Not exact matches
Matt Boch,
Project Lead on
Dance Central 3, talks to GamesRadar about the challenges Harmonix faced
throughout the entire series, and how that learning contributed to their creation of the forthcoming booty - shaker.
Rethorst's work has been presented by The Museum of Modern Art, The Kitchen,
Dance Theater Workshop, Danspace Project at St. Mark's Church, and the Whitney Museum Of American Art, as well as at various dance theaters, universities, and festivals throughout the United St
Dance Theater Workshop, Danspace
Project at St. Mark's Church, and the Whitney Museum Of American Art, as well as at various
dance theaters, universities, and festivals throughout the United St
dance theaters, universities, and festivals
throughout the United States.
Chinati's presentation of Solange's «Scales» continues a tradition of musical and
dance performances throughout the installations at the museum, including residencies and collaborations with Karole Armitage, L.A. Dance Project, Jen Rosenblit, Sounds Modern, Sonic Youth, Yo La Tengo, and th
dance performances
throughout the installations at the museum, including residencies and collaborations with Karole Armitage, L.A.
Dance Project, Jen Rosenblit, Sounds Modern, Sonic Youth, Yo La Tengo, and th
Dance Project, Jen Rosenblit, Sounds Modern, Sonic Youth, Yo La Tengo, and the xx.
With the ground - breaking performance ensemble at its core, ongoing initiatives like the Summer Leadership Institute (SLI), BOLD (Builders, Organizers & Leaders through
Dance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies; projecting the voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art ma
Dance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies;
projecting the voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the
dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art ma
dance field and
throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art makers.
Cage lectured
throughout; David Tudor played the piano, though what he performed is uncertain; Charles Olson and M.C. Richards read poetry from a ladder; Robert Rauschenberg's «White Paintings» were hung from the ceiling and he played records on an old wind - up phonograph; film and slides were
projected on opposing walls and possibly on Rauschenberg's paintings; and Merce Cunningham
danced, at one point followed by a dog.