Sentences with phrase «dadaist who»

Dr. Richard Huelsenbeck, the Berlin dadaist who had subsequently become a psychiatrist in New York, introduced Tinguely to a crowd of like - minded postmodernist artists, including Rauschenberg, Stankiewicz, and Chamberlain, to cheer him on.

When I studied art history, the artist was a Dadaist who did some other stuff.

Not exact matches

FRANK How can you resist the idea of Michael Fassbender as a brilliant, Dadaist rock «n» roll mastermind who wears a giant papier - maché head everywhere he goes?

Mixed in with the works of Willumsen are rarely seen works by the better known Dadaist Francis Picabia (1879 — 1953) and newer work by the suddenly resurgent Julian Schnabel (b. 1951), who — as might be expected — is the main draw.

He associated with Dadaists and Surrealists, who were contemptuous of the constrictions of bourgeois society and its art, and sought radically new forms of representation.

Etel Adnan (b. 1925 in Beirut, Lebanon, and lives between California and France) is an award - winning author, playwright, poet, and visual artist, who, in the tradition of the Dadaists and Surrealists, moves fluidly between writing and art making.

Kurt Schwitters, who produced art at the same time as the Dadaists, shows a similar sense of the bizarre in his «merz» works.

Described as a «Dadaist love story,» Une danse des bouffons (or A jester's dance) is the artist's fictionalized account of the ill - fated, romantic affair between Marcel Duchamp and Brazilian sculptor Maria Martins (who served as the model for Duchamp's last major artwork Étant donnés).

Yves Klein, who was a foreigner, I was really interested in; because, again, there I saw in him a real Dadaist, a man who was able to show an empty room or those blue, blue paintings.

The Dada attitude of «anything goes» was certainly embraced by the artists who, like the original Dadaists, used unorthodox materials in protest against the traditions of «high art».

«Through Leger, Matter met and began working for Swiss graphic designer and photographer Herbert Matter, who, as an artist for Condé Nast publications, was largely responsible for translating the photomontage innovations of the dadaists into the visual vocabulary of the cultural mainstream.

But Fort Gansevoort flips the script on millennia of male - dominated athletics with art works by thirty - one women made between the mid-twentieth century and now, from Elizabeth Catlett's jubilant 1958 print of a barefoot girl jumping rope to a just - finished collage of a pigtailed boxer by Deborah Roberts, a young artist who borrows the Dadaist strategies of Hannah Höch for the era of Black Lives Matter.

For his first extensive presentation in Istanbul, Dirimart opens both galleries, in Dolapdere and Nişantaşı, to the films and photographs of Berlin - based artist Julian Rosefeldt, who has been celebrated worldwide for his film installation Manifesto (2015), a reenactment of historical avant - garde manifestos by artist groups such as the Dadaists, the Situationists, and Futurists, featuring Australian actress Cate Blanchett in thirteen different roles.

This silkscreen (an edition of 20) by Shinro Ohtake is a tribute to German Dadaist Hannah Höch, who was instrumental to the development of 20th - century photomontage.

When i - D first interviewed Marcel Dzama — the Canadian - born, Brooklyn based artist who counts Arcade Fire as collaborators — he was boogieing around David Zwirner's New York gallery in preparation for his Dadaist disco show, Une Danse des Bouffons.

Key participants in these movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent» symphony; Sol LeWitt (b. 1928) the High Priest of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator of «Happenings» Allan Kaprow (b. 1927).

The new group exhibition at Various Small Fires, Artificial Complexion, is inspired by the work of poet / artist / bohemian Baroness Elsa von Freytag - Loringhoven, an influential Dadaist figure who collaborated frequently with Man Ray and may have conceived Marcel Duchamp's infamous Fountain.

Like their Cubist, Dadaist, and Surrealist ancestors who came to collage in the World War I period, these later makers of collage complement a concern with picture - and world - making with an attention to material instability.