Sentences with phrase «curatorial studies through»

This exhibition was made possible through the support of the Michael O'Brian Family Foundation, the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at The University of British Columbia.

This exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at The University of British Columbia, and Satellite Gallery.

This exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation, Government of the Northwest Territories, and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at The University of British Columbia, and Satellite Gallery.

This exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation, and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at the University of British Columbia, and Satellite Gallery.

As part of the curriculum, graduate students curate exhibitions and programs in collaboration with the Belkin and local galleries, with support from the Killy Foundation and the Audain Endowment for Curatorial Studies through the UBC Department of Art History, Visual Art and Theory.

The exhibition is made possible with support from the Michael O'Brian Family Foundation, the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at the University of British Columbia, and Satellite Gallery.

Not exact matches

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museum shop.

«Tony Oursler: The Imponderable Archive» runs through Oct. 30 at Hessel Museum of Art, Bard College Center for Curatorial Studies, Annandale - on - Hudson, N.Y.; 845-758-7598, bard.edu/ccs.

The Center for Curatorial Studies Presents «The Greenroom: Reconsidering the Documentary and Contemporary Art,» September 27, 2008 through February 1, 2009

From July 7 through September 16 2007, the Center for Curatorial Studies at Bard College presents the first North American survey of the work of British artist Martin Creed.

Seen through the lens of curatorial studies, the vectors of such a broad list take on real specificity, allowing for reflection on the growing — if still productively rogue — history of curatorial practice while providing a firm foundation for experimental projects in the field.

First - Year Students at Bard's Center for Curatorial Studies Present «Re-Shuffle: Notions of an Itinerant Museum» at New York City's Art in General from February 24 through March 18

ANNANDALE - ON - HUDSON, N.Y. — This fall the most comprehensive exhibition to date of this celebrated American artist, Keith Edmier 1991 — 2007, is on view in the galleries of the Center for Curatorial Studies at Bard College, from Saturday, October 20, through Sunday, February 3, 2008.

Beginning in the Fall of 2013 and continuing through Spring of 2014, the Center for Curatorial Studies at Bard College (CCS Bard) will host The Visitor Talks.

«Imponderable: The Archives of Tony Oursler» is at the Hessel Museum of Art's Center for Curatorial Studies at Bard College through October 30.

will function as a conceptual outpost for We are the Center for Curatorial Studies — a multi-year project, also curated by Paul O'Neill, which opened at the Hessel Museum of Art, Bard College on 15 October and continues through 16 December

The exhibition was organized by the Center for Curatorial Studies Museum and was made possible through support from the Martin & Toni Sosnoff Foundation.

2006 Thesis Exhibitions Series Two Center for Curatorial Studies Museum at Bard College April 9 through April 23

2006 Thesis Exhibitions Series Three Center for Curatorial Studies Museum at Bard College May 7 through May 21

«Anne Collier» runs through Sept. 21 at the Center for Curatorial Studies at Bard College, Annandale - on - Hudson, N.Y.; 845-758-7598, bard.edu/ccs.

Defining Structures: History of Exhibitions Tuesday, April 1, 6:30 pm A conversation exploring exhibition history through curatorial practice, featuring Jens Hoffmann, Deputy Director, Exhibitions and Public Programs and curator Germano Celant, moderated by Bruce Altshuler, Director, Program in Museum Studies, Graduate School of Arts and Science, New York University.

These photographs will be shown with snapshots and ephemera from the Center for Curatorial Studies and the Felix Gonzalez - Torres / Carl George / Ross Laycock Archive at Visual AIDS that suggest the distribution and preservation of memories and histories through archives, both personal and public.

A free tour of Berlin - based artist Alicja Kwade's Whitechapel Gallery commission Medium Median (28 September 2016 — 25 June 2017) led by Whitechapel Gallery Eisler Curator and Head of Curatorial Studies Daniel F. Herrmann, that allows to learn about the key themes and interests that run through her practice.

Made possible through a five year - grant from the Keith Haring Foundation, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

Made possible through a five - year grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research in the Center for Curatorial Studies and the Human Rights Project.

When invited to curate from the Marieluise Hessel Collection at the Center for Curatorial Studies at Bard College (CCS Bard), Amy Sillman and Cheyney Thompson established the notion of a score as an initial prompt for looking through the collection.

ANNANDALE - ON - HUDSON, NY, May, 2014 — When invited to curate from the Marieluise Hessel Collection at the Center for Curatorial Studies at Bard College (CCS Bard), Amy Sillman and Cheyney Thompson established the notion of a score as an initial prompt for looking through the collection.

Commissioned as part of CCS Bard's new Artist - in - Residence Program, this installation in progress is on view daily through September 7 ANNANDALE - ON - HUDSON, N.Y. — The Center for Curatorial Studies at Bard College presents Mobile Observation (Transmitting and Receiving) Station, a new commission by Lisi... read more →

«Uncertain States of America: American Art in the 3rd Millennium,» on view at the Center for Curatorial Studies, Bard College, from June 24 through September 10

Through the partnership between Hunter and the Colección Patricia Phelps de Cisneros, the collection was made available as a study resource for twelve students from the MA and MFA programs — and participants in the Curatorial Certificate Program.

Made possible through a five year - grant of $ 80,000 per year, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

FOR IMMEDIATE RELEASE The Center for Curatorial Studies at Bard College Presents: Amy Sillman: one lump or two First museum survey of New York - based painter Amy Sillman On View June 28 through September 21, 2014 in the Hessel Museum of... read more →

On View June 22 through September 22, 2013 in the CCS Bard Galleries Opening reception: Saturday, June 22, 2013 from 1:00 — 4:00 pm ANNANDALE - ON - HUDSON, NY, May, 2013 — This summer The Center for Curatorial Studies at Bard College (CCS Bard)... read more →

Curated by David Ho Yeung Chan, a curator based in Hong Kong with an MA from the Centre for Curatorial Studies at Bard College in new York, The Thid Script aims to look at two different ways of deconstructing a narrative - through a site - specific installation by Lai and a time - based artwork by Boo.

This trend has followed me through my curatorial career, and has had a defining impact on my research interests and teaching that increasingly tend towards cultural or diaspora studies using web technology.

She spent six months as a resident artist at Bard College's Center for Curatorial Studies rolling through places like the Davis - Monthan Air Force Base in Tucson, Arizona; Wendover Air Force Base in Utah; and the Nevada Test Sites in Las Vegas.

Over the last two decades Gasworks has worked with over 250 artists from 70 countries around the world.The archive and networks of the international artist residency programme at Gasworks will form the basis of a fieldwork study, from which a curatorial research project will be established and result in a number of public interactions and engagements, through panel discussions, events, exhibitions, publications and online forums.

«Independent Curators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience deCuratorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience decuratorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.

We are at a presentation by Sarah Fritchey, a graduate student in curatorial studies at Bard, who has spent her summer in Penn's Rare Book and Manuscript Library combing through ICA's archives.

Curatorial Studies Fine Art University of Lisbon Since 2015/16 - PhD candidate in Art History at Kingston School of Arts, Kingston University, London Working Title: Following the indexical line: a dialogic study of 1960s abstract art through the scientific imagery of the photographic innovator Etienne - Jules Marey (1830 - 1904)

Tony Oursler: Imponderable coincides with Tony Oursler: The Imponderable Archive, on view through Oct. 30 at the Center for Curatorial Studies at Bard College in Annandale - on - Hudson, New N.Y.

An MAE degree is offered through Art Education, a MM degree in Music, and Art History offers 3 MA degree options: Architectural Studies, Art Historical Studies or Museum Studies as well as a PhD in Art History (Art Historical Studies or Curatorial).

A show of works from this collection, Tony Oursler: The Imponderable Archive, will be on view at the Center for Curatorial Studies, Bard College, through October 30, 2016.