Sentences with phrase «curatorial studies exhibitions»

CCS BARD ANNOUNCES 2007 SPRING EXHIBITION SERIES — CURATED BY MASTER»S DEGREE CANDIDATES AT BARD COLLEGE»S CENTER FOR CURATORIAL STUDIES Exhibitions open on March 11, April 15, and May 13 ANNANDALE - ON - HUDSON, N.Y. — This spring CCS Bard presents a series of twelve exhibitions at... read more →

Group exhibitions include: Space 1026 Gallery Show, The Institute for Contemporary Art, Philadelphia, Pennsylvania; Play's The Thing, The Whitney ISP Curatorial Studies Exhibition, New York; The Sunshine Show, Alleged Galleries, New York; Fashion Takes Action, New York; God Bless America, Alleged Galleries, New York; Art In Bloom, The New Orleans Museum of Art, New Orleans, Los Angeles; Elevated, The Lincoln Center, New York (1996).

Not exact matches

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museum shop.

Student curated exhibitions at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; Mitzi and Warren Eisenberg; and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

The Center for Curatorial Studies at Bard College will present the first of this spring's series of thesis exhibitions.

Two exhibitions opening on Saturday, June 24, at the conjoined Center for Curatorial Studies and Hessel Museum at Bard College in Annandale - on - Hudson, N.Y., promise unfamiliar artists and revisionist viewpoints.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

For the three - paneled form of the Bulletin Board at the Center for Curatorial Studies at Bard College, Los Angeles - based artist Scott Benzel conceptualized a site - specific triptych for the atypical, yet mundane, exhibition space.

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

A series of exhibitions curated by graduate students during their second - year of study in curatorial studies and contemporary culture.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

CCS Bard student - curated exhibitions are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund, Mitzi and Warren Eisenberg, and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

The Center for Curatorial Studies at Bard College will present the second of this spring's series of thesis exhibitions.

In addition to the thesis exhibitions, Amada Cruz, director of the Center for Curatorial Studies Museum, has curated an exhibition of works from the Center's permanent collection.

Archives: The CCS Bard Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art, including full documentation of exhibition and programming history.

Three exhibitions - Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e - of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.

Five exhibitions curated by second - year students in the graduate program in curatorial studies and contemporary art.

Three exhibitions — Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e — of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.

Two exhibitions curated by first - year graduate students at the Center for Curatorial Studies.

is vital reading for arts professionals, art and curatorial studies students, art historians, practicing artists, and anyone curious about exhibition - making today.

Luhring Augustine is pleased to announce Painting in Space, a major summer group exhibition to support the Next Decade Campaign of the Center for Curatorial Studies at Bard College (CCS Bard).

Call For Proposals, Journal Of Curatorial Studies: original research articles on the subject of curating, exhibitions and display culture.

She holds an MA from the Center for Curatorial Studies at Bard College (2002) and was awarded a Philadelphia Exhibitions Initiative Fellowship at Arcadia University Art Gallery (2003).

At the School of the Art Institute of Chicago he served as a Curatorial Assistant in the Department of Exhibitions and Exhibition Studies.

CCS Bard is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the present day.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

There she founded the first graduate level curatorial studies program in Latin America; RIM, a residency program for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.

Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum of Art, Center for Curatorial Studies, Bard College, «Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «Other Scenes», Los Angeles CA

The works of the artist Marisa Olson exhibited in Noise Pollution, a Master's thesis exhibition at the Center for Curatorial Studies, Bard College curated by Gene McHugh, investigate the material / environmental consequence of electronic media culture.

It is part of the Exhibition Histories research and publication project, developed by Afterall and published in association with the Center for Curatorial Studies, Bard College.

Feinstein's work has been included in exhibitions at the Jersey City Museum, the University of Texas at Austin's Blanton Museum of Art, the Brooklyn Museum of Art, and the Bard Center for Curatorial Studies Museum.

Ronay has also been in notable group exhibitions at the Astrup Fearnley Museum for Modern Art, Oslo; ARoS Aarhus Kunstmuseum, Århus, Denmark; Center for Curatorial Studies, Bard College, Annandale - on - Hudson, New York; Serpentine Gallery, London, England and the 2004 Whitney Biennial, New York.

In 2001, with my exhibition at the Bard Center for Curatorial Studies, I felt for the first time successful at incorporating architecture into my art.

Since the early 1990s, Roberts has exhibited internationally, including group exhibitions at Artists Space, New York; Helsinki Kunsthalle and the Museum of Contemporary Art, Helsinki, Finland; The Museum of Modern Art, Oxford, England; P.S. 1, Long Island City, NY; Bard College Center for Curatorial Studies, Annandale - on - Hudson, NY; and Bildmuseet Umeå, Umeå, Sweden.

Although 14 years separated The Avant - Garde in Exhibition (1994) and Salon to Biennial — Exhibitions That Made Art History: 1863 - 1959 (2008), Altshuler's concise and unambiguous style saw the former elevated to the status of a classic (a staple of emerging curatorial studies syllabi worldwide) and the later garlanded with rave reviews.

The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.

The observation is aptly quoted in the doorstop of a catalog for «Tony Oursler: The Imponderable Archive,» a fascinating and amusing exhibition at the Hessel Museum of Art at the Bard Center for Curatorial Studies.

Student - curated exhibitions and projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prCuratorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prCuratorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prcuratorial practices from the 1960s to the present day.

Curated by ten graduate students at the Center for Curatorial Studies at Bard College, unique yet overlapping exhibition segments become notes, commentaries and illuminations spatially written into the margins of the institution's history.

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

The whole is not the whole is not the whole, is an exhibition structured in three interrelated parts, each organized by first - year students of the Center for Curatorial Studies, Bard College (CCS Bard).

Burns and Lundh's writing has appeared in periodicals such as Art - Agenda, Art Papers, Fillip, Journal for Curatorial Studies, Kaleidoscope, Mousse, Reviews in Cultural Theory, as well as exhibition catalogues and books.

We are using We are the Center for Curatorial Studies as a way to reflect upon the Center for Curatorial Studies, Bard College (CCS Bard), whilst building it in exhibition form.

«Tales of Places», exhibition essay, Zeljka Himbele, The Center for Curatorial Studies, Bard College, NY

We are delighted you will take part in the exhibition project We are the Center for Curatorial Studies, as one of our invited artists.

The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, she is currently at work on an exhibition inspired by the American painter and film critic Manny Farber and his 1962 essay «White Elephant vs. Termite Art.»

We spoke with the Ohio Committee's collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process.