Sentences with phrase «curatorial studies with»

Inauguration of New Hessel Museum of Art at Bard College's Center for Curatorial Studies with Opening Exhibition, Wrestle Sunday, November 12th, 2006 Noon - 4 pm

Currently Reckitt is co-editing a special issue of the Journal of Curatorial Studies with Jennifer Fisher on Curating and the Affective Turn, and working with art historian Catherine Grant to develop the group exhibition O Sister, O Shadow.

Inauguration of New Hessel Museum of Art at Bard College's Center for Curatorial Studies with Opening Exhibition, Wrestle Sunday, November 12th, 2006 Noon — 4 pm

Inauguration of New Hessel Museum of Art at Bard College's Center for Curatorial Studies with Opening Exhibition, Wrestle Sunday, November 12th, 2006 Noon — 4 pm Annandale - on - Hudson, New York, September 27, 2006 — The Center for Curatorial Studies at Bard College inaugurates the... read more →

The Center for Curatorial Studies is an innovative institution that combines a rigorous academic program in curatorial studies with a vibrant public exhibition program dedicated to contemporary art.

2015's spring mentorship classes included Old Master's Painting with Pamela Larsson - Toscher, Draw to Explore: Journaling and the Artistic Process with Julie B. Montgomery, Alternative Process Photography with Joyce Wilson, Gallery and Curatorial Studies with Crista Dix, and Public Murals with John Hood.

Not exact matches

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Student curated exhibitions at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; Mitzi and Warren Eisenberg; and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

She received her M.A. at The Center for Curatorial Studies at Bard College and a B.A. with a Curatorial Concentration from Hampshire College, MA.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

Given that little besides the dateline connects Louis Kahn's unrealised cardboard study for an assembly building in Bangladesh with Claes Oldenburg's soft sculptured ice - cream cone and Niki de Saint Phalle's mixed media on wood, grouping by year seems to function primarily as an organising mechanism, marking curatorial choice as more precisely the point.

CCS Bard student - curated exhibitions are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund, Mitzi and Warren Eisenberg, and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here

Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director, Center for Curatorial Studies and Hessel Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.

AS - AP, as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 2010.

-- Hannah Höch is curated by Daniel F. Herrmann, Eisler Curator and Head of Curatorial Studies, and art historian, Prof. Dawn Ades CBE, with Emily Butler, Assistant Curator.

In January 2007 AS - AP merged with the Center for Curatorial Studies at Bard.

ANDREW BLACKLEY: The following interview is being conducted with Lia Gangitano, on behalf of Art Spaces Archives Project (AS - AP), a project of the Center for Curatorial Studies at Bard College.

Columbia's MAs in Art History and Modern Art: Critical & Curatorial Studies come with a particularly hefty fee, but that's not to say you won't get what you pay for.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

In January 2007 AS - AP merged with the [Center for Curatorial Studies] at Bard.

The book begins with his escape from his hometown in Idaho to study art history at Tulane University, and Crimp soon found himself writing criticism for ArtNews while working at the Guggenheim Museum — where, as a young curatorial assistant, he was one of the few to see Daniel Buren's Painting - Sculpture before it was removed amid cries of institutional censorship.

It is part of the Exhibition Histories research and publication project, developed by Afterall and published in association with the Center for Curatorial Studies, Bard College.

In 2001, with my exhibition at the Bard Center for Curatorial Studies, I felt for the first time successful at incorporating architecture into my art.

In part this is the result of «Curatorial Studies» curators, «Contemporary Art» historians, and «Masters of Fine Arts» artists all reading the same books, literally and figuratively, most of which aren't particularly well written to begin with.

At Zeitz MOCAA, there will be an entire floor for educational programmes, a centre for curatorial studies, a centre for the moving image with six cinemas, and a centre for performative practice.

So long ago it feels like a memory of someone else Robert Blanchon, Glen Fogel, Felix Gonzalez - Torres, Jenny Perlin, Stéphanie Saadé with Charbel - joseph H. Boutros Hessel Museum of Art Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY April 8 - May 2017, 2018

Daniel Herrmann, Eisler Curator and Head of Curatorial Studies at the Whitechapel Gallery, introduces artist Corin Sworn, winner of the Max Mara Art Prize for Women in collaboration with the Whitechapel Gallery.

«Sniper's Nest: Art That Has Lived With Lucy Lippard,» Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY (10/28-12 / 22/95)

Although 14 years separated The Avant - Garde in Exhibition (1994) and Salon to Biennial — Exhibitions That Made Art History: 1863 - 1959 (2008), Altshuler's concise and unambiguous style saw the former elevated to the status of a classic (a staple of emerging curatorial studies syllabi worldwide) and the later garlanded with rave reviews.

Student - curated exhibitions and projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

We spoke with the Ohio Committee's collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process.

These exhibitions were made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; Mitzi and Warren Eisenberg; the Audrey and Sydney Irmas Charitable Foundation; Patrons, Supporters, and Friends of the Center for Curatorial Studies; and by the Center's annual benefit for student scholarships and exhibitions.

The Collection Teaching Gallery, where this material is presented, is a newly established teaching and viewing space in the Center for Curatorial Studies Bard Galleries created to foster diverse forms of engagement with a broader range of CCS Bard and Hessel Museum collection materials.

Demetri graduated from San Francisco State University with an M.A. in Museum Studies with a dual emphasis on Education and Curatorial Practice.

Concurrently with Exhibitionism, the Center for Curatorial Studies presents Keith Edmier 1991 — 2007 in the CCS Galleries.

With the renewed curatorial and academic interest in the African American contribution to the history of abstraction, «Mildred Thompson: Resonance, Selected Works from the 1990s,» presented in the Walter O. Evans Center for African American Studies, is a remarkable opportunity to expand this dialogue by celebrating the work of an under - recognized historical figure.

This symposium unfolds in conjunction with No to the Invasion: Breakdowns and Side Effects, an exhibition of works drawn from the collection of the Barjeel Art Foundation, which runs from June 24, 2017 until October 29, 2017 at the Center for Curatorial Studies, Bard College.

In conjunction with the exhibition, the Center for Curatorial Studies and Booth - Clibborn Editions, London, are very pleased to publish Keith Edmier 1991 - 2007, a new book exploring Edmier's work in remarkable depth.

Selections were made in the fields of literary, performing, and visual arts, and curatorial / critical studies with artists selected from an open call by a selection committee of Guild Hall Academy of the Arts members.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition spaceCuratorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition spacecuratorial beyond exhibition space - proper.

Judd Foundation and The Center for Curatorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialCuratorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialcuratorial practice.

This exhibition has been made possible with support from the Audrey & Sydney Irmas Charitable Foundation, the Robert Mapplethorpe Foundation, and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

The exhibition is accompanied by a fully illustrated publication, with guest contributions from writer Craig Burnett, Eisler Curator and Head of Curatorial Studies Daniel F. Herrmann, writer Marinella Paderni and guest curator Bina von Stauffenberg.

A conference organized by Thomas Keenan, Suhail Malik, and Tirdad Zolghadr in conjunction with the LUMA Foundation and the Bard Center for Curatorial Studies & Human Rights Project in Arles, France.

The International Studio & Curatorial Program announces Leaps and Bounds, an exhibition in ISCP's Project Space, organized in collaboration with the Center for Curatorial Studies, Bard College.

Philippe Parreno at CCS Bard is made possible with support from the LUMA Foundation, the Audrey and Sydney Irmas Charitable Foundation, the Cultural Services of the French Embassy, Friedrich Petzel, the Board of Governors of the Center for Curatorial Studies, and the Center's Patrons, Supporters, and Friends.

The Human Snapshot is organized by the LUMA Foundation in collaboration with the Center for Curatorial Studies at Bard College (CCS Bard).