Sentences with phrase «curatorial studies museum»

Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, New York

«Compliments,» Ernest Rubenstein Gallery, The Educational Alliance, New York, NY, January 7 — February 4, 1999 «Collectors Collect Contemporary: 1990 — 99,» Institute of Contemporary Art, Boston, MA, March 31 — May 28, 1999; catalogue «Con (text): Words, Texts, and Meaning in the Permanent Collection,» The Bronx Museum of the Arts, Bronx, NY, April 7 — September 5, 1999 «The Ecstatic,» Trans Hudson Gallery, New York, NY, September 2 — 18, 1999 «Calendar 2000,» Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY, September 26 — December 17, 1999 «Drawing in the Present Tense,» Arnold and Sheila Aronson Gallery, Parsons School of Design, New York, NY, October 13 — December 3, 1999; traveled to: Julian Akus Gallery, Eastern Connecticut State University, Willimantic, CT, January 7 — February 27, 2000; catalogue «The American Century: Art and Culture 1900 - 2000,» Whitney Museum of American Art, New York, NY, 1999; catalogue «Other Narratives: Fifteen Years,» Contemporary Arts Museum Houston, Houston, TX, 1999; catalogue «Contemporary Narratives in American Prints,» Whitney Museum of American Art at Champion, Stamford, CT, 1999 «Crosscurrents: New Art from MoMA,» Hara Museum of Contemporary Art, Tokyo, Japan, 1999; catalogue «Negotiating Small Truths, The Jack S Blanton Museum of Art,» University of Texas at Austin, TX, 1999 «Life Cycles,» Galerie fur Zeitgenossische Kunst, Leipzig, Germany, 1999 «Kara Walker / Glenn Ligon,» Brent Sikkema Gallery, New York, NY, 1999 «Spaced Out,» California College of Arts and Crafts, Oakland, CA, 1999

«American Art on Paper from the 1960s to Present: Selections from the Permanent Collection,» Mildred Lane Kemper Art Museum (formerly the Washington University Gallery of Art), Washington University, St Louis, MO, January 23 — April 18, 2004 «neoqueer: new visual art by lesbian, gay, bisexual and transgender artists,» Center on Contemporary Art (COCA), Seattle, WA, February 7 — March 20, 2004 «Super-Sized: The Big Print Show,» Greg Kucera Gallery, Seattle, WA, May 12 — June 12, 2004 «Remembering,» Sweeney Art Gallery, University of California, Riverside, CA, October 1 — December 11, 2004 «Experiments with Truth,» guest curator Mark Nash, The Fabric Workshop and Museum, Philadelphia, PA, December 3 — March 12, 2005 «Love / Hate: From Magritte to Cattelan: Masterpieces from the Museum of Contemporary Art, Chicago,» curated by Francesco Bonami, Villa Manin Centro d'Arte Contemporanea, Codroipo (Udine), Italy, 2004 «Great White,» curated by Joanna Montoya, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY, 2004 «Open House,» Brooklyn Museum of Art, Brooklyn, NY, 2004 «Singular Forms (Sometimes Repeated),» curated by Nancy Spector, Solomon R Guggenheim Museum, New York, NY, 2004 «Robert Colescott & Glenn Ligon from the Logan Collection,» curated by Shannen Hill, Victoria H Myhren Gallery, University of Denver, Denver, CO, 2004

Before that she was executive director of Artadia: The Fund for Art and Dialogue, a New York - based nonprofit, and oversaw the Center for Curatorial Studies Museum at Bard College from 1998 to 2003.

Making History, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, New York, NY The Perfect Life, Artifice in L.A. 1999, Duke University Museum of Art, Durham, NC (exh.

a / drift: Scenes from the Penetrable Culture, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, New York, NY (exh.

Bard College — Center for Curatorial Studies Museum An MA thesis exhibition curated by Elisabeth Zechella, Annandale - on - Hudson, New York, USA

Feher has had domestic and international exhibitions at ACME., Los Angeles, CA; Addison Gallery of American Art, Phillips Academy, Andover, MA; Akron Art Museum, Akron, OH; Anthony Meier Fine Arts, San Francisco, CA; Arthouse at the Jones Center, Austin, TX; ArtPace, San Antonio, TX; Blaffer Art Museum at the University of Houston, Houston, TX; Boesky and Callery Fine Arts, New York, NY; Bronx Museum, New York, NY; Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY; Cheryl Numark Gallery, Washington, D. C.; The Chinati Foundation, Marfa, TX; Contemporary Arts Center, New Orleans, LA; D'Amelio Terras, New York, NY; DeCordova Sculpture Park and Museum, Lincoln, MA; Des Moines Art Center, Des Moines, IA; Diverse Works, Houston, TX; Foundación La Caixa, Lleida, Spain; The Gramercy International, New York, NY; Hiram Butler Gallery, Houston, TX; Indianapolis Museum of Art, Indianapolis, IN; James Harris Gallery, Seattle, WA; Lora Reynolds Gallery, Austin, TX; The Lumber Room, Portland, OR; Mercer Union, Toronto, Ontario, Canada; New Museum of Contemporary Art, New York, NY; Numark Gallery, Washington, D.C.; Pace Gallery, New York, NY; Pace Wildenstein, New York, NY; Richard Anderson Fine Arts, New York, NY; Richard Telles Fine Art, Los Angeles, CA; Storefront for Art and Architecture, New York, NY; UCLA Hammer Museum, Los Angeles, CA; Ulrich Museum of Art, Wichita State University, Wichita, KS; University of California Berkeley Art Museum, Berkeley, CA; Utah Museum of Fine Arts, Salt Lake City, UT; Wesleyan University, Middletown, CT; Wooster Gardens, New York, NY; and Worcester Art Museum, Worcester, MA.

«SLIP» Bard College — Center for Curatorial Studies Museum, Annandale - on - Hudson, New York, USA An MA thesis exhibition curated by Elisabeth Fisher With Eija - Lisa Ahtila, and Lansley & Bendon

Albright - Knox Art Gallery, Buffalo, New York, USA Art Institute of Chicago, Chicago, USA Bard College, Centre for Curatorial Studies Museum, New York, USA Centre Pompidou, Paris, France Collecià ² n Helga de Alvear, Madrid, Spain De La Cruz Collection, Miami, Florida, USA De Pont Museum Collection, Tilburg, Netherlands Deutsche Bank Art Collection, Frankfurt, Germany Goetz Collection, Munich, Germany Government Art Collection, London, UK Guggenheim Museum, New York, USA Hirshhorn Museum and Sculpture Garden, Smithsonian, Washington, USA Irish Museum of Modern Art, Dublin, Ireland Linda Pace Foundation Collection, San Antonio, Texas, USA Louis Vuitton Foundation, Paris, France LUMA Foundation, Arles, France Margulies Collection, Miami, Florida, USA Milwaukee Art Museum, Wisconsin, USA Moderna Museet, Stockholm, Sweden Musac, (Castile and León Museum of Contemporary Art) León, Spain Museum of Contemporary Art Kiasma, Helsinki, Finland Museum of Modern Art, New York, USA Museum Brandhorst, Munich, Germany National Museum of Art, Architecture & Design, Oslo, Norway Stoschek Collection, Dusseldorf, Germany Tate Modern, London, UK Towner Eastborune and The Whitworth, United Kingdom (Moving Image Art Fund) The Wonderful Fund Collection, UK The Zeitz Foundation Collection Germany Wemhöner Collection, Herford, Germany

Works on Paper, Barry Whistler Gallery, Dallas, Texas Serial Imagery, Barry Whistler Gallery, Dallas, Texas Landscape: The Pastoral to the Urban, The Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, New York American Images: The SBC Collection of Twentieth - Century American Art, The Museum of Fine Arts, Houston, Texas; The Austin Museum of Art, Austin, Texas

2006 Thesis Exhibitions Series Three Center for Curatorial Studies Museum at Bard College May 7 through May 21

2006 Thesis Exhibitions Series Two Center for Curatorial Studies Museum at Bard College April 9 through April 23

The exhibition was organized by the Center for Curatorial Studies Museum and was made possible through support from the Martin & Toni Sosnoff Foundation.

The Center for Curatorial Studies Museum at Bard College has been named as one of 29 museums in the United States and abroad to receive gifts of contemporary artwork from the well - known collection of Peter and Eileen Norton.

Curated by Center for Curatorial Studies Museum director Amada Cruz, the exhibition features drawings, photographs, and sculptures by Glasgow - based Shrigley.

The installation to which Feher refers in the anecdote above was reconfigured for UCLA's Hammer Museum following its run at Bard College's Center for Curatorial Studies Museum in upstate New York last year.

Feinstein's work has been included in exhibitions at the Jersey City Museum, the University of Texas at Austin's Blanton Museum of Art, the Brooklyn Museum of Art, and the Bard Center for Curatorial Studies Museum.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

UCLA Hammer Museum, Los Angeles; The Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY

In addition to the thesis exhibitions, Amada Cruz, director of the Center for Curatorial Studies Museum, has curated an exhibition of works from the Center's permanent collection.

Not exact matches

Dave, a curatorial assistant, arrived to study the rare remains for the Natural History Museum of Los Angeles County.

At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museumMuseum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museummuseum shop.

Two exhibitions opening on Saturday, June 24, at the conjoined Center for Curatorial Studies and Hessel Museum at Bard College in Annandale - on - Hudson, N.Y., promise unfamiliar artists and revisionist viewpoints.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

Archives: The CCS Bard Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art, including full documentation of exhibition and programming history.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here

Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director, Center for Curatorial Studies and Hessel Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.

Group exhibitions include: Space 1026 Gallery Show, The Institute for Contemporary Art, Philadelphia, Pennsylvania; Play's The Thing, The Whitney ISP Curatorial Studies Exhibition, New York; The Sunshine Show, Alleged Galleries, New York; Fashion Takes Action, New York; God Bless America, Alleged Galleries, New York; Art In Bloom, The New Orleans Museum of Art, New Orleans, Los Angeles; Elevated, The Lincoln Center, New York (1996).

And you're likely to run into other art - world heavy hitters on campus, as Bard continues to enrich its larger program, appointing former New Museum curator Lauren Cornell as director of its Curatorial Studies graduate program and chief curator of its Hessel Museum of Art this year.

Center for Curatorial Studies, Bard College, Reykjavik Art Museum, Herning Art Museum, Annandale - on - Hudson, Reykjavik, Herning

Opening reception of We are the Center for Curatorial Studies, Hessel Museum of Art, Center for Curatorial Studies, Bard College.

«Museums are here to show works that are difficult, uncomfortable, provocative,» said Tom Eccles, executive director of the Center for Curatorial Studies at Bard College.

About The Speakers Series: Each semester the Center for Curatorial Studies at Bard College hosts a regular program of lectures by the foremost artists, curators, art historians, and critics of our day, situating the school and museum's concerns within the larger context of contemporary art production and discourse.

Research and Viewing: Fine Art, Archives, and Special Collections: The following guidelines for class access have been developed to facilitate the use of collections while maintaining the safety and security of the irreplaceable objects and material culture owned and entrusted to the Center for Curatorial Studies and Hessel Museum of Art.

The Center for Curatorial Studies and the Hessel Museum of Art are located in Annandale - on - Hudson, New York, about 90 miles north of New York City.

Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum of Art, Center for Curatorial Studies, Bard College, «Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «Other Scenes», Los Angeles CA

The Center for Curatorial Studies & Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York.

The book begins with his escape from his hometown in Idaho to study art history at Tulane University, and Crimp soon found himself writing criticism for ArtNews while working at the Guggenheim Museum — where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Painting - Sculpture before it was removed amid cries of institutional censorship.

Prior to entering Columbia's PhD program, she was a 2012 - 13 Helena Rubinstein Curatorial Fellow in the Whitney Museum's Independent Study Program, for which she co-curated Maintenance Required at The Kitchen, and she also worked as Research Assistant for Gutai: Splendid Playground at the Solomon R. Guggenheim Museum.

Ronay has also been in notable group exhibitions at the Astrup Fearnley Museum for Modern Art, Oslo; ARoS Aarhus Kunstmuseum, Århus, Denmark; Center for Curatorial Studies, Bard College, Annandale - on - Hudson, New York; Serpentine Gallery, London, England and the 2004 Whitney Biennial, New York.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

So long ago it feels like a memory of someone else Robert Blanchon, Glen Fogel, Felix Gonzalez - Torres, Jenny Perlin, Stéphanie Saadé with Charbel - joseph H. Boutros Hessel Museum of Art Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY April 8 - May 2017, 2018

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Since the early 1990s, Roberts has exhibited internationally, including group exhibitions at Artists Space, New York; Helsinki Kunsthalle and the Museum of Contemporary Art, Helsinki, Finland; The Museum of Modern Art, Oxford, England; P.S. 1, Long Island City, NY; Bard College Center for Curatorial Studies, Annandale - on - Hudson, NY; and Bildmuseet Umeå, Umeå, Sweden.