Sentences with phrase «curatorial studies as»

Mr. Storr has also taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School, and Harvard University, and has been a frequent lecturer in this country and abroad.

Doug Harvey in the LA Weekly: «One of the most pronounced symptoms of the wide - scale institutionalization of artistic practice has been the rise of curatorial studies as an academic category and the subsequent escalation of the curator's role and visibility — sometimes to the point of supplanting the place of the artist as the raison d'être of an exhibition.

Her areas of expertise include Indigenous arts and methodologies, contemporary Canadian art, museum and curatorial studies as well as theories of decolonization, anti-colonialism, and settler responsibility.

Mobile Observation (Transmitting and Receiving) Station is a new project by Lisi Raskin commissioned by the Center for Curatorial Studies as part of it's first artist - in - residence program.

We are using We are the Center for Curatorial Studies as a way to reflect upon the Center for Curatorial Studies, Bard College (CCS Bard), whilst building it in exhibition form.

He has taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School and Harvard University, and has been a frequent lecturer in this country and abroad.

Not exact matches

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussionAs a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussionas - exhibition and a series of informal roundtable discussions.

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

Given that little besides the dateline connects Louis Kahn's unrealised cardboard study for an assembly building in Bangladesh with Claes Oldenburg's soft sculptured ice - cream cone and Niki de Saint Phalle's mixed media on wood, grouping by year seems to function primarily as an organising mechanism, marking curatorial choice as more precisely the point.

At the School of the Art Institute of Chicago he served as a Curatorial Assistant in the Department of Exhibitions and Exhibition Studies.

AS - AP, as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 201AS - AP, as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 201as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 2010.

And you're likely to run into other art - world heavy hitters on campus, as Bard continues to enrich its larger program, appointing former New Museum curator Lauren Cornell as director of its Curatorial Studies graduate program and chief curator of its Hessel Museum of Art this year.

In January 2007 AS - AP merged with the Center for Curatorial Studies at Bard.

ANDREW BLACKLEY: The following interview is being conducted with Lia Gangitano, on behalf of Art Spaces Archives Project (AS - AP), a project of the Center for Curatorial Studies at Bard College.

The panel will be moderated by Ann Butler, Project Director of AS - AP, and Director of the Library and Archives at the Center for Curatorial Studies at Bard College.

As part of his 2012 graduate project at Bard College's Center for Curatorial Studies, Duane Linklater, a Cree artist from Northern Ontario, did a beautiful thing: He planted blueberry bushes on the center's wide lawn.

As such, the anthology offers valuable new contributions to the fields of art history, media studies, philosophy, curatorial studies, and design.

In January 2007 AS - AP merged with the [Center for Curatorial Studies] at Bard.

There she founded the first graduate level curatorial studies program in Latin America; RIM, a residency program for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.

Vital Archive │ Revisiting Group Material's AIDS Timeline is curated by Sabrina Locks as part of the requirements for the master of arts degree in curatorial studies.

The book begins with his escape from his hometown in Idaho to study art history at Tulane University, and Crimp soon found himself writing criticism for ArtNews while working at the Guggenheim Museum — where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Painting - Sculpture before it was removed amid cries of institutional censorship.

Summer Guthery, MA from the Center for Curatorial Studies at Bard College, was selected as the 2013 — 2014 Curator - in - Residence.

Prior to entering Columbia's PhD program, she was a 2012 - 13 Helena Rubinstein Curatorial Fellow in the Whitney Museum's Independent Study Program, for which she co-curated Maintenance Required at The Kitchen, and she also worked as Research Assistant for Gutai: Splendid Playground at the Solomon R. Guggenheim Museum.

Living Under the Same Roof: The Marieluise Hessel Collection and the Center for Curatorial Studies is the result of an intensive research and teaching program organized by Ana Paula Cohen during her time as curator - in - residence at CCS Bard.

As part of this process, we are considering what kind of things, images, information, display structures, events, discussions, archives, attention, temporalities, works, and practices should make up the Center for Curatorial Studies.

Living Modern is curated by Laura Barlow as part of the requirements for the master of arts degree in curatorial studies.

The Bomb Ponds is curated by Francesca Sonara as part of the requirements for the master of arts degree in curatorial studies.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practice (CURP).

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

Drifting Histories is curated by Anaïs Lellouche as part of the requirements for the master of arts degree in curatorial studies.

Burns and Lundh's writing has appeared in periodicals such as Art - Agenda, Art Papers, Fillip, Journal for Curatorial Studies, Kaleidoscope, Mousse, Reviews in Cultural Theory, as well as exhibition catalogues and books.

Changing Light Bulbs in Thin Air is curated by Summer Guthery as part of the requirements for the master of arts degree in curatorial studies.

the everyday is curated by Kate Menconeri as part of the requirements for the master of arts degree in curatorial studies.

We are delighted you will take part in the exhibition project We are the Center for Curatorial Studies, as one of our invited artists.

We spoke with the Ohio Committee's collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process.

She worked as Adjunct Curator, 25th Bienal de Sã oPaulo (1999 - 2000), Curatorial Consultant, Museu Rodin Bahia (2002 - 2003), and Adjunct Faculty, Center for Curatorial Studies, Bard College (2001 - 2005).

(Re) Move / (Re) Frame is curated by Courtney Malick as part of the requirements for the master of arts degree in curatorial studies.

Open Score Variations is curated by Daniel Mason as part of the requirements for the master of arts degree in curatorial studies.

Fixation is curated by Mireille Bourgeois as part of the requirements for the master of arts degree in curatorial studies.

Under the Influence was organized by Anat Ebgi as part of the requirements for the master of arts degree in curatorial studies.

This talk is given as part of the lecture series: The Visitor Talks — We are the Center for Curatorial Studies: The Department of Events (The Discursive Core)

Our programs provide access to world - class facilities in photography, sculpture, printmaking, papermaking, ceramics, textiles, painting, performance, video, and digital media, as well as supporting curatorial and critical studies.

Harboring Tone and Place is curated by Clark Solack as part of the requirements for the master of arts degree in curatorial studies.

Double Session is curated by Natasha Llorens as part of the requirements for the master of arts degree in curatorial studies.

We are the Center for Curatorial Studies is a means to reflect upon curatorial studies and to extend a conception of the curatorial to account for multiple sites of contact, assemblages and gathering of diverse bodies and subjects as well as their discursive coCuratorial Studies is a means to reflect upon curatorial studies and to extend a conception of the curatorial to account for multiple sites of contact, assemblages and gathering of diverse bodies and subjects as well as their discursive conneStudies is a means to reflect upon curatorial studies and to extend a conception of the curatorial to account for multiple sites of contact, assemblages and gathering of diverse bodies and subjects as well as their discursive cocuratorial studies and to extend a conception of the curatorial to account for multiple sites of contact, assemblages and gathering of diverse bodies and subjects as well as their discursive connestudies and to extend a conception of the curatorial to account for multiple sites of contact, assemblages and gathering of diverse bodies and subjects as well as their discursive cocuratorial to account for multiple sites of contact, assemblages and gathering of diverse bodies and subjects as well as their discursive connections.

Lora Sana: I Was There and Not There is curated by Wendy Vogel as part of the requirements for the master of arts degree in curatorial studies.

Gets Under the Skin is curated by Hajnalka Somogyi as part of the requirements for the master of arts degree in curatorial studies.

Hotel Palenque Is Not in Yucatán, is a multi-layered exhibition and architectural intervention curated by Montserrat Albores Gleason as the culmination of a three year curatorial fellowship at the Center for Curatorial Studies supported by the Fundaccuratorial fellowship at the Center for Curatorial Studies supported by the FundacCuratorial Studies supported by the Fundación Jumex.

is curated by Michelle Y. Hyun as part of the requirements for the master of arts degree in curatorial studies.

The Object of Society Is is curated by Nova Benway as part of the requirements for the master of arts degree in curatorial studies.