September 2014: I meet Walead Beshty at London's Barbican Centre, where he is working on his commission for the
Curve gallery, an installation of over 12,000 blue
cyanotype photograms titled A Partial Disassembling of an Invention Without a Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench.