Sentences with phrase «dangerous men opens»

Not exact matches

But the dreamers of the day are dangerous men for they may act out their dreams with open eyes to make them possible.»

Their attitude is akin to that of the scientists who probe through their respective disciplines into aspects of man's environment, but with a difference: the scientists are confident that, if they are persistent and employ the right methods, they can enlarge man's knowledge of what they believe is an orderly universe and open the dangerous possibility to the utilization of the universe by men.

Atalanta: dangerous turnover in own half, lead to a breakaway goal; 2nd goal — covers literally nobody in the center of no man's land while Strootman is late to cover an open man at the edge of the box after seeing Gonalons is just not moving

I would argue that, when you are down to 10 men, Giroud brings more to the table in every area than a striker like Aguero because, not only is he dangerous in open play, he is an asset at set - plays too.

OPENING THIS WEEK by Kam Williams For movies opening September 7, 2007 BIG BUDGET FILMS 3:10 to Yuma (R for violence and profanity) Christian Bale and Russell Crowe co-star in this remake of the 1957 classic Western about the dangerous gauntlet across the desert negotiated by a broke rancher out to collect a bounty for escorting an outlaw man to a train waiting to transport the wanted man to jOPENING THIS WEEK by Kam Williams For movies opening September 7, 2007 BIG BUDGET FILMS 3:10 to Yuma (R for violence and profanity) Christian Bale and Russell Crowe co-star in this remake of the 1957 classic Western about the dangerous gauntlet across the desert negotiated by a broke rancher out to collect a bounty for escorting an outlaw man to a train waiting to transport the wanted man to jopening September 7, 2007 BIG BUDGET FILMS 3:10 to Yuma (R for violence and profanity) Christian Bale and Russell Crowe co-star in this remake of the 1957 classic Western about the dangerous gauntlet across the desert negotiated by a broke rancher out to collect a bounty for escorting an outlaw man to a train waiting to transport the wanted man to justice.

A Dangerous Method, which opens Friday at Landmark's Century Centre and Century 12 / CineArts 6, never really delivers on that promise, mainly because its scenes of two brilliant men discussing the nature of the subconscious can't compare with Cronenberg's visual rendering of that subconscious in earlier movies.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible.»

Many of the portraits are of groups: young bucks wearing shirts opened to the waist pay homage to the gangster chic of Eddie Constantine, the French B - movie star of the day; elegantly dressed Senegalese women outdo each other in their displays of sparkling teeth; uniformed men from the armed forces exude a dangerous grace, their coiled - up martial menace recalling August Sander's portraits of the Wehrmacht and members of the German SS.