TONY OURSLER Imponderable (film still), 2015 - 16 5 -
D multimedia installation duration: 78 minutes © 2016 Tony Oursler.
Still from Imponderable, 2015 — 16, 5 -
D multimedia installation.
5 -
D multimedia installation (color, sound).
Not exact matches
Over the past 10 years, her groundbreaking work
has generated a broad spectrum of innovative and ambitious output, from large - scale data analytics programs to site - specific
multimedia installations, transforming billions of emotion data points into immersive works of art.
The upcoming update includes: a fix for the Mobile Hotspot feature, improvements in Mobile Hotspot security, updated VZ Navigator, Visual Voice Mail updates,
V Cast App preloaded on the phone, MotoCast
installation steps simplified, improved stability of data connectivity after Airplane mode is disabled, improved data throughput performance in low - signal 4G environments, improved battery life when using Phone Book Access Profile Bluetooth headsets, successfully save
multimedia ringtones, favorites contact widget updated, improved device stability when moving between home screen panels, email icon updated, OTA updates show correct remaining download time and Commercial Mobile Alert Service feature
has been added.
Elisa
has shown her photography and
multimedia textile video
installations of performance at the Brooklyn Museum, Bronx Museum, Whitney Museum, Momenta Art, C24 Gallery and Soho20 Gallery in New York.
By creating artworks ranging from
multimedia installations to performances, public events, and workshops, the collective
has enriched, inspired, and provoked the imaginations of viewers and participants both locally and internationally.
Mattingly
has had solo shows at Robert Mann Gallery, NY and in 2006 she released a
multimedia opera at White Box entitled Fore Cast that featured
installation and music performance depicting World War IV as predicted by Albert Einstein.
He works with a wide range of genres, such as sculpture,
installation, painting, performance, and interactive
multimedia, and
has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
It
would be interesting to see her expand her rich vocabulary of material / poetic associations in more ambitious
multimedia installations.
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity,
have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations
have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions
have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a
multimedia artist whose research - based
installations on subjects such as nomads and refugees
have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings
have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
Initially trained as a sculptor, she
has worked with painting, music,
multimedia shows, drawings, operas, electronic software, theatre, films and
installations throughout her career.
The exhibition will encompass the wide range of diverse mediums that Piper
has explored for over 50 years: drawing, photography, works on paper, video,
multimedia installation, performance, painting, sculpture, and sound.
The Infinity Engine, 2014,
multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3 -
D printed nose, files, electrics, and other materials), 380 x 1280 x 550 cm,
installation view, Lynn Hershman Leeson.
Pipilotti Rist (Swiss, b. 1962)
has achieved international renown as a pioneer of video art and
multimedia installations in her 30 year career.
Her
multimedia works, combining sculpture, painting and
installation,
have this year earned her nominations for the Turner Prize and inaugural Hepworth Sculpture Prize.
With a strong appeal to sculpture, Palma's work
has followed the direction of
multimedia installations, using non-traditional methods of production and working regularly within a team of carpenters, mechanics, engineers, and biologists.
Francisco Ugarte, who is based in Guadalajara, Mexico, is a
multimedia artist who
has explored mediums such as site - specific interventions, video,
installation, sculpture and drawing.
Hancock's mythology
has also been translated through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin (2008, 2013), and through site - specific murals for the Welcome Center at the University of Houston, TX (2015), Houston Children's Hospital, TX (2011), Olympic Sculpture Park, Seattle Art Museum, Seattle, WA (2010), Dallas Cowboys Stadium in Dallas, TX (2009), and a permanent
multimedia installation as part of the centennial celebrations at Hermann Park in Houston, TX (2012).
Brooklyn born and raised Shelley Hirsch is a critically acclaimed vocal artist, composer, and storyteller whose solo compositions, staged
multimedia works, improvisations, radio plays,
installations and collaborations
have been produced and presented in concert halls, clubs, festivals, theaters, museums, galleries and on radio, film and television on 5 continents.
Oehlen and Swiss musician Michael Wertmüller
have produced a new composition as part of a
multimedia installation, also debuting in Cleveland.
Since 2014 Fly on a Wall
has created eight original works for Atlanta including
multimedia performances,
installations, and 4 original dance films.
Stockholder is a pioneer of
multimedia, genre - bending
installations that
have become a prominent language in contemporary art.
She
has recently begun to approach painting as an expanded field, placing her canvases in the context of
multimedia installations that include moving images, sculpture, and performances.
The exhibition will encompass the wide range of diverse mediums that Piper
has explored for over 50 years: drawing, photography, video,
multimedia installation, performance, painting, sculpture, and sound.
The selection of works reflects the wide range of mediums Piper
has engaged over the years, including video, sound,
multimedia installation, performance, painting, works on paper, and photo / text - based graphics.
Notable US - based exhibitions include a yearlong art expedition centered around a canoe trip up the Hudson River for Peekskill Project
V at the Hudson Valley Center for Contemporary Art, a
multimedia participatory
installation at Conflux Festival 2010 in NYC, solo exhibitions at Romer Young Gallery, San Francisco, and Vox Populi Gallery, Philadelphia, and group exhibitions at the International Print Center New York, N.A.D.A. Miami, Contemporary Art Center, Las Vegas, Flux Factory, Queens NY, and Corcoran Gallery of Arts, Washington DC.
Celebrated for her
multimedia collages, box assemblages, altars, and
installations consisting of found materials, Saar
has explained, «I am intrigued with combining the remnant of memories, fragments of relics and ordinary objects, with the components of technology.
Celebrated for her
multimedia collages, box assemblages, altars, and
installations consisting of found materials, Saar
has
Over the past thirty years, Rist (b. 1962)
has achieved international renown as a pioneer of video art and
multimedia installations.
On presentation is a new
installation that Charles Atlas
has created around footage from the historic
multimedia performance series «9 Evenings: Theatre and Engineering» (1966), which featured works conceived by artists, including Rauschenberg, in collaboration with engineers from Bell Laboratories.
In 1997 he met artist and filmmaker Shirin Neshat, and together they
have created a body of work (short films, video
installations, and a
multimedia theater piece) that
has been exhibited around the world.
Over the past thirty years, Rist
has achieved international renown as a pioneer of video art and
multimedia installations.
Hamilton
has made
multimedia installations with stunning qualities and quantities of materials: a room lined with small canvas dummies, a table spread with human and animal teeth, the artist herself wearing a man's suit covered in a layer of thousands of toothpicks.
She will
have site specific
multimedia installation opening at Smack Mellon in New York in 2018 and another
installation that will be travelling to various institutions in 2017 and 2018.
Most recently, Schneemann
has started creating large - scale
multimedia installations.
A hero of graffiti, surfer, and skate - punk subcultures, Barry McGee makes paintings, sculptures, and
multimedia installations that
have won wide acclaim in the institutional settings of museums and commercial galleries.
Legi's
multimedia installations have been shown in exhibitions ranging from Biennale Jogja XI and ID, the 25th anniversary show of Cemeti Art House in 2013, and in a solo exhibition at Ark Galerie in 2014.
Over the years, Bureau Phi
has produced large - scale art events, such as the first Cartagena International Biennial; as well as museum exhibitions, site - specific
installations, performances, and other
multimedia projects.
A pioneer of
multimedia genre - bending
installations, Jessica Stockholder's site - specific interventions and autonomous floor and wall pieces
have been described as «paintings in space.»
Her luxuriant videos and
multimedia installations, which explore sexuality and media culture with a playful, provocative blend of fantasy and everyday life,
have been featured in major exhibitions at the world's best - known venues, from the New York MoMA, to the Centre Pompidou in Paris, to the Venice Biennale.
Glenn Ligon
has a wide - ranging
multimedia art practice that encompasses painting, neon, photography, sculpture, print,
installation, and video.
On the occasion of The Jewish Museum's centennial, artist Shimon Attie, in collaboration with Norman Ballard, presents a year - long,
multimedia installation that illuminates the shifting conversations that
have shaped the museum's mission over the last century.
Acconci
has been a vital presence in contemporary art since the late 1960s; his confrontational and ultimately political works
have evolved from writing through conceptual art, bodyworks, performance, film, video,
multimedia installation and architectural sculpture.
Active in museum education since 1981, she
has co-produced
multimedia productions, educational
installations, and public offerings in collaboration with artists including Matthew Barney, Daniel Buren, Cai Guo - Qiang, Paul McCarthy, Catherine Opie, Gabriel Orozco, and James Rosenquist.
The
multimedia installation, Heartbeat, was originally commissioned by the Centre Pompidou for Goldin's recent retrospective exhibition, Still on Earth, which
has traveled to museums in Paris, London, Madrid, Porto, Turin and Warsaw in the last year and a half.
Molly Davies
has been making experimental films and
multimedia installations since the late 1960s.
Autogena and Portway
have worked together since the early 1990's, developing large scale performances,
multimedia installations and site - specific work, usually in collaboration with organisations and experts across many specialised fields.
Since his debut film, Intervista (Finding the Words)(1998), to his recent
installations that explore spatial and temporal manipulations of music, Anri Sala
has developed a widely acclaimed
multimedia practice founded in the interplay of images, sound and architectural space.
Since 1999, McNeil and Miller
have constructed
multimedia installations and large - scale paintings and sculptures.