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

Cooke has taught at the Center for Curatorial Studies, Bard College, and has been a visiting lecturer in the graduate fine art departments of Yale University, Columbia University, and many other schools.

She teaches in the Fine Art Department at Columbia University, is a member of the Graduate Committee at the Center for Curatorial Studies at Bard College, and is involved in the Whitney's Independent Study Program.

These Departments intersect with one another to make up the content and structure of We are the Center for Curatorial Studies.

She is Adjunct Professor in the Fine Art Department at Columbia University, and a faculty member of the Center for Curatorial Studies at Bard College.

By 2021, the college's Curatorial Studies concentration within the Department of Art and Art History will be a reality.

Beginning April 1, 2017, applications will be accepted for the Spelman College Curatorial Studies Program, a collaboration between the Spelman College Museum of Fine Art and the Department of Art & Art History.

After graduating from Queens College in 1970 with a degree in art history and spending two years in graduate school at Johns Hopkins studying African art, Sims got a job at the Met, first in the education department and then in the curatorial department for 20th - century art.

The exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at the University of British Columbia, and Satellite Gallery.

As part of the curriculum, graduate students curate exhibitions and programs in collaboration with the Belkin and local galleries, with support from the Killy Foundation and the Audain Endowment for Curatorial Studies through the UBC Department of Art History, Visual Art and Theory.

No Windows, on view at Satellite Gallery from November 27, 2010 to January 23, 2011, is the result of a unique collaboration between the departments of Anthropology, Art History and Curatorial Studies at the University of British Columbia, as graduate students in each of these programs have joined forces to curate this new and exciting exhibition.

The Belkin Satellite is pleased to present Risk: Playing the Game, an exhibition curated by Katie Spicer, a Master's Candidate in Critical Curatorial Studies at UBC, and organized by a team of graduate students from all branches of UBC's Department of Art History, Visual Art and Theory.

This exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation, and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at the University of British Columbia, and Satellite Gallery.

This exhibition is curated by Critical and Curatorial Studies Master of Arts candidate, Matthew Hills, with support from the Morris and Helen Belkin Art Gallery, the Alvin Balkind Fund for Curatorial Initiatives, and the Department of Art History, Visual Art, and Theory at UBC.

Pinar Üner Yilmaz is a PhD candidate at the University of Illinois at Chicago (UIC) in the Art History Department, where her area of concentration is contemporary art with a particular interest in cross-cultural curatorial studies and Istanbul Biennials.

This was a common refrain among the museums profiled in the case studies; when an education and curatorial department achieve a healthy collaboration, staff consider it remarkable.

Currently Adjunct Curator at the Bronx Museum of Fine Arts, Yasmin Ramirez has also collaborated on curatorial projects with El Museo Del Barrio, The Loisaida Center, The Caribbean Culture Center, The Studio Museum in Harlem, Franklin Furnace, The Center for Puerto Rican Studies at Hunter College, NYU Department of Social and Cultural Analysis, and Taller Boricua.

Mentor artists are selected by a four - member jury, composed of two members of the art department — Dadi and assistant professor Carl Ostendarp — and two external curators and art educators — Tom Eccles, executive director of Bard College's Center for Curatorial Studies, and Yasmil Raymond, curator of the Dia Art Foundation.

In Fall 2015, Simon Leung and Sébastien Pluot conducted a graduate seminar under the auspices of the Art Department at the University of California, Irvine, that included graduate students in art and curatorial studies, as well as guest scholars such as Eric Golo Stone, Jennifer King, Tom Jimmerson, and Sami Siegelbaum.

Thursday, February 15 6:30 - 8:30 PM Roundtable discussion with community organizers and activists Roundtable Panelists: Mieko Gavia, independent writer Monica Mohapatra, board member of South Asian Diaspora Artist Collective Mark Tseng - Putterman, writer and PhD student, Brown University Department of American Studies Ambika Trasi, artist, board member of South Asian Women's Creative Collective, curatorial assistant at the Whitney Museum of American Art Betty Yu, multi-media artist, educator and co-founder of Chinatown Art Brigade

This exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation, Government of the Northwest Territories, and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at The University of British Columbia, and Satellite Gallery.

This exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at The University of British Columbia, and Satellite Gallery.

Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.

This exhibition was made possible through the support of the Michael O'Brian Family Foundation, the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at The University of British Columbia.

Prior to joining the Department of Photography at MoMA, Gallun was the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art (ICA) in Philadelphia, and she was a Helena Rubinstein Curatorial Fellow at the Whitney Museum Independent Study Program (ISP).

He completed a Masters of Visual Studies at the University of Toronto in 2012, and is currently an Assistant Professor in the Department of Art, Critical and Curatorial Studies Program at OCAD University.