The movie itself comes in 2.0, 5.1 and
DTS audio mixes, with optional English subtitles.
Not exact matches
Still,
the idea of Sonos»
audio quality and connectivity
mixed with
the Echo's intelligence is compelling, although
the new Echo and Apple's HomePod will give
the One
some competition.
Adobe's Creative Cloud includes Adobe Premiere Pro for editing video; After Effects for video effects, titling, color correction; Audition for
audio fixes and
mixing; and Media Encoder to render out
an H. 264 file perfect for You Tube, Vimeo and
all crowdfunding websites.
«I look at it as 18 baseball games played simultaneously and then we choose which of
those baseball games you get,»
audio mixer Chris Acker observed.
AI Pro will provide
a minimum of five weekly podcasts (
audio content) for listeners with
a mix of Anfield Index podcasters as well as professionals and ex-professionals from
the world of football and football media.
The best 12 - inch subwoofers offer
a great
mix of
audio quality and standard size.
This idea has received mixed reactions from audio fans who believe that the numbers are more important, but Bose has stuck to this philosophy and continued to produce comfortable hi - fi headphones with reliable high standa
This idea has received
mixed reactions from
audio fans who believe that
the numbers are more important, but Bose has stuck to
this philosophy and continued to produce comfortable hi - fi headphones with reliable high standa
this philosophy and continued to produce comfortable hi - fi headphones with reliable high standards.
They identified
the regions of
the auditory cortex that contribute to AAD and found that
the system decoded
the attention of
the listener and amplified
the voice he or she wanted to listen to, using only
the mixed audio.
Mixing audio sources together is
a little like pouring milk into coffee.
By
the end of
the iteration process, our algorithm's estimate of
the masking function based on its analysis of
the mixed audio is quite close to
the actual masking function computed using
the true
audio signals that made up
the mixture.
An eclectic
mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music into 4, 45 minute
audio - guided workouts.
An eclectic mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music for an audio - guided workout to move your body and change your lif
An eclectic
mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music for
an audio - guided workout to move your body and change your lif
an audio - guided workout to move your body and change your life.
There are
a number of
audio options, including
a 7.1
DTS - HD
mix in both English and Italian.
The audio has been
mixed in 5.1 Dolby, highlighting Ennio Morricone's Oscar - nominated score.
The core gameplay is rather uninspired but works well enough, the visuals and audio are both mixed bags, and the campaign is a decent enough length but never really offers a great sense of accomplishme
The core gameplay is rather uninspired but works well enough,
the visuals and audio are both mixed bags, and the campaign is a decent enough length but never really offers a great sense of accomplishme
the visuals and
audio are
both mixed bags, and
the campaign is a decent enough length but never really offers a great sense of accomplishme
the campaign is
a decent enough length but never really offers
a great sense of accomplishment.
Another extra examines
the nervous, fancy opening titles sequence, with two commentaries and several versions,
audio mixes, etc..
The 5.1 DTS - HD master audio mix is more thrilling yet, utilizing all speakers tastefully and heavily, never drowning out dialogue or making you reach for the remo
The 5.1
DTS - HD master
audio mix is more thrilling yet, utilizing
all speakers tastefully and heavily, never drowning out dialogue or making you reach for
the remo
the remote.
I didn't expect much from it because
this kind of film doesn't really lend itself to spectacular
audio mixes;
those seem more
the domain of action flicks.
It has
a middle that's padded,
a look that could use
a few more light bulbs,
a protagonist who never earns our sympathy, and
an audio mix that leans much too heavily on
the bass, often making it impossible to understand what's being said.
The DTS mix created a marginally more dynamic setting but I didn't think the new disc's audio was a marked improvement on the old disc's tra
The DTS mix created
a marginally more dynamic setting but I didn't think
the new disc's audio was a marked improvement on the old disc's tra
the new disc's
audio was
a marked improvement on
the old disc's tra
the old disc's track.
Also, although
the soundtrack isn't
the «hit - em - over-
the-head» variety, it is
a great example of well - blended and properly balanced
audio mixing, which makes it
the perfect complement for
the video presentation.
The audio doesn't suffer from
any technical problems, as
this Dolby Digital 2.0
mix offers clean dialogue, background details and
a fair amount of channel separation.
A decent 5.1 Surround
mix is
the only
audio option on
this disc.
The mix of fetish wear, brilliantly designed cyber punk technology and super cool actors (
both Reeves and Fishburne were catapulted into mega-stardom by
this film) makes for
an audio visual cocktail that influenced virtually
every film that followed.
Active and scary, but properly modulated for dialogue scenes,
this is
a reference - quality
audio mix.
The 5.1 Dolby Digital
mix possesses your
audio equipment and forces it to work overtime.
Sound is offered in 5.1
DTS - HD master
audio,
an upgrade over
the original 4 - track stereo
mix that, given
the lack of
an alternative, appears to have earned Altman's blessing at
some point.
These scenes (
the initial attack on young Conan's village,
the final battle, and several others) should have
a choral section during Basil Poledouris» «Riders of Doom», but it had been mistakenly omitted from
the new
audio mix.
Surrounds are used often and most efficaciously to generate
a broad dispersion of
the audio, with booming LFE adding serious punch to
the mix's low end.
In BURDEN, Timothy Marrinan and Richard Dewey look at
the artist's works and private life with
an innovative
mix of still - potent videos of his 70s performances, personal videos and
audio recordings, friends, fellows students and colleagues, critics» comments and latter day footage at his Topanga Canyon studio,
all peppered with his thoughts and musings through
the years.
Meanwhile,
the 5.1
DTS - HD master
audio mix does
a fine job of distributing sounds, period songs, and Silvestri's appealing score.
Further inspiration arrives with
an alternate «audience participation»
audio track, which
mixes the film's normal sound with properly timed screams and cheers from
a theater full of fans.
The audio track, which boasts a speaker - filling 7.1 mix, suitably mounts composer Michael Kamen's ever - present orchestral score as the film's audio - visual st
The audio track, which boasts
a speaker - filling 7.1
mix, suitably mounts composer Michael Kamen's ever - present orchestral score as
the film's audio - visual st
the film's
audio - visual star.
An intense and genre - defying musical journey combining organic electronic music and
a live orchestra, recorded and
mixed in 3D
audio with
the Brussels Philharmonic at Galaxy Studios, Belgium, Derivière's score conveys
a vast spectrum of emotions whereby all
the music is connected directly to
the meaning of
the game.
Disney was generally doing 5.1
mixes for their direct - to - video films back in 2002 and you'd think
this would get one now, or at least
an uncompressed two - channel
DTS - HD master
audio mix.
The Blu - ray reflects the film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying complete
The Blu - ray reflects
the film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying complete
the film's high enough production values, with
the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying complete
the sharp 2.40:1 widescreen transfer and potent 5.1
DTS - HD master
audio sound
mix both satisfying completely.
The often - stilted dialogue (Montgomery bemoans in the commentary that he wishes they'd, he and Bigelow, spent more time on the screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundsta
The often - stilted dialogue (Montgomery bemoans in
the commentary that he wishes they'd, he and Bigelow, spent more time on the screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundsta
the commentary that he wishes they'd, he and Bigelow, spent more time on
the screenplay) and amateurish biker - boy performances blown out of the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundsta
the screenplay) and amateurish biker - boy performances blown out of
the water by Dafoe's oily naturalism are reproduced in three audio mixes: DD 2.0 mono, DD 2.0 stereo, and the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundsta
the water by Dafoe's oily naturalism are reproduced in three
audio mixes: DD 2.0 mono, DD 2.0 stereo, and
the preferred DD 5.1, the latter of which does a remarkable job of distributing information across the soundsta
the preferred DD 5.1,
the latter of which does a remarkable job of distributing information across the soundsta
the latter of which does
a remarkable job of distributing information across
the soundsta
the soundstage.
The 5.1
DTS - HD master
audio soundtrack is surprisingly robust, getting your attention with crisp recordings of proper weight and fittingly
mixed and distributed effects and music.
Scroll down to check out
the bonus features, including
a new 7.1
audio mix (as well as
the original mono) and
a new commentary tack by John Carpenter and Jamie Lee Curtis, and then let us know what you think of
the announcement in
the comments!
There's also
an English «
audio description track» for
the visually impaired (in which
a woman delivers pithy descriptions of
the on - screen action in
a hurried voiceover layered atop
a Dolby Digital 5.1
mix), plus
a French Dolby Digital 5.1 track.
Similarly, Dolby Digital 5.1 used to represent
the peak (and standard) of home theater
audio, but
these discs»
mixes feel kind of lackluster, often making limited use of
the sound field despite
the genre leanings.
Conversely, for better or worse, nothing stands out about
the Dolby Digital 5.1
audio, which reproduces
a run - of -
the - mill comedy
mix with adequate clarity.
Checking
the audio before
mixing.
An atmospheric narrative - platformer about a service robot stranded on a mysterious planet, Planet of the Eyes features a stunning visual mix of puzzle and platforming challenges, an original musical score, and fully voiced audio logs left by another survivo
An atmospheric narrative - platformer about
a service robot stranded on
a mysterious planet, Planet of
the Eyes features
a stunning visual
mix of puzzle and platforming challenges,
an original musical score, and fully voiced audio logs left by another survivo
an original musical score, and fully voiced
audio logs left by
another survivor.
Housed in
a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with
a Dolby digital 5.1 surround sound
audio mix, and optional English and Spanish subtitles.
The single Dolby Digital 5.1 audio track here presents the film's original matrixed surround mix, but in discrete channels; as a result, the surrounds are mono (though they're encoded as two separate channel
The single Dolby Digital 5.1
audio track here presents
the film's original matrixed surround mix, but in discrete channels; as a result, the surrounds are mono (though they're encoded as two separate channel
the film's original matrixed surround
mix, but in discrete channels; as
a result,
the surrounds are mono (though they're encoded as two separate channel
the surrounds are mono (though they're encoded as two separate channels).
As for
the audio,
the primary
audio track on
the DVD is
a Dolby Digital 5.1
mix.
The audio track is similarly excellent, especially considering the film's mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and the Mothers of Inventi
The audio track is similarly excellent, especially considering
the film's mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and the Mothers of Inventi
the film's
mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and
the Mothers of Inventi
the Mothers of Invention.
The mix stays largely in the front, but the audio is appropriately divided among the three channels the
The mix stays largely in
the front, but the audio is appropriately divided among the three channels the
the front, but
the audio is appropriately divided among the three channels the
the audio is appropriately divided among
the three channels the
the three channels there.
The audio is
a DTS: x
mix that works well with
this strong soundtrack.