Sentences with phrase «curatorial studies graduate»

Allan is the 2004 recipient of the Ramapo Curatorial Prize, co-administered with the Center for Curatorial Studies graduate program at Bard College.

The annual Ramapo Curatorial Prize is co-administered with the Center for Curatorial Studies graduate program at Bard College.

And you're likely to run into other art - world heavy hitters on campus, as Bard continues to enrich its larger program, appointing former New Museum curator Lauren Cornell as director of its Curatorial Studies graduate program and chief curator of its Hessel Museum of Art this year.

Not exact matches

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Curated by 8 first - year graduate students at the Center for Curatorial Studies, In a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel Collection.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

A series of exhibitions curated by graduate students during their second - year of study in curatorial studies and contemporary culture.

He has taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School and Harvard University, and has been a frequent lecturer in this country and abroad.

Three exhibitions - Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e - of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.

Five exhibitions curated by second - year students in the graduate program in curatorial studies and contemporary art.

Three exhibitions — Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e — of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.

Two exhibitions curated by first - year graduate students at the Center for Curatorial Studies.

Mohebbi is a graduate of the Center for Curatorial Studies at Bard College, New York.

One of the earliest and foremost curatorial studies programs, CCS Bard initiated its graduate program in 1994.

He is a graduate of Rhode Island School of Design and The Center for Curatorial Studies at Bard College.

Erin Riley - Lopez is a graduate of the Center for Curatorial Studies at Bard College.

She is a graduate of the Center for Curatorial Studies at Bard College, US.

As part of his 2012 graduate project at Bard College's Center for Curatorial Studies, Duane Linklater, a Cree artist from Northern Ontario, did a beautiful thing: He planted blueberry bushes on the center's wide lawn.

There she founded the first graduate level curatorial studies program in Latin America; RIM, a residency program for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.

She is a graduate of the Center for Curatorial Studies at Bard College.

She teaches at the Graduate Program in Curatorial Studies at Bard College and is a regular contributor to Artforum.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

She is a graduate of the Center for Curatorial Studies at Bard College and a Ph.D. candidate in art history at Columbia University.

Previously she was Director of the Graduate Program at the Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY (2008 — 10), Director of Iaspis, Stockholm (2005 — 07), and Director of Kunstverein München, Munich (2002 — 04).

He is a graduate of Center for Curatorial Studies at Bard College and holds a BFA from Tehran Art University.

Organized by first - year graduate students at the Center for Curatorial Studies, Lost & Found City is a site specific installation at three locations in New York City.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practice (CURP).

Curated by ten graduate students at the Center for Curatorial Studies at Bard College, unique yet overlapping exhibition segments become notes, commentaries and illuminations spatially written into the margins of the institution's history.

Selected clients Academy of American Poets * Aggregate * Bard College Center for Curatorial Studies Bard Graduate Center * Bklyner Carnegie Museum of Art Center for Architecture New York Commercial Type * Common Field * Container Artist Residency 01 * Cooper Robertson * David Zwirner Diller Scofidio + Renfro Dorothea Dix Park * Everlane Eyebeam Field Operations Freshkills Park Frieze Foundation FRONT International * FXFOWLE * George Kaiser Family Foundation Grey Room * Guggenheim Museum Bilbao ICA Boston James Cohan Jewish Museum New York Kadist Art Foundation * Knoll, Inc..

Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

From 2008 to 2010 she was the director of the graduate program at the Center for Curatorial Studies, Bard College.

ANNANDALE - ON - HUDSON, N.Y. — This spring, CCS Bard presents a series of nine exhibitions at the CCS Galleries, curated by second - year students in its graduate program in curatorial studies, including work by 46 internationally known contemporary artists.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

Curated by 14 first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum of Art.

Curated by first year graduate students at the Center for Curatorial Studies, I'm Not There proposes a crossroads of individuals and absences, the concrete and the ephemeral, «here and elsewhere.»

The Center's two - year graduate program in curatorial studies is specifically designed to deepen students» understanding of the intellectual and practical tasks of curating contemporary art.

The Center initiated its graduate program in curatorial studies in the fall of 1994.

Demetri graduated from San Francisco State University with an M.A. in Museum Studies with a dual emphasis on Education and Curatorial Practice.

I Need You to be There, Angles of Incidence, and The Volatile Real are three exhibitions curated by the first - year graduate students using works from the Marieluise Hessel Collection on permanent loan to the Center for Curatorial Studies.

He has also taught at the CUNY Graduate Center, Bard Center for Curatorial Studies, Rhode Island School of Design, Tyler School of Art, New York Studio School, and Harvard University, and has been a frequent lecturer in the United States and abroad.

The library and archives are also a dynamic and integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studies students.

Organized by: Park Myers, Amber Esseiva and Xavi Acarin, graduate students at the Center for Curatorial Studies, Bard College.

Upon satisfactory completion of course work and other requirements of the graduate program, students are awarded the degree of master of arts in curatorial studies.

Cooke has taught at the Center for Curatorial Studies, Bard College, and has been a visiting lecturer in the graduate fine art departments of Yale University, Columbia University, and many other schools.

Organized by Staci Bu Shea and Alexis Wilkinson, graduate students at The Center for Curatorial Studies, Bard College.

Curated by first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum.

The graduate program at the Center for Curatorial Studies at Bard College (CCS Bard) is an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition - making, and the theory and criticism of the visual arts since the 1960s.

The graduate program at the Center for Curatorial Studies at Bard College is the preeminent program of its kind in the United States, dedicated to training curators and critics of contemporary art.

Most recently, Anna was an editor of aCCeSsions online journal of curatorial studies, graduate fellow at the Walker Arts Center, curatorial fellow for the Live Arts Bard Biennial We're Watching (Fisher Center for Performing Arts), and curator of the exhibition and performance Whispers in the Grass: The Living Theatre and The Brig (Hessel Museum of Art).