Sentences with phrase «curators researched the collections»

Curators researched the collections, finalized new storylines and layouts for the galleries, and collaborated with educators to rewrite every wall text and object label in ways that deepen your engagement with the artworks on view.

Not exact matches

The lead author is Ronald S. Tykoski, Ph.D., the Perot Museum's Director of Paleontology Lab, and the co-author is Anthony R. Fiorillo, Ph.D., the Perot Museum's Chief Curator and Vice President of Research and Collections.

Eleven authors contributed to the manuscript that is scheduled to be published in Nature: Dr. Steve Holen, director of research at the Center for American Paleolithic Research; Dr. Tom Deméré, curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontolresearch at the Center for American Paleolithic Research; Dr. Tom Deméré, curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontolResearch; Dr. Tom Deméré, curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontolresearch fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontolresearch geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontolResearch; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontologist at

In addition to being EarlyWord's Kids Correspondent, she is the curator of the Children's Literature Research Collections at the University of Minnesota, one of the world's largest collections of children's literature manuscripts anCollections at the University of Minnesota, one of the world's largest collections of children's literature manuscripts ancollections of children's literature manuscripts and original.

We preserve extensive natural history collections of approximately 3.5 million objects used for research by a staff of 12 curators as well as visiting scientists from around the world.

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

The scheme provides curators with a framework for research, including studio visits and discussion with the committee members of the Collections Fund.

The scheme provides curators with a framework for research, including studio visits and discussion with the members of the Collections Fund Committee.

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Abstract (2012) was purchased through the Contemporary Art Society's Collections Fund, an annual # 25,000 scheme that draw together the expertise of the Contemporary Art Society's Patrons with that of museum curators in an intense programme of research leading to an acquisition.

The Peter Higdon Research Centre (PHRC), located on the second floor above the galleries at 33 Gould Street, supports scholarly activities by students, faculty, curators, visiting artists and critical writers in an environment that maintains an extensive range of collections material.

Paul Moorhouse is the 20th Century Curator at the National Portrait Gallery in London, where he is responsible for acquisitions, displays, and research relating to the collection within the period from 1914 to 1990.

Surface / Depth: The Decorative After Miriam Schapiro is curated by Elissa Auther, MAD's Windgate Research and Collections Curator with the support of Assistant Manager of Curatorial Affairs, Angelik Vizcarrondo - Laboy.

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

Supporting Members and above are invited to join MAD's Windgate Research and Collections Curator Elissa Auther for a private tour of Surface / Depth: The...

For «Form in Translation: Sculptors Making Prints and Drawings,» assistant curator Eric Lutz of the St. Louis Art Museum (along with research assistant Ann - Maree Walker) has again brought together works that show the strengths of the museum's permanent collection while giving insight into a vital mode of artmaking that deserves more exposure.

Beyond collaborations, these arrangements house islands of independent inspiration, related to the themes of the exhibition at large but filtered through the interest, research, or collections of individual demi - curators.

Curated by four second - year students who have worked extensively with the collection, the exhibition runs parallel to the curators» study of current research from the Levy Economics Institute of Bard College.

This exhibition drawn from the Joyner / Giuffrida collection, tells the history of art by African - American artists from the 1940s to the present moment and is guest curated by Christopher Bedford, Dorothy Wagner Wallis Director, The Baltimore Museum of Art and Katy Siegel, Senior Programming and Research Curator, The Baltimore Museum of Art.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

Curators of The Frick Collection undertake research for special exhibitions in addition to the permanent collection.

Gianofer Fields studies material culture at UW - Madison and is the curator of «It's a Material World» - that project is funded by the Chipstone Foundation, a decorative arts foundation whose mission is preserving and interpreting their collection, as well as stimulating research and education in the decorative arts.

Diana Tuite is the Katz Curator at the Colby College Museum of Art and is responsible for research and exhibitions related to the modern and contemporary art collections, including the Alex Katz collection.

is the Katz Curator at the Colby College Museum of Art and is responsible for research and exhibitions related to the modern and contemporary art collections, including the Alex Katz collection.

, curator of modern and contemporary collections at the Getty Research Institute, discusses Cage's use of chance operations to develop works that would transform music in the 20th century.

Developing a museum collection plan and establishing acquisition goals takes time and includes research, learning about the market for certain artists, and discussions with the Director, Chief Curator, and Board.

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.

Sarah Roberts serves as Andrew W. Mellon Foundation Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's collection since 2004.

Nancy Perloff, curator of modern and contemporary collections at the Getty Research Institute, discusses Cage's use of chance operations to develop works that would transform music in the 20th century.

The new building will include spaces for hosting public events, seminars and displays of the works currently being gifted by the charity to museums across the UK, as well as an archive of the thousands of works donated by the organisation over the past 100 years, along with a study centre and research facility focused on collection development for curators, academics and arts professionals.

Our programs include 6 - 8 major exhibitions a year, film screenings, plays, poetry readings, artist and curator talks, panel discussions, THE ARCHIVE - a quarterly newsletter focusing on gay and lesbian art and artists, a membership program, a research library and an archive of the permanent collection.

Roberts serves as Andrew W. Mellon Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's permanent collection since 2004.

The awards are intended to enable curators to make use of the resources and collections of the Center, and other Yale holdings where relevant, in order to advance research on their curatorial projects and collections.

In her role at the Barnes, Kang will work directly with Sylvie Patry, deputy director for collections & exhibitions and Gund Family Chief Curator, to expand the Foundation's growing exhibitions program, collections research and interpretative activities, and curatorial and educational technology initiatives.She will begin her post on February 27.

While in residence, visiting curators will be encouraged to interact with the scholarly community at the Center and at Yale to discuss their research and share information about the collections they oversee.

Following the establishment of its Russia and Eastern Europe Acquisitions Committee (REEAC) in October 2012, Tate has appointed Natalia Sidlina as adjunct research curator for Russian art and Julia Tatiana Bailey as assistant curator, collections, international art, with the aim to develop Tate's knowledge and expertise of Russian contemporary art.

The exhibition is accompanied by a 160 - page, fully - illustrated catalogue edited by Cynthia Burlingham and Robert Gober with essays by Robert Gober, critic Dave Hickey, Hammer Deputy Director Cynthia Burlingham, Burchfield Penney Art Center Head of Collections and the Charles Cary Rumsey Curator Nancy Weekly, and Burchfield Penney Art Center Research Assistant Tullis Johnson.

The collection will enhance and fundamentally support the research needs of young curators enrolled in CCS Bard's two - year graduate program in curatorial studies by exposing them to primary sources documenting innovative curatorial and institutional models and artistic practices of the past thirty years.

Susan Power, research assistant in LACMA's department of American art and curator of the present show, selected some Chinese, Japanese, and Tibetan works from the museum's collection to pair with some of the Graves works.

Heartland is curated by Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art.

Drawn from private collections and archives as well as public sources, Ruins in Process brings together the research of many artists, curators and writers in an exploration of the diverse artistic practices of Vancouver art in the 1960s and early 1970s.

Joining us is exhibit Curator and Creative Director of the Walt Disney Animation Research Library, Lella Smith who guides a staff of 24 in exhibiting, archiving, and digitizing the library's collections.

In my research as curator for the Microsoft collection and also as an independent curator I am eager to see under recognized artists like Grace be brought forward and also Hedda Sterne, Claire Falkenstein and Robert Mallary.

Elissa Auther, Windgate Research and Collections Curator at the Museum of Arts and Design and the Bard Graduate Center.

Zoe Whitley works as part of the team of curators and assistant curators responsible for the development of and research into Tate's collection of artworks post-1980.

As Archivist for the Joan Mitchell Foundation, Laura Morris manages the Foundation's archival collections and facilitates access to these research materials for scholars, curators, students, and others with an interest in Mitchell's life and work.

Since July she has been interning with Senior Curator of Collections Research, Alice Yelen Gitter, at the New Orleans Museum of Art.