Sentences with phrase «dts audio mixes»

The movie itself comes in 2.0, 5.1 and DTS audio mixes, with optional English subtitles.

Not exact matches

Still, the idea of Sonos» audio quality and connectivity mixed with the Echo's intelligence is compelling, although the new Echo and Apple's HomePod will give the One some competition.
Adobe's Creative Cloud includes Adobe Premiere Pro for editing video; After Effects for video effects, titling, color correction; Audition for audio fixes and mixing; and Media Encoder to render out an H. 264 file perfect for You Tube, Vimeo and all crowdfunding websites.
«I look at it as 18 baseball games played simultaneously and then we choose which of those baseball games you get,» audio mixer Chris Acker observed.
AI Pro will provide a minimum of five weekly podcasts (audio content) for listeners with a mix of Anfield Index podcasters as well as professionals and ex-professionals from the world of football and football media.
The best 12 - inch subwoofers offer a great mix of audio quality and standard size.
This idea has received mixed reactions from audio fans who believe that the numbers are more important, but Bose has stuck to this philosophy and continued to produce comfortable hi - fi headphones with reliable high standaThis idea has received mixed reactions from audio fans who believe that the numbers are more important, but Bose has stuck to this philosophy and continued to produce comfortable hi - fi headphones with reliable high standathis philosophy and continued to produce comfortable hi - fi headphones with reliable high standards.
They identified the regions of the auditory cortex that contribute to AAD and found that the system decoded the attention of the listener and amplified the voice he or she wanted to listen to, using only the mixed audio.
Mixing audio sources together is a little like pouring milk into coffee.
By the end of the iteration process, our algorithm's estimate of the masking function based on its analysis of the mixed audio is quite close to the actual masking function computed using the true audio signals that made up the mixture.
An eclectic mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music into 4, 45 minute audio - guided workouts.
An eclectic mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music for an audio - guided workout to move your body and change your lifAn eclectic mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music for an audio - guided workout to move your body and change your lifan audio - guided workout to move your body and change your life.
There are a number of audio options, including a 7.1 DTS - HD mix in both English and Italian.
The audio has been mixed in 5.1 Dolby, highlighting Ennio Morricone's Oscar - nominated score.
The core gameplay is rather uninspired but works well enough, the visuals and audio are both mixed bags, and the campaign is a decent enough length but never really offers a great sense of accomplishmeThe core gameplay is rather uninspired but works well enough, the visuals and audio are both mixed bags, and the campaign is a decent enough length but never really offers a great sense of accomplishmethe visuals and audio are both mixed bags, and the campaign is a decent enough length but never really offers a great sense of accomplishmethe campaign is a decent enough length but never really offers a great sense of accomplishment.
Another extra examines the nervous, fancy opening titles sequence, with two commentaries and several versions, audio mixes, etc..
The 5.1 DTS - HD master audio mix is more thrilling yet, utilizing all speakers tastefully and heavily, never drowning out dialogue or making you reach for the remoThe 5.1 DTS - HD master audio mix is more thrilling yet, utilizing all speakers tastefully and heavily, never drowning out dialogue or making you reach for the remothe remote.
I didn't expect much from it because this kind of film doesn't really lend itself to spectacular audio mixes; those seem more the domain of action flicks.
It has a middle that's padded, a look that could use a few more light bulbs, a protagonist who never earns our sympathy, and an audio mix that leans much too heavily on the bass, often making it impossible to understand what's being said.
The DTS mix created a marginally more dynamic setting but I didn't think the new disc's audio was a marked improvement on the old disc's traThe DTS mix created a marginally more dynamic setting but I didn't think the new disc's audio was a marked improvement on the old disc's trathe new disc's audio was a marked improvement on the old disc's trathe old disc's track.
Also, although the soundtrack isn't the «hit - em - over-the-head» variety, it is a great example of well - blended and properly balanced audio mixing, which makes it the perfect complement for the video presentation.
The audio doesn't suffer from any technical problems, as this Dolby Digital 2.0 mix offers clean dialogue, background details and a fair amount of channel separation.
A decent 5.1 Surround mix is the only audio option on this disc.
The mix of fetish wear, brilliantly designed cyber punk technology and super cool actors (both Reeves and Fishburne were catapulted into mega-stardom by this film) makes for an audio visual cocktail that influenced virtually every film that followed.
Active and scary, but properly modulated for dialogue scenes, this is a reference - quality audio mix.
The 5.1 Dolby Digital mix possesses your audio equipment and forces it to work overtime.
Sound is offered in 5.1 DTS - HD master audio, an upgrade over the original 4 - track stereo mix that, given the lack of an alternative, appears to have earned Altman's blessing at some point.
These scenes (the initial attack on young Conan's village, the final battle, and several others) should have a choral section during Basil Poledouris» «Riders of Doom», but it had been mistakenly omitted from the new audio mix.
Surrounds are used often and most efficaciously to generate a broad dispersion of the audio, with booming LFE adding serious punch to the mix's low end.
In BURDEN, Timothy Marrinan and Richard Dewey look at the artist's works and private life with an innovative mix of still - potent videos of his 70s performances, personal videos and audio recordings, friends, fellows students and colleagues, critics» comments and latter day footage at his Topanga Canyon studio, all peppered with his thoughts and musings through the years.
Meanwhile, the 5.1 DTS - HD master audio mix does a fine job of distributing sounds, period songs, and Silvestri's appealing score.
Further inspiration arrives with an alternate «audience participation» audio track, which mixes the film's normal sound with properly timed screams and cheers from a theater full of fans.
The audio track, which boasts a speaker - filling 7.1 mix, suitably mounts composer Michael Kamen's ever - present orchestral score as the film's audio - visual stThe audio track, which boasts a speaker - filling 7.1 mix, suitably mounts composer Michael Kamen's ever - present orchestral score as the film's audio - visual stthe film's audio - visual star.
An intense and genre - defying musical journey combining organic electronic music and a live orchestra, recorded and mixed in 3D audio with the Brussels Philharmonic at Galaxy Studios, Belgium, Derivière's score conveys a vast spectrum of emotions whereby all the music is connected directly to the meaning of the game.
Disney was generally doing 5.1 mixes for their direct - to - video films back in 2002 and you'd think this would get one now, or at least an uncompressed two - channel DTS - HD master audio mix.
The Blu - ray reflects the film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying completeThe Blu - ray reflects the film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying completethe film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying completethe sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying completely.
The often - stilted dialogue (Montgomery bemoans in the commentary that he wishes they'd, he and Bigelow, spent more time on the screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundstaThe often - stilted dialogue (Montgomery bemoans in the commentary that he wishes they'd, he and Bigelow, spent more time on the screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundstathe commentary that he wishes they'd, he and Bigelow, spent more time on the screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundstathe screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundstathe water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundstathe preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundstathe latter of which does a remarkable job of distributing information across the soundstathe soundstage.
The 5.1 DTS - HD master audio soundtrack is surprisingly robust, getting your attention with crisp recordings of proper weight and fittingly mixed and distributed effects and music.
Scroll down to check out the bonus features, including a new 7.1 audio mix (as well as the original mono) and a new commentary tack by John Carpenter and Jamie Lee Curtis, and then let us know what you think of the announcement in the comments!
There's also an English «audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.
Similarly, Dolby Digital 5.1 used to represent the peak (and standard) of home theater audio, but these discs» mixes feel kind of lackluster, often making limited use of the sound field despite the genre leanings.
Conversely, for better or worse, nothing stands out about the Dolby Digital 5.1 audio, which reproduces a run - of - the - mill comedy mix with adequate clarity.
Checking the audio before mixing.
An atmospheric narrative - platformer about a service robot stranded on a mysterious planet, Planet of the Eyes features a stunning visual mix of puzzle and platforming challenges, an original musical score, and fully voiced audio logs left by another survivoAn atmospheric narrative - platformer about a service robot stranded on a mysterious planet, Planet of the Eyes features a stunning visual mix of puzzle and platforming challenges, an original musical score, and fully voiced audio logs left by another survivoan original musical score, and fully voiced audio logs left by another survivor.
Housed in a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio mix, and optional English and Spanish subtitles.
The single Dolby Digital 5.1 audio track here presents the film's original matrixed surround mix, but in discrete channels; as a result, the surrounds are mono (though they're encoded as two separate channelThe single Dolby Digital 5.1 audio track here presents the film's original matrixed surround mix, but in discrete channels; as a result, the surrounds are mono (though they're encoded as two separate channelthe film's original matrixed surround mix, but in discrete channels; as a result, the surrounds are mono (though they're encoded as two separate channelthe surrounds are mono (though they're encoded as two separate channels).
As for the audio, the primary audio track on the DVD is a Dolby Digital 5.1 mix.
The audio track is similarly excellent, especially considering the film's mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and the Mothers of InventiThe audio track is similarly excellent, especially considering the film's mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and the Mothers of Inventithe film's mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and the Mothers of Inventithe Mothers of Invention.
The mix stays largely in the front, but the audio is appropriately divided among the three channels theThe mix stays largely in the front, but the audio is appropriately divided among the three channels thethe front, but the audio is appropriately divided among the three channels thethe audio is appropriately divided among the three channels thethe three channels there.
The audio is a DTS: x mix that works well with this strong soundtrack.
a b c d e f g h i j k l m n o p q r s t u v w x y z