Sentences with phrase «dadaist movements»

Rosalind Jacobs» lifelong friendships with many of the iconic artists of the Surrealist and Dadaist movements resulted in an amazing collection of works by Rene Magritte, Marcel Duchamp, Max Ernst, and most substantially, Man Ray.

The Dadaist movement included public gatherings, demonstrations, and publication of art / literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media.

To do so, their inspiration was obviously the Dadaist movement of the»20s, that opened the gates for the development of contemporary art as we know it now (do you remember Duchamp and his Fountain?).

The objects found within her assemblage works offer a direct nod to artists such as Joseph Cornell, Marcel Duchamp and much of the Dadaist movement.

Not exact matches

Dada / Dadaism and the Dadaist artists are here in short described and explained are in short described and explained for art students, pupils and maybe even for art teachers - Dada as the most revolting modern art movement, incl.

His quotes describe in essential the meaning, goals, and characteristics of Dadaism, including the Dadaist artists of this critical art movement.

Rauschenberg and his close friend Jasper Johns are referred to as Neo Dadaists; this category of artists continued the earlier Dada movement in which artists questioned the very definition of a work of art.

A loose generational cohort of artists rather than a stylistically cohesive movement like the Minimalists or Dadaists, the Young British Artists burst on the London scene in the 1990s with intensely attitudinal artworks that injected brainy, Duchamp - influenced Neo-Conceptualism with a liberal helping of grit, sex, and death.

Breton, writer, artist, and anarchist, began as a Dadaist, a counter-cultural movement that opposed excessive rational thought and bourgeois values, which were believed to bring conflict upon the world.

Emerging from the dominant Abstract Expressionism movement and inspired by the Dadaists, Jasper Johns revolutionized the concept and materiality of artwork by employing experimental techniques and different points of view.

From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation.

The New Dada movement takes some principles from the Dadaists, but readapting them to their new era.

Though art historians often cite Futurists and Dadaists among the first performance art practitioners, performance art first came into being as a discrete movement in the late 1950s and early 1960s, with early practitioners including artist - shaman Joseph Beuys, Fluxus artist Yoko Ono and «Happenings» creator Alan Kaprow.

During his early career of the early 1960s, Richter was introduced to American and British Pop art, a style which was just becoming known in Europe, and also to the Dadaist Fluxus movement and its Happenings, founded by the Lithuanian - born American art theorist George Maciunas (1931 - 78).

The Neo-Dada (or New - Dada) is not taking the name of the Dada movement because of a lack of creativity: the link with the Dadaists is very strong.

Working in the lineage of the Dadaists and the Nouveau Réalisme movement, Bradford has honed a refined technique of décollage, a process defined by cutting, tearing away or otherwise removing, pieces of an original image.

Third, again like Dadaists, he believed that the idea behind a work of art was more important than the work itself - a belief he held in common with the growing Conceptual art movement.

Key participants in these movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent» symphony; Sol LeWitt (b. 1928) the High Priest of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator of «Happenings» Allan Kaprow (b. 1927).

Critics have even cited Dadaist influences on the punk rock movement of the 1970s.

Dada International «anti-art» movement originating in Zurich c. 1916, involving Marcel Duchamp, Jean Arp, Francis Picabia, among others; a forerunner of Surrealism; hence Dadaism, Dadaist.